All stories by Alexis Soloski on BroadwayStars

Wednesday, June 20, 2018

For ‘Mary Page Marlowe,’ Six Actresses Share One Role by Alexis Soloski

They portray the title character in this play by Tracy Letts. In a conversation, they talked about their work and the production.

SOURCE: The New York Times Subscription at 10:18AM
Tuesday, June 19, 2018

Review: ‘Sugar in Our Wounds’ May Make You Cry About the Past, and the Present by Alexis Soloski

This Manhattan Theater Club production, written by Donja R. Love and directed by Saheem Ali, is set in the antebellum South.

SOURCE: The New York Times Subscription at 10:06PM
Wednesday, June 13, 2018

Review: In ‘Red Hills,’ a Guided Tour of Atrocities by Alexis Soloski

Revisiting Rwanda 20 years after the brutal genocide there, two men meet again and fact and fiction are sorted out.

SOURCE: The New York Times Subscription at 08:48PM
Monday, June 11, 2018

A rallying cry for acceptance: how the Tony awards brought the house down by Alexis Soloski

After last year saw Kevin Spacey making a litany of bad jokes, this year’s celebration of Broadway was a kinder affair with a theme of inclusivity throughoutHas it really only been a year …

SOURCE: The Guardian at 03:42PM
Sunday, June 10, 2018

Review: ‘This Was the End,’ a Spectral Riff on Chekhov by Alexis Soloski

Mallory Catlett’s play, a multimedia meditation on memory and decay, imagines the characters of Chekhov’s “Uncle Vanya” 30 or 40 years later.

SOURCE: The New York Times Subscription at 03:12PM
Tuesday, June 5, 2018

Review: In ‘This Is Modern Art,’ Say It and Spray It by Alexis Soloski

This didactic play is based on actual events in Chicago, where graffiti artists tagged a major museum.

SOURCE: The New York Times Subscription at 02:48PM
Monday, June 4, 2018

When the ‘Mean Girls’ Were Teen Girls by Alexis Soloski

Three stars of the hit Tina Fey musical talk about their real-life high school years: the highs, the lows, the bullies and the bell bottoms.

SOURCE: The New York Times Subscription at 02:48PM
Friday, June 1, 2018

the 25 best american plays: The Ones We Left Behind by Ben Brantley, Jesse Green, Laura Collins-Hughes, Alexis Soloski and Elisabeth Vincentelli

Majority rule (mostly). One play per playwright. How we put together the 25 Plays list, and a bid to remember notable writers and favorite works that missed the cut.

SOURCE: The New York Times Subscription at 12:48AM
Thursday, May 31, 2018

The Boys in the Band review – Broadway revival of landmark gay show is a winner by Alexis Soloski

Booth Theater, New YorkA starry cast delights in a glossy new version of the 1968 play that balances sharp wit with uncomfortable observationsSticks and stones will break your bones. Words w…

SOURCE: The Guardian at 11:18PM

13 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:48PM

Encounters: This Harry Potter Uses a Bow and Arrow. Not a Wand. by Alexis Soloski

Jamie Parker, who portrays the grown-up wizard in Broadway’s “Harry Potter and the Cursed Child,” repairs to the archery range on his day off.

SOURCE: The New York Times Subscription at 01:18AM
Thursday, May 24, 2018

14 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:24PM

Review: In ‘Ding Dong It’s the Ocean,’ Seas Rise and a Party Crashes by Alexis Soloski

The play, created by Rady & Bloom, follows a celebration that goes nowhere, with nothing going according to plan.

SOURCE: The New York Times Subscription at 01:48PM
Wednesday, May 23, 2018

Ivanov – review by Alexis Soloski

Classic Stage Company, New YorkLast summer, at least three different Uncle Vanyas bestrode New York stages. Recent years have also witnessed fields of cherry orchards, a small flock of seagu…

SOURCE: The Guardian at 10:32PM
Thursday, May 17, 2018

Review: In Centuries-Spanning ‘Bump,’ It’s Always Labor Day by Alexis Soloski

Pregnancy and child birth get laughs in Chiara Atik’s sketch-comedy-inspired play.

SOURCE: The New York Times Subscription at 09:18PM

11 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:48PM
Monday, May 14, 2018

Review: With Help From a Gun, a ‘Twelfth Night’ Goes Dark by Alexis Soloski

The Acting Company’s production, which runs through May 27 at the Polonsky Shakespeare Center, nods to violence and hits the play’s grimmer notes.

SOURCE: The New York Times Subscription at 02:12PM
Thursday, May 10, 2018

9 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:24PM
Wednesday, May 9, 2018

‘Harry Potter’ Director’s 5 Influences: Kate Bush, Tennessee Williams and More by Alexis Soloski

John Tiffany regularly makes magic on stage, never more than in the Tony-nominated show. But what made him?

SOURCE: The New York Times Subscription at 12:48PM
Monday, May 7, 2018

Chekhov on Film: A Playwright Who’s Always Ready for His Close-Up by Alexis Soloski

When his work is adapted for the big screen, you’re liable to see everything from kangaroos in love to cutting French cheekbones.

SOURCE: The New York Times Subscription at 06:18PM
Friday, May 4, 2018

From Three Troubled Lives, a Play and a New Family by Alexis Soloski

Lucy Thurber was inspired by two of her students when she wrote “Transfers.” The young men watch the play and then catch up with Ms. Thurber.

SOURCE: The New York Times Subscription at 10:18AM
Tuesday, May 1, 2018

Tony awards 2018: glitzy nominations reflect Broadway's blockbuster year by Alexis Soloski

SpongeBob, Mean Girls and Harry Potter lead the way after a record-breaking year but are the big-budget productions hampering original alternatives?A humble sponge is feeling pretty good rig…

SOURCE: The Guardian at 01:06PM
Friday, April 27, 2018

Review: Does Power Corrupt in ‘Henry V’? Absolutely by Alexis Soloski

The production of this history play, by the Public Theater’s Mobile Unit, is a provocative choice in a volatile political moment.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, April 26, 2018

The Iceman Cometh review – Denzel Washington's mixed return to Broadway by Alexis Soloski

Bernard B Jacobs Theater, New YorkThe Oscar-winner takes lead duties in a revival of Eugene O’Neill’s epic downer and while his star power is as bright as ever, the production has proble…

SOURCE: The Guardian at 08:48PM

9 Plays and Musicals to Go to in NYC This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:06PM
Monday, April 23, 2018

Review: ‘Sancho: An Act of Remembrance,’ Recalls a British Pioneer by Alexis Soloski

In his solo show, Paterson Joseph plays an 18th-century gentleman said to have been the first black Briton to vote.

SOURCE: The New York Times Subscription at 11:48AM
Sunday, April 22, 2018

Harry Potter and the Cursed Child review – thrilling Broadway transfer is magic by Alexis Soloski

Lyric Theater, New YorkJK Rowling’s wildly popular stage show has been brought to life again with audacious production design and crowd-pleasing wonderAnyone who tells you that adolescence…

SOURCE: The Guardian at 10:12PM
Thursday, April 19, 2018

My Fair Lady review – dazzling Broadway revival is a sweet treat by Alexis Soloski

Vivian Beaumont Theater, New YorkLauren Ambrose and Harry Hadden-Paton deliver standout performances in a crowd-pleasing new production of the classic taleA splendiferous layer cake with a b…

SOURCE: The Guardian at 11:33PM
Wednesday, April 18, 2018

Parkland Survivors Get a Broadway Master Class in Healing by Alexis Soloski

Florida students began rehearsing “Spring Awakening” before the Feb. 14 shooting at their high school. They wanted to keep going. The show’s original cast came to support them.

SOURCE: The New York Times Subscription at 03:48PM
Wednesday, April 11, 2018

Joan of Arc, Superstar? Not to the Woman Playing Her by Alexis Soloski

In “Saint Joan,” Condola Rashad tackles a classic role. But she’s interested in the woman, not the symbol.

SOURCE: The New York Times Subscription at 05:00AM
Tuesday, April 10, 2018

Review: In ‘Dutch Masters,’ Subway Seatmates, So Close and Yet So Far by Alexis Soloski

Greg Keller’s two-character play encourages the audience to wonder: Just what’s up with that guy nearby?

SOURCE: The New York Times Subscription at 09:45PM