Tuesday, November 13, 2001 at midnight (Broadway Time)
[collapse]

Archive Import - Comment

With respect to the Dodger story, I received the following email:

    Re: The Dodgers or any other producer negotiating more favorable terms than the League
    Most, if not all, the contracts contain a Most Favored Nations (MFN) clause. If a union gives the Dodgers, or any other producer, more favorable terms than are in the League contract, then the union must also give the same terms to the League.
    For this reason, the unions are not likely to give the Dodgers better terms. Disney ran into this problem when they negotiated their contract.
That is a good point that the writer brings up. I wonder if Favored Nations would hold up against projects out of scope, with either the unions or producers claiming that they are substantially different than their counterpart. Take for instance the 501-C-3 organizations: do Lincoln Center and Roundabout not produce "Broadway shows" in "Broadway venues" yet operate under a different contract? (LORT rather than Production). So under the logic proposed by the writer, every Broadway show should be afforded Favored Nations with respect to the contract that that Thou Shalt Not is afforded -- which we know is not the case.

SOURCE: BroadwayStars at 12:00AM[SHARE]

On Stage, a Day in the Life of an Idiosyncratic Physicist by Dennis Overbye

Richard Feynman, a physicist at the California Institute of Technology, was the scientist as he might have been imagined by Jack Kerouac.

SOURCE: The New York Times Subscription at 12:00AM[SHARE]

Dates Set for Boy George Musical in London

Dates are set for the world premiere run of the Boy George musical, Taboo. The production will begin performances at London’s The Venue on January 11 in preparation for a January 29 openi…

SOURCE: Broadway.com at 12:00AM[SHARE]

Eddie Izzard Takes On Joe Egg in the West End

Comedian Eddie Izzard is set to take over the lead in Peter Nichols' A Day In The Death Of Joe Egg when the play transfers to the West End’s Comedy Theatre in December. The show is currently ru...[Read More]

SOURCE: Broadway.com at 12:00AM[SHARE]

CSC Holds Benefit for Ladder Company #3

Bill Irwin, John Turturro, Roger Rees, Kathleen Chalfant, Gloria Deluxe and Humble-Foster are scheduled to appear in Classic Stage Company’s benefit for Ladder Company #3. The performance will take pl...[Read More]

SOURCE: Broadway.com at 12:00AM[SHARE]

Group celebrating Strasberg's 100th

Homage to complement 'Godfather' screening

SOURCE: Variety at 12:00AM[SHARE]

B'way bounces back

B.O. jumps after lackluster previous week
Broadway rebounded nicely from the previous week's B.O. debacle, the direct result of an unusual triple whammy: Halloween, the World Series and the end of daylight savings time. The overall tally last week rose $1,470,503 -- up 13.68% from the week of Oct. 29-Nov. 4 -- for a grand total of $12,213,243.

SOURCE: Variety at 12:00AM[SHARE]

Matinees With Nathan? by Michael Portantiere

As of this writing, and barring an announcement to the contrary, Nathan Lane is scheduled to return to an eight-performance-a-week schedule in The Producers as of Tuesday, November 20.

SOURCE: TheaterMania at 12:00AM[SHARE]

Archive Import - Comment

Now that Variety is talking about the Dodgers defection from The League, it is time to talk about the "what if". What is going to happen if the Dodgers negotiate a more favorable contract with the unions than The League? Will that mean that other producers will leave The League? Having a central point of negotiation is not only good for the producers, but good for the other unions involved also. If there are different production contracts depending upon the producing entity, it makes for a deconstruction of standards and the loss of economies of scale. And what happens in the event that Dodgers partner with other producers who are League members (as so often happens)? What about when Dodgers bring shows on the road to a venue that is a member of The League, what takes prescidence? (I know it happens now, but Disney and SFX sat back at negotiations and their contract is in essence the same as The League's contract.) It seems with Dodger's statement that "The League doesn't represent their (Dodgers) own business interests at this time," that they would like to go it on their own and negotiate. Or perhaps Dodgers will do the same as Disney and SFX and just sit back from the table and save their membership fee. If that is the case, then The League has a problem and needs to prove their value-add to Broadway producers.

SOURCE: BroadwayStars at 12:00AM[SHARE]

Archive Import - Comment

Enough with the things falling from the sky - we're having a tough enough time of it out here.

SOURCE: BroadwayStars at 12:00AM[SHARE]

Simon Serves Borscht Warm — and Funny by Howard Kissel

The simplest way to regard Neil Simon's endearingly funny "45 Seconds From Broadway" is as a work of archeology.

SOURCE: New York Daily News at 12:00AM[SHARE]

Not a Very Tasty Neil by Clive Barnes

There have been plenty of perfectly good plays about nothing in particular. Unhappily Neil Simon's "45 Seconds From Broadway," which opened at the Richard Rodgers Theatre last night, is not…

SOURCE: The New York Post Subscription at 12:00AM[SHARE]

Theater Review | '45 Seconds From Broadway': Broken Lives and Healing at the Coffee Shop by Ben Brantley

Every tough wisecrack in Neil Simon's sincere but paper-thin valentine to New York has a heart as soft as melting butter.

SOURCE: The New York Times Subscription at 12:00AM[SHARE]

Dodger Theatricals Quits League of Producers

What will this mean for Broadway? Stay tuned...

SOURCE: broadway.com at 12:00AM[SHARE]

Dodgers close curtain on league affiliation

Trade org's handling of post-Sept. 11 labor concessions most likely the cause

SOURCE: Variety at 12:00AM[SHARE]

Interview with Neil Berg by Pati Buehler

Neil is very talented person in many areas. He has a good grasp of the pop musical and should be considered one of the writers who will shape Broadway's future.

SOURCE: TalkinBroadway at 12:00AM[SHARE]

Follow Spot

As she moves back to NYC for good, Polly Bergen steps into The Vagina Monologues.

SOURCE: TheaterMania at 12:00AM[SHARE]

Charles Nelson's Casts and Forecasts

Patti LuPone prepares to step into Alma Schindler’s Austrian shoes, while TACT dares to air a Priestley play other than An Inspector Calls.

SOURCE: TheaterMania at 12:00AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off