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By verity healey. verity healey, who spent time in Kosovo for its Theatre Showcase last October, discusses the precarious nature of Kosovo’s independent theatre sector and shares he
By verity healey. verity healey recaps the multidisciplinary arts festival Kunstfest, which took place in Weimar, Germany in late August and early September this year and tackled
By verity healey. verity healey examines how Belarus Free Theatre is making work during COVID-19 and dives in to their latest show, A School for Fools.
By verity healey. verity healey does a deep-dive into the Our Stage – 4th European Bürgerbühne Festival, which took place in Dresden, Germany, in May 2019.
By verity healey. verity healey examines the concept of theatrical space as it applies to two shows that were presented at Germany’s Our Stage festival in May: Invited and A Doll’s House.
By verity healey. verity healey looks at Teatr.doc’s latest show, Torture, and the vital need for “truth-telling” theatre.
By verity healey. verity healey discusses themes and productions from Ghent’s new theatre festival called same same but different.
'Who has the freedom to force choices onto whom and why?': Kate Hewitt's new take on Stephen Adly Guirgis's play questions the possibility of free will within the penal system, writes Verity…
'Sharp and witty': Verity Healey reviews Kristine Landon-Smith's production of Anouilh's farce about a struggling orchestra in post-war France.
The post Review: The Orchestra at Omnibus The…
Verity Healey writes on Stephen Laughton's new play, which explores the impact of an antisemitic attack on a relationship.
The post Review: One Jewish Boy at the Old Red Lion Theatre appeare…
By verity healey.
Swiss theatre director Milo Rau's working methods let members of the public into the rehearsal room. Here, he tells Verity Healey why "community theatre IS theatre".
The post Milo Rau’…
Youth and age, past and future: Verity Healey reviews Vinay Patel's new play about an Indian couple and their route to London via Kenya.
The post Review: An Adventure at Bush Theatre appeare…
"Shouldn’t more plays be activist?" Verity Healey explores how shows including E15, My Country and Denmarked intersect with real-life protest movements.
The post How verbatim work is brin…