All stories by Verity Healey on BroadwayStars

Tuesday, November 28, 2023

“Interview with Ukrainian Actor Orest Pastukh” by Verity Healey

Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the Galicia region (Western region) of Ukraine and graduated from the Institute of Art at the Car…

SOURCE: at 06:42AM
Thursday, October 19, 2023

Dear England/England Now by Verity Healey

By verity healey. Spurred on by the National Theatre production of James Graham’s Dear England, verity healey discusses the notion that theatre in the United Kingdom might have a few thing…

SOURCE: HowlRound at 10:28AM
Wednesday, June 14, 2023

“All Of It,” At The Royal Court, London by Verity Healey

What is life? How can it be measured? How is it possible to compare one experience of life with another one? all of it, three extraordinary play poems by Alistair McDowall ask the unanswerab…

SOURCE: at 08:20AM
Tuesday, January 10, 2023

Female Stories from Kosovo: How Two Plays Look at the Loneliness of Balkan Women by Verity Healey

By verity healey. Theatremaker verity healey discusses two plays from Kosovo’s 2022 Theatre Showcase that highlight Balkan women’s stories and struggles.

SOURCE: HowlRound at 10:42AM
Tuesday, December 20, 2022

“Father and Father” and the 1600 Still Missing from the Kosovo War by Verity Healey

If you don’t know about loss, then you will by the end of this show. Sara (Ilire Vinca) is married to Din (Bujar Ahmeti). They have a daughter, Lola (Kosovare Krasniqi), who looks a simila…

SOURCE: at 07:22AM
Sunday, December 11, 2022

“Our Son”—Kosovo Theatre Showcase ‘22 by Verity Healey

Meta-theatre has been a bit of a theme at Kosovo’s latest independent theatre showcase in Prishtina. Perhaps it’s a coincidence, but I would lay a bet it’s not. More likely, it is an e…

SOURCE: at 03:15PM
Thursday, December 1, 2022

Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…” by Verity Healey

“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights activist, theatremaker, filmmaker and producer on the Kosovo theatre scene for more than a …

SOURCE: at 02:15PM
Sunday, November 13, 2022

“The Handke Project,” Kosovo Theatre Showcase by Verity Healey

The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project – written by Kosovo and international playwright Jeton Neziraj and directed by his wife Ble…

SOURCE: at 03:15PM
Wednesday, November 9, 2022

“Husino’s Miner” at Dodona Theatre, Prishtina, Kosovo by Verity Healey

Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco all right. The traditional disco ball is replaced by a rotating Husino Miner, a sculpture o…

SOURCE: at 05:25AM
Monday, August 15, 2022

Gathering Momentum: Türkiye’s Independent Theatre in President Erdoğan’s Near-Autocracy by Verity Healey

By verity healey. verity healey describes the power and significance of independent theatre in Türkiye by sharing her experience at the theatre festival, TheatreIST.

SOURCE: HowlRound at 09:17AM
Monday, February 7, 2022

Walk with Amal: The Five-Thousand-Mile-Long Theatrical Provocation by Verity Healey

By verity healey. verity healey shares the journey and impact of Walk with Amal, an interactive, artistic project that centered on a large puppet refugee girl travelling through Europe.

SOURCE: HowlRound at 11:05AM
Monday, January 25, 2021

There’s an array of theatrical talent on display in Kosovo. So why won’t its government support it properly? by Verity Healey

By verity healey. verity healey, who spent time in Kosovo for its Theatre Showcase last October, discusses the precarious nature of Kosovo’s independent theatre sector and shares he

SOURCE: HowlRound at 02:00AM
Monday, November 23, 2020

Welcome to Weimar Kunstfest by Verity Healey

By verity healey. verity healey recaps the multidisciplinary arts festival Kunstfest, which took place in Weimar, Germany in late August and early September this year and tackled

SOURCE: HowlRound at 02:00AM
Tuesday, June 30, 2020

At Home and in Lockdown with Belarus Free Theatre by Verity Healey

By verity healey. verity healey examines how Belarus Free Theatre is making work during COVID-19 and dives in to their latest show, A School for Fools.

SOURCE: HowlRound at 02:00AM
Sunday, August 4, 2019

Participatory Theatre by Verity Healey

By verity healey. verity healey does a deep-dive into the Our Stage – 4th European Bürgerbühne Festival, which took place in Dresden, Germany, in May 2019.

SOURCE: HowlRound at 09:00AM
Tuesday, July 23, 2019

Thinking About Space in Invited and A Doll’s House at Germany’s Our Stage Festival by Verity Healey

By verity healey. verity healey examines the concept of theatrical space as it applies to two shows that were presented at Germany’s Our Stage festival in May: Invited and A Doll’s House.

SOURCE: HowlRound at 09:00AM
Tuesday, June 4, 2019

The Search for Truth in Putin’s Russia by Verity Healey

By verity healey. verity healey looks at Teatr.doc’s latest show, Torture, and the vital need for “truth-telling” theatre.

SOURCE: HowlRound at 09:00AM
Tuesday, May 7, 2019

Exploring Colonization and Identity at Belgium’s New Theatre Festival by Verity Healey

By verity healey. verity healey discusses themes and productions from Ghent’s new theatre festival called same same but different.

SOURCE: HowlRound at 09:00AM
Friday, February 22, 2019

Review: Jesus Hopped the ‘A’ Train, Young Vic by Verity Healey

'Who has the freedom to force choices onto whom and why?': Kate Hewitt's new take on Stephen Adly Guirgis's play questions the possibility of free will within the penal system, writes Verity…

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Friday, February 1, 2019

Review: The Orchestra at Omnibus Theatre by Verity Healey

'Sharp and witty': Verity Healey reviews Kristine Landon-Smith's production of Anouilh's farce about a struggling orchestra in post-war France. The post Review: The Orchestra at Omnibus The…

SOURCE: at 11:25AM
Sunday, December 16, 2018

Review: One Jewish Boy at the Old Red Lion Theatre by Verity Healey

Verity Healey writes on Stephen Laughton's new play, which explores the impact of an antisemitic attack on a relationship. The post Review: One Jewish Boy at the Old Red Lion Theatre appeare…

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Thursday, December 13, 2018
Wednesday, October 10, 2018

Milo Rau’s Theatre of Cooperation and Openness by Verity Healey

Swiss theatre director Milo Rau's working methods let members of the public into the rehearsal room. Here, he tells Verity Healey why "community theatre IS theatre". The post Milo Rau’…

SOURCE: at 06:20AM
Saturday, September 15, 2018

Review: An Adventure at Bush Theatre by Verity Healey

Youth and age, past and future: Verity Healey reviews Vinay Patel's new play about an Indian couple and their route to London via Kenya. The post Review: An Adventure at Bush Theatre appeare…

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Thursday, April 13, 2017

How verbatim work is bringing protests in theatres by Verity Healey

"Shouldn’t more plays be activist?" Verity Healey explores how shows including E15, My Country and Denmarked intersect with real-life protest movements. The post How verbatim work is brin…

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Monday, November 9, 2015

Zone of Silence by Verity Healey

Towards the light. The post Zone of Silence appeared first on Exeunt Magazine NYC.

SOURCE: at 07:45AM

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