All stories by Tony Frankel on BroadwayStars

Friday, May 11, 2012

Chicago Theater Review: OPUS 1861: THE CIVIL WAR IN SYMPHONY (City Lit Theater) by Tony Frankel

A WAR OF IDEAS For the first forty-five minutes of City Lit’s OPUS 1861, a miracle occurred: I wept. Consistently. The simple but mighty idea is this: six actors dressed in simple army fat…

SOURCE: Stage and Cinema at 04:23PM
Thursday, May 3, 2012

Chicago Theater Review: TIMON OF ATHENS (Chicago Shakespeare Theater on Navy Pier in Chicago) by Tony Frankel

TIMON ON OUR HANDS OK, raise your hand if you have read Shakespeare’s Timon of Athens. No? Do you even know how to say Timon? It is pronounced TIME-uhn. Have you seen a production? Probabl…

SOURCE: Stage and Cinema at 07:04PM
Wednesday, May 2, 2012

Chicago Theater Review: THE DUCHESS OF MALFI (Strawdog Theatre Company in Chicago) by Tony Frankel

TOO MANY THEATER INGREDIENTS SPOIL THE BROTH If there were a Joseph Jefferson Award simply for risk-taking in the theatre, Brandon Bruce would most assuredly win for his direction of John We…

SOURCE: Stage and Cinema at 01:45AM
Saturday, April 28, 2012

Los Angeles Theater Review: A NEW BRAIN (Alex Theatre in Glendale) by Tony Frankel

ONE FROGGY EVENING Once again, Musical Theatre Guild (MTG), a company of professional performers who present concert-staged readings, has produced a stellar offering of a rarely-seen musical…

SOURCE: Stage and Cinema at 02:01PM
Tuesday, April 24, 2012

Chicago Theater Review: SIXTY MILES TO SILVERLAKE (Flat Iron Arts Building in Chicago) by Tony Frankel

SIXTY MILES TO NOWHERE The setting for Dan LeFranc’s Sixty Miles to Silverlake is the front seat of a car. Ky (Sean Bolger) has picked up his son Denny (Ethan Dubin) from a soccer game, as…

SOURCE: Stage and Cinema at 03:47PM
Saturday, April 21, 2012

Chicago Theater Review: THE RAINMAKER (Theater Wit in Chicago) by Tony Frankel

A REFRESHING RAIN When reviving an oft-produced play like N. Richard Nash’s The Rainmaker, the hope is that the director will somehow put a new spin on the production so that the piece doe…

SOURCE: Stage and Cinema at 03:25PM

Chicago Theater Review: BLUE MAN GROUP (Briar Street Theatre in Chicago) by Tony Frankel

FEELING A LITTLE BLUE In 1992, a friend insisted that we see Blue Man Group: Tubes at the tiny, cramped Astor Place Theatre in New York City. At the time, people were calling it a new genera…

SOURCE: Stage and Cinema at 12:38PM
Friday, April 20, 2012

Upcoming Chicago Dance Feature: SPRING DESIRE (Joffrey Ballet Company in Chicago) by Tony Frankel

THERE’S MUCH TO DESIRE One of the most truly inspiring films of the last year was Joffrey: Mavericks of American Dance, not just for its devotion to Joffrey’s legacy, but because the do…

SOURCE: Stage and Cinema at 02:59AM
Thursday, April 19, 2012

Chicago Theater Review: BEING SHAKESPEARE (Broadway Playhouse in Chicago) by Tony Frankel

GET THEE TO BEING SHAKESPEARE There’s simply no other way to encourage your attendance to Being Shakespeare than to submit my unequivocal good word. Those who fret at comprehending Shakesp…

SOURCE: Stage and Cinema at 01:58PM
Sunday, April 15, 2012

Los Angeles Theater Review: GOOD PEOPLE (Geffen Playhouse in Los Angeles) by Tony Frankel

AS GOOD AS IT GETS In his extraordinary production of Good People at the Geffen, director Matt Shakman has validated the necessary ingredients of a great show: First: Storytelling. In descri…

SOURCE: Stage and Cinema at 02:54AM
Thursday, April 12, 2012

Los Angeles and Touring Theater Interview: CULLEN R. TITMAS in BILLY ELLIOT (Pantages Theatre and On Tour) by Tony Frankel

THE IMPORTANCE OF A BIG BROTHER When you hear of Billy Elliot being a phenomenal world-wide success, it is almost shocking that the popular musical (music by Elton John, book and lyrics by L…

SOURCE: Stage and Cinema at 08:54PM

Los Angeles Theater Review and Commentary: SPRING AWAKENING (Egyptian Arena Stage in Hollywood) by Tony Frankel

AWAKENING TO THE FACT THAT IT’S A POORLY-WRITTEN MUSICAL I feel sorry for the cast and crew of Over the Moon Productions (OTM). The hard-working Broadway-caliber talent in Spring Awake…

SOURCE: Stage and Cinema at 02:00PM
Tuesday, April 3, 2012

Los Angeles Theater Review: DEATHTRAP (The L.A. Gay & Lesbian Center’s Davidson/Valentini Theatre in Los Angeles) by Tony Frankel

KILLER HUNK, KILLER SET, AND KILLER STORY MAKE UP FOR BLOODLESS PERFORMANCES As evidenced by his astoundingly beautiful production of Ira Levin’s 1978 comedy-thriller Deathtrap, Jon Impera…

SOURCE: Stage and Cinema at 03:35AM
Saturday, March 31, 2012

Los Angeles Theater Review: LINCOLN – AN AMERICAN STORY (Pasadena Playhouse in Pasadena) by Tony Frankel

THE DISNEYFICATION OF LINCOLN’S DEATH In many ways, Hershey Felder is a theater machine. In his four previous self-crafted one-man shows, the earnest and multi-talented actor/pianist/c…

SOURCE: Stage and Cinema at 03:36AM
Tuesday, March 27, 2012

Regional Theater Review: A ROOM WITH A VIEW (The Old Globe in San Diego) by Tony Frankel

A CHARMING MUSICAL WITHOUT A VIEW Theatre lore maintains that creating a successful new musical for the stage is more difficult and trying than creating peace in the Middle East. Noticing th…

SOURCE: Stage and Cinema at 04:03AM
Friday, March 23, 2012

Los Angeles Theater Review: WORKING (Lex Theatre in Hollywood) by Tony Frankel

SOMEHOW, IT KEEPS ON WORKING For those who have never seen the 1978 musical Working, the Production Company’s current revival may be somewhat of a revelation. The subtitle of Studs Terkel�…

SOURCE: Stage and Cinema at 03:18AM
Wednesday, March 21, 2012

Regional Theater Review: ANNA CHRISTIE (The Old Globe in San Diego) by Tony Frankel

ODD CASTING CHOICE NEARLY SINKS SHOW There is a perplexing and ultimately infuriating casting choice in the Old Globe’s production of Anna Christie that nearly sinks Eugene O’Neill’s 1…

SOURCE: Stage and Cinema at 01:54PM
Monday, March 19, 2012

Los Angeles Theater Review: THE SPIDEY PROJECT: WITH GREAT POWER COMES GREAT RESPONSIBILITY (Studio/Stage in Los Angeles) by Tony Frankel

OH WHAT A TANGLED WEB WE WEAVE While Theatre Unleashed’s cast and crew have a gloriously and unashamedly good time bringing The Spidey Project to the West Coast, it’s a shame that their …

SOURCE: Stage and Cinema at 12:25PM
Saturday, March 17, 2012

Los Angeles Theater Review: AMERICAN NIGHT: THE BALLAD OF JUAN JOSÉ (Kirk Douglas Theatre in Culver City) by Tony Frankel

AMERICAN NIGHT SUCKS, BUT IT SWALLOWS Juan José, a Mexican cop sick of being on-the-take, has crossed the border in search of citizenship, leaving his pregnant wife behind. Panicking over f…

SOURCE: Stage and Cinema at 12:48PM
Thursday, March 15, 2012

Los Angeles Theater Review: THE COLOR PURPLE (Celebration Theatre in Hollywood) by Tony Frankel

HATE THE MUSICAL, BUT LOVE, LOVE, LOVE THE PRODUCTION Whether you love or hate the musical version of The Color Purple, no one, and I mean no one, can or will deny that this is one of the fi…

SOURCE: Stage and Cinema at 02:00PM
Friday, March 2, 2012

Regional/National Tour Dance Feature: ALVIN AILEY AMERICAN DANCE THEATER (Segerstrom Center for the Arts in Costa Mesa) by Tony Frankel

ALVIN AILEY – REMEMBER HIS NAME AIDS wreaked havoc on the theater world in all of its incarnations, and the crushing effects of its devastation remain with us today. So many ingenious cre…

SOURCE: Stage and Cinema at 02:54AM
Wednesday, February 22, 2012

Los Angeles Theater Review: THREE YEAR SWIM CLUB (East West Players in Los Angeles) by Tony Frankel

THREE YEAR SWIM CLUB SWIMS UP STREAM Ever since mankind began telling tales, the “overcoming adversity” story has remained ever-popular. From cave wall pictures depicting a hunter’s pr…

SOURCE: Stage and Cinema at 11:07PM

Chicago Theater Review: TOO MUCH LIGHT MAKES THE BABY GO BLIND (The Neo-Futurarium in Chicago) by Tony Frankel

A BLUEPRINT FOR ACTIVISM The Occupy Wall Street movement would do well to take a tip from the longest running show in Chicago, Too Much Light Makes The Baby Go Blind (TML). The event may tak…

SOURCE: Stage and Cinema at 10:59PM
Sunday, February 19, 2012

Los Angeles Theater Review: MAN OF LA MANCHA (Carpenter Performing Arts Center in Long Beach) by Tony Frankel

TO STAGE AN IMPOSSIBLE DREAM Now in its 60th season, Musical Theatre West (MTW) is currently reviving Man of La Mancha with the astronomical performance of Davis Gaines as its driving force…

SOURCE: Stage and Cinema at 12:06AM
Saturday, February 18, 2012

Regional Theater Review: THE SOUND OF MUSIC (3-D Theatricals at Plummer Auditorium in Fullerton) by Tony Frankel

3-D THEATRICALS MAKES QUITE A SOUND The 70MM, Panavision aerial shot of Julie Andrews, Christopher Plummer and entourage trekking over the border into Switzerland in The Sound of Music (1965…

SOURCE: Stage and Cinema at 02:36PM
Wednesday, February 15, 2012

Bay Area Theater Review: BODY AWARENESS (Aurora Theatre in Berkeley) by Tony Frankel

PLAYWRIGHT AWARENESS With three produced plays under her belt, Annie Baker is quickly becoming THE playwright to watch in the American Theatrical landscape. Her first play, Body Awareness (o…

SOURCE: Stage and Cinema at 09:58PM
Monday, February 13, 2012

Bay Area Theater Review: JESUS IN INDIA (Magic Theatre in San Francisco) by Tony Frankel

THE GREATEST STORY NEVER TOLD 18 year-old Jesus of Nazareth has heard some distressing news from his sucky carpenter of a father, so he bails Galilee with his whiny, Girl, Interrupted-like f…

SOURCE: Stage and Cinema at 06:41PM
Saturday, February 11, 2012

Bay Area Theater Review: A STEADY RAIN (Marin Theatre Company in Mill Valley) by Tony Frankel

MIST OPPORTUNITY I was troubled after the opening of the West Coast Premiere of Chicago playwright Keith Huff’s A Steady Rain at Marin Theatre Company. I couldn’t shake the feeling that …

SOURCE: Stage and Cinema at 04:37PM
Friday, February 10, 2012

Los Angeles Theater Review: ART (The Pasadena Playhouse) by Tony Frankel

ART OR NOT, IT’S A FUN PLAY Yasmina Reza’s oft-produced Art (English translation by Christopher Hampton) may be singularly responsible for the current plethora of new plays today billed …

SOURCE: Stage and Cinema at 01:16AM
Wednesday, February 8, 2012

Regional Theater Review: THE RECOMMENDATION (The Old Globe in San Diego) by Tony Frankel

WHEN RECOMMENDATIONS DON’T TURN OUT AS HOPED FOR Aaron Feldman, the charismatic, bright, and privileged protagonist of Jonathan Caren’s promising but highly unwieldy new play The Rec…

SOURCE: Stage and Cinema at 08:58PM
Saturday, February 4, 2012

Regional Theater Review: A BEHANDING IN SPOKANE (Cygnet Theatre in San Diego) by Tony Frankel

THE SHOW ABOUT THE HAND THAT GIVES YOU THE FINGER I get a thrill when I think of the tourists who are milling about Old Town in San Diego. Exhausted from tchotchke shopping and sugary treats…

SOURCE: Stage and Cinema at 12:13PM