All stories by Tim Treanor on BroadwayStars

Tuesday, October 31, 2017

Review: Nora Achrati in Mystery School by Tim Treanor

The Paul Selig play that Edge of the Universe Players 2 is now performing in the Woolly Mammoth rehearsal space could, with justice, be called Five Interesting Women, Some of Whom Have Issue…

Linked From DC Theatre Scene at 12:48PM
Monday, October 30, 2017

Inherit the Wind gets superb production at Compass Rose (review) by Tim Treanor

The real trial of the 20th century did not involve some imbecile driving a Bronco in a low-speed chase. Instead, it happened nearly a hundred years ago. In it, the greatest trial lawyer in A…

Linked From DC Theatre Scene at 01:18PM

True account of the dramatic “Trial of the Century” behind Inherit the Wind by Tim Treanor

Author’s note: The following is an account of the Scopes Monkey Trial, the real-life inspiration for Inherit the Wind. If you are unfamiliar with either the trial or the play,  I reco…

Linked From DC Theatre Scene at 01:18PM

Review: Brave Spirits’ Doctor Faustus by Tim Treanor

A political rival once said of the famed French foreign minister, Talleyrand, that he “would sell his soul for money and he would be right, for he would be exchanging dung for gold.…

Linked From DC Theatre Scene at 12:12PM
Thursday, October 12, 2017

Review: Nilo Cruz’s Sotto Voce by Tim Treanor

In 1939, the S.S. St. Louis set sail from Hamburg for Cuba with 937 passenger, most of them German Jews hoping to begin new lives away from the Nazis. Their hopes were based on a Cuban law w…

Linked From DC Theatre Scene at 08:06AM
Friday, September 29, 2017

Death of a Salesman review by Tim Treanor

There are hardly any travelling salesmen now, and yet we are almost all Willy Loman. We remember the home run we hit to win the big game in high school, when in fact we rode the bench at P.S…

Linked From DC Theatre Scene at 12:36PM
Tuesday, September 26, 2017

Constellation’s throwing a wild, wild Wild Party review by Tim Treanor

Nothing succeeds like excess, Oscar Wilde once wrote, and nowhere is that more true than in America. We are the land that invented competitive eating; when the Olympics finally welcomed prof…

Linked From DC Theatre Scene at 01:04PM
Monday, September 18, 2017

Felicia Curry stars in Lela & Co from Factory 449 (review) by Tim Treanor

Harrowing, chilling and profound, Lela and Co. is a story about the stories we tell ourselves in order to keep sane, or in order to protect the status quo, or in order to be polite — …

Linked From DC Theatre Scene at 12:42PM
Wednesday, September 13, 2017

DC man who confessed to killing Tricia McCauley agrees to 30 year sentence. by Tim Treanor

Duane Johnson, who sexually assaulted Tricia McCauley and then murdered her as she tried to fight him off, has entered a plea agreement under which he will serve thirty years in prison for f…

Linked From DC Theatre Scene at 02:42PM

An inflammatory Arsonists at Woolly Mammoth (review) by Tim Treanor

An arsonist is an artist of obliteration; a wizard at turning matter to energy, and then dissipating the energy until it is nothing. Where before the arsonist came there was a home, a painti…

Linked From DC Theatre Scene at 12:24PM
Tuesday, August 29, 2017

Quotidian Theatre announces its new season by Tim Treanor

The Quotidian Theatre way-back machine will be in full operation this season, as the company’s four-play season starts in the present (or near-present) and catapults us back in time, l…

Linked From DC Theatre Scene at 12:18PM
Friday, August 18, 2017

Shakespeare Theatre’s Free for All, an Othello for these times (review) by Tim Treanor

Shakespeare is our North Star because every time we do one of his great plays, it is an opportunity to rethink our assumptions, as they define our present selves. I first saw Othello in 1969…

Linked From DC Theatre Scene at 12:42PM
Tuesday, August 15, 2017

Creative Cauldron’s new season by Tim Treanor

It will be time for the Women’s Voices Festival next January, but at Falls Church’s Creative Cauldron, every play in its 2017-2018 season will be an examination of the experience…

Linked From DC Theatre Scene at 12:36PM
Wednesday, August 9, 2017

WSC Avant Bard’s 2017-2018 Season by Tim Treanor

WSC Avant Bard will bring some familiar names — in one case, in a whole new play — into its three-production 2017-2018 season. Lauren Gunderson (I and You) brings us the life and…

Linked From DC Theatre Scene at 02:36PM
Wednesday, August 2, 2017

Forum Theatre reveals 3 of its 4 plays in its 13th season by Tim Treanor

Silver Spring’s Forum Theatre will produce four plays — one of them yet to be announced — in a season which features the human struggle against the crushing forces of conve…

Linked From DC Theatre Scene at 09:36AM
Tuesday, August 1, 2017

Theater Alliance’s next season includes two reinvisioned plays by Tim Treanor

Anacostia’s Theater Alliance, which scored big earlier this past June with the debut Mollye Maxner’s devised play, Still Life With Rocket, will do itself one better this year, wi…

Linked From DC Theatre Scene at 10:12AM
Monday, July 31, 2017

4615 Theatre Company launches its first full season by Tim Treanor

The 4615 Theatre Company has joined the ranks of full-time producing DC-area theaters this year with a four-production schedule balanced between classic and contemporary stories. The Silver …

Linked From DC Theatre Scene at 11:12AM
Tuesday, July 18, 2017

Horton Foote’s Night Seasons (review) by Tim Treanor

Night Seasons is forty years in the history of the unpleasant Weems family, reduced to two hours, more or less. Notwithstanding this compression, the two hours traffic of our stage seems lon…

Linked From DC Theatre Scene at 07:36AM
Monday, July 17, 2017

Oblivion, an unexpected pleasure (review) by Tim Treanor

When we are young we do not hide our naked souls from the Godlike scrutiny of our parents, so we do not lie about our thinking. We lie only about our acts. Since we are all sinners, our acts…

Linked From DC Theatre Scene at 11:33AM
Sunday, July 16, 2017

King John (review) by Tim Treanor

Four hundred years ago, William Shakespeare wrote a play about a King four hundred years before him, and thus in King John we are thrust into a barely imaginable past, before the invention o…

Linked From DC Theatre Scene at 12:12PM
Thursday, July 13, 2017

Daggers MacKenzie (Capital Fringe review) by Tim Treanor

There are surprisingly few one-actor musicals. Even rarer: solo musicals where the protagonist juggles razor-sharp daggers. Make your one-actor, dagger-juggling musical about a lesbian circu…

Linked From DC Theatre Scene at 10:18AM
Wednesday, July 12, 2017

Byhalia, Mississippi (review) by Tim Treanor

This year the Contemporary American Theater Festival, like the nation itself, has given itself over to political conflict. Whether we are in the classroom, or a Nazi interrogation chamber, o…

Linked From DC Theatre Scene at 12:32PM
Tuesday, July 11, 2017

Wild Horses (review) by Tim Treanor

Wild Horses is the story of a thirteen-year-old girl making bad choices, in the company of her close friends, who also make bad choices, and of their bad-choice-making associates. She has ba…

Linked From DC Theatre Scene at 04:42PM

We Will Not Be Silent (review) by Tim Treanor

At the end of Arthur Miller’s The Crucible, the Judge offers the heroic John Proctor a deal. Confess to witchcraft, he says, and we will spare your life. More than that: you will go free. …

Linked From DC Theatre Scene at 01:06PM

The Niceties (review) by Tim Treanor

Eleanor Burgess’ play could, with justice, be called Oleanna — The Next Generation. Like the Mamet play, this is the story of a student and her professor. Like Oleanna‘s Ca…

Linked From DC Theatre Scene at 12:18PM
Saturday, July 8, 2017

Everything Is Wonderful (CATF review) by Tim Treanor

So tell me what’s better: living in the love, support, and strength of a community at the cost of your independence, or living a life that’s free and lonely? “Living with other people …

Linked From DC Theatre Scene at 02:24PM
Tuesday, June 20, 2017

Being Jewish in America: Arthur Miller’s Broken Glass (review) by Tim Treanor

Screens shaped like shards of broken glass splay the Theater J stage. Upon them the company, in collaboration with the Holocaust Museum, has projected photographs and home movies taken in Ge…

Linked From DC Theatre Scene at 12:32PM
Monday, June 19, 2017

Best shorts of the past 10 years at Source Festival (review) by Tim Treanor

“I can call spirits from the vasty deep,” brags the Welsh mystic Owen Glendower, in Henry IV, Part 1. “Why, so can I, or so can any man,” retorts Hotspur. “But …

Linked From DC Theatre Scene at 10:33AM
Friday, June 16, 2017

GALA’s 42nd season features world and local debuts by Tim Treanor

GALA Hispanic Theatre’s 42nd season will feature four mainstage plays, including two world premieres, as well as films, dance, and a weekend of solo shows. GALA will open its season wi…

Linked From DC Theatre Scene at 10:42AM
Thursday, June 15, 2017

Next season, Bedlam is back as Folger twists the classics by Tim Treanor

Folger Theatres’ 2017-18 season, announced yesterday morning, will be full of plays by the usual gang: Shakespeare, Congreve, Shaw. But not everything will seem familiar. The theater t…

Linked From DC Theatre Scene at 09:18AM
Wednesday, June 14, 2017

Source Festival shorts: Covert Catalyst (review) by Tim Treanor

The Source Festival’s tenth birthday party is a subdued one, and this year’s lineup is but a shadow of Sources gone by. While we usually see three debuting full length plays, the…

Linked From DC Theatre Scene at 11:36AM

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