All stories by Susannah Clapp on BroadwayStars

Saturday, March 23, 2013

British arts and theatre: women's time in the spotlight has arrived by Susannah Clapp

Women are finally getting the chance to make a massive impact in the arts, argues the Observer's theatre criticThis is the difference that a woman at the top of an arts organisation can make…

SOURCE: The Guardian at 08:06PM
Saturday, March 9, 2013

The Audience – review by Susannah Clapp

Gielgud, LondonWell, I didn't believe in it but I was seduced by it. At least for a while. The Audience – the first surefire, unstoppable hit of the year – has been created to disarm all…

SOURCE: The Guardian at 07:06PM

De Gabay – review by Susannah Clapp

Butetown, Cardiff"People think we're pirates but we're actually poets." Welsh Somalians living in Cardiff's Butetown – the docks area once known as Tiger Bay – wanted to show the truth o…

SOURCE: The Guardian at 07:05PM
Saturday, March 2, 2013

Fences; Trelawny of the Wells; Richard III – review by Susannah Clapp

Theatre Royal, Bath; Donmar Warehouse, London; Tobacco Factory, BristolLet's forget AA. Let's not put African American in front of August Wilson's name. Instead let's acknowledge that he was…

SOURCE: The Guardian at 07:05PM
Saturday, February 16, 2013

Rutherford & Son; Glasgow Girls; Playing Cards 1: Spades – review by Susannah Clapp

Viaduct, Halifax; Stratford East; Roundhouse, LondonShe wrote under initials so that no one would know she was a woman. She died thinking her playwriting career was a failure. In New York sh…

SOURCE: The Guardian at 07:06PM
Saturday, February 9, 2013

Feast; In the Beginning Was the End; The Turn of the Screw – review by Susannah Clapp

Young Vic; Somerset House; Almeida, LondonFeast: yes. But fast, too. I've rarely seen anything so bursting with visual ideas, so thrumming with interesting sounds and rhythms and so skinnily…

SOURCE: The Guardian at 07:05PM
Saturday, February 2, 2013

Old Times – review by Susannah Clapp

Harold Pinter theatre, LondonIt looks like a wheeze at first, a publicist's gamble to get people to pay twice for the same evening. Yet the double casting of Kristin Scott Thomas and Lia Wil…

SOURCE: The Guardian at 07:07PM

Port – review by Susannah Clapp

Lyttelton, LondonA new version of A Doll's House, an updating of Ubu Roi, a triumphant, West End-bound adaptation of The Curious Incident of the Dog in the Night-Time. Before that: wild swer…

SOURCE: The Guardian at 07:04PM

Quartermaine's Terms – review by Susannah Clapp

Wyndham's, LondonAt first the casting of Rowan Atkinson looks perverse. In fact it's inspired. The truly startling stroke in Simon Gray's 1981 play is that it makes its main character a void…

SOURCE: The Guardian at 07:03PM
Saturday, January 26, 2013

The Accrington Pals; Di and Viv and Rose; One Monkey Don't Stop No Show – review by Susannah Clapp

Royal Exchange, Manchester; Hampstead; Tricycle, LondonWith what varied meanings the word "pals" winds through Peter Whelan's 1982 play. This is a drama full of warmth between both women and…

SOURCE: The Guardian at 07:06PM

The 10 best theatrical dynasties by Susannah Clapp

From the Foxes to the Redgraves, the Observer's theatre critic Susannah Clapp chooses the most celebrated acting familiesSusannah Clapp

SOURCE: The Guardian at 09:00AM
Saturday, January 19, 2013

No Quarter; The Silence of the Sea; Not Until We Are Lost – review by Susannah Clapp

Royal Court; Trafalgar Studios; Platform; LondonPolly Stenham's feral families are at the heart of Dominic Cooke's Royal Court. First, in 2007, the bullying child and alcoholic mother of Tha…

SOURCE: The Guardian at 07:06PM
Saturday, December 29, 2012

The House Where Winter Lives; Hansel and Gretel; Pinocchio – review by Susannah Clapp

Discover Children's Story Centre; Cottesloe; Little Angel; LondonLong before the Olympics there was drama in London's Stratford. It was here in the 50s and 60s that Joan Littlewood and her e…

SOURCE: The Guardian at 07:06PM
Saturday, December 22, 2012

My Fair Lady; The Dance of Death; Midnight's Pumpkin – review by Susannah Clapp

Crucible, Sheffield; Trafalgar Studios; Battersea Arts Centre, LondonI thought my resistance to My Fair Lady had hardened. I don't like plays sentimentalised by melody, or cockneys singing w…

SOURCE: The Guardian at 07:09PM
Saturday, December 15, 2012

Privates on Parade; In the Republic of Happiness; The Arabian Nights – review by Susannah Clapp

Noël Coward; Royal Court; Tricycle, LondonMichael Grandage is setting out to change the West End. He wants to provide a theatre that is both tempting and affordable. His Michael Grandage Co…

SOURCE: The Guardian at 07:06PM

The best theatre of 2012: Susannah Clapp's choice by Susannah Clapp

The scientific met the psychological to scintillating effect, and hard times called for Shakespeare and Chekhov2012 was a year in which Britain depended on the theatre to show itself off to …

SOURCE: The Guardian at 04:00PM
Saturday, December 8, 2012

Julius Caesar; Hello, Dolly!; Peter Pan – review by Susannah Clapp

Donmar, London; Curve, Leicester; Bristol Old VicAlways fascinating, sometimes infuriating, Phyllida Lloyd's all-female production of Julius Caesar is one of the most important theatrical ev…

SOURCE: The Guardian at 07:04PM
Saturday, December 1, 2012

Merrily We Roll Along; Boris Godunov; The Promise – review by Susannah Clapp

Menier Chocolate Factory, London; Swan, Stratford-upon-Avon; Trafalgar Studios, LondonWhat a difference a time scheme makes. Had Merrily We Roll Along been written with a conventional chrono…

SOURCE: The Guardian at 07:06PM
Saturday, November 24, 2012

The Dark Earth and the Light Sky; Twelfth Night; The Magistrate – review by Susannah Clapp

Almeida, London; Apollo, London; Olivier, London The Dark Earth and the Light Sky is a rarity. It startles by stealth and apparent quietness, by its steady appeal to unashamed affection and …

SOURCE: The Guardian at 07:05PM
Saturday, November 17, 2012

The Effect; The Seagull; The Trojan Women – review by Susannah Clapp

Cottesloe; Southwark Playhouse; Gate, all LondonFluorescence, mental disturbance, dancing. The Effect has some of the ingredients that made The Curious Incident of the Dog in the Night-Time …

SOURCE: The Guardian at 07:06PM
Saturday, November 10, 2012

People; Uncle Vanya; Uncle Vanya – review by Susannah Clapp

Lyttelton; Noël Coward; Vaudeville; LondonAlan Bennett's sparky, intricate, all-over-the-place new play opened in the week the National Trust announced it had bought the white cliffs of Dov…

SOURCE: The Guardian at 07:06PM

People; Uncle Vanya; Uncle Vanya – review by Susannah Clapp

Lyttelton; Noël Coward; Vaudeville; London Continue reading...

SOURCE: The Guardian at 07:06PM

The 10 best Christmas shows for 2012 by Susannah Clapp

Theatrical treats for all the family for the festive seasonSusannah Clapp

SOURCE: The Guardian at 11:01AM
Saturday, November 3, 2012

The River; NSFW – review by Susannah Clapp

Jerwood Theatre Upstairs/Jerwood Theatre Downstairs, Royal Court, London SW1Enron, DC Moore, Clybourne Park, Nina Raine, Posh, Anya Reiss, Love and Information, Polly Stenham, Sucker Punch. …

SOURCE: The Guardian at 08:01PM
Saturday, October 20, 2012

Red Velvet; All That Fall; Desire Under the Elms – review by Susannah Clapp

Tricycle; Jermyn Street; Lyric Hammersmith, LondonWhat an incisive, fervent beginning. Indhu Rubasingham takes over with panache at the Tricycle, bowing to the theatre's politically engaged …

SOURCE: The Guardian at 07:25PM
Saturday, October 13, 2012

This House; Scenes from an Execution; Damned by Despair – review by Susannah Clapp

National Theatre, LondonThis is the National doing its job. Nicholas Hytner's theatre is behaving as if it were a federation of varied talents: the good, the very good and the not so good. T…

SOURCE: The Guardian at 07:06PM
Saturday, October 6, 2012

Dublin theatre festival 2012: The Boys of Foley Street; The Picture of Dorian Gray; The Talk of the Town – review by Susannah Clapp

Lab; Abbey theatre; Project Arts theatre, DublinDublin is a glorious rarity among theatre festivals. It depends upon itself. It does not assume that the best work, the best subjects, the bes…

SOURCE: The Guardian at 07:08PM
Saturday, September 29, 2012

A Chorus of Disapproval; Mademoiselle Julie – review by Susannah Clapp

Harold Pinter theatre; Barbican, LondonTrevor Nunn began the summer by directing a heavy-handed Kiss Me Kate; he ends it by staging a star-encrusted but tepid Chorus of Disapproval. What a w…

SOURCE: The Guardian at 07:05PM
Saturday, September 22, 2012

Love and Information; Three Sisters; Steptoe & Son – review by Susannah Clapp

Royal Court, London; Young Vic, London; West Yorkshire Playhouse, LeedsAnother Royal Court command: Love and Information is a play that everyone should see. Once again Caryl Churchill has li…

SOURCE: The Guardian at 07:05PM
Saturday, September 15, 2012

Hedda Gabler; King Lear; The Judas Kiss – review by Susannah Clapp

Old Vic; Almeida; Hampstead, LondonHedda Gabler ends with a famous bang behind closed doors. Wouldn't it, a friend once suggested, be ripping if those doors opened on a Hedda who had put an …

SOURCE: The Guardian at 07:06PM
Saturday, September 1, 2012

Les Naufragés du Fol Espoir; The Rape of Lucrece; Mies Julie – review by Susannah Clapp

Lowland Hall, Royal Highland Centre; Royal Lyceum; Assembly Hall, Edinburgh"We have waited 48 years to come to the Edinburgh international festival," said Ariane Mnouchkine. Audiences have w…

SOURCE: The Guardian at 07:05PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic