Olivier, LondonThese days it's becoming hard to write about the theatre without praising Nicholas Hytner. Can't he do something wrong so that we critics can start looking less like courtiers?His latest crime is to direct a terrifically exciting, exceptionally coherent Othello. His production drives forward with hyper-clarity, as if each line, each twist of plot were being x-rayed. It startles an audience into laughte…
SOURCE: The Guardian at 07:07PM on April 27, 2013