All stories by Susannah Clapp on BroadwayStars

Sunday, August 7, 2016

The Plough and the Stars review – women rise highest in O’Casey’s Easter Rising drama by Susannah Clapp

Lyttelton, LondonHis powerful female characters redeem this handsome but hackneyed revival of Seán O’Casey’s great 1926 playThe Plough and the Stars is now most famous for causing a rio…

SOURCE: The Guardian at 03:13AM

Extravaganza Macabre review – how to light up an audience by Susannah Clapp

Battersea Arts Centre, London A spoof on Victorian melodrama from the Little Bulb troupe makes a perfect debut for BAC’s new outdoor arenaBattersea Arts Centre is the only theatre in Londo…

SOURCE: The Guardian at 03:13AM
Sunday, July 31, 2016

Pigs and Dogs review – a quick shot at homophobia by Susannah Clapp

Royal Court, LondonCaryl Churchill takes just 15 minutes to skewer intolerance in Africa with a challenge to both prejudice and the conventions of political theatreOnce again Caryl Churchill…

SOURCE: The Guardian at 04:01AM

Harry Potter and the Cursed Child review – this spell-binding play is utterly theatrical by Susannah Clapp

Palace theatre, LondonEmotional punch, rich suspense and dazzling effects make for all-round magic in the latest twist in Harry Potter’s taleOK, I’ll keep the secrets. After all, I’m w…

SOURCE: The Guardian at 02:54AM
Sunday, July 24, 2016

Wot? No Fish!! review – a beautiful hour and a half of memory and speculation by Susannah Clapp

Battersea Arts Centre, LondonDanny Braverman conjures magic from a shoebox in his affectionate, unsparing portrait of a Jewish family in 20th-century east LondonIn Wot? No Fish!! at Batterse…

SOURCE: The Guardian at 03:49AM

Fracked! review – Alistair Beaton’s nimble eco-comedy hits home, up to a point by Susannah Clapp

Minerva, ChichesterAnne Reid stars as a reluctant activist, but the plum role goes to the fracking company’s ‘horribly recognisable’ PR manOutside the Minerva, a woman from the Chiches…

SOURCE: The Guardian at 03:49AM
Sunday, July 10, 2016

Boys Will Be Boys review – cross-dressed scoffing by Susannah Clapp

Bush Hall, LondonDespite a lovely lead performance, this all-female satire of women’s struggle to survive in a man’s world is feebleThere is a neglected theatrical treasure in Boys Will …

SOURCE: The Guardian at 03:27AM

Queens of Syria review – the most urgent work on the London stage by Susannah Clapp

Young Vic, LondonThirteen Syrian women bring Euripides up to date with unforgettable personal testimoniesIt is not only irrelevant but impudent to give a star rating to Queens of Syria. This…

SOURCE: The Guardian at 03:27AM

The Flying Lovers of Vitebsk review – a breathless soaring by Susannah Clapp

Sam Wanamaker Playhouse, LondonKneehigh’s captivating production is both playful and sombre as it conjures up the Chagalls’ intense relationshipMandolin, accordion, trumpet. Washes of ma…

SOURCE: The Guardian at 03:27AM
Sunday, July 3, 2016

Henry V review – if Shakespeare had done Brexit by Susannah Clapp

Open Air theatre, Regent’s Park, LondonMichelle Terry shines in Rob Hastie’s muted productionThe important thing in cross-gender casting is not just the tremendous leads but the default …

SOURCE: The Guardian at 03:28AM

Faith Healer review – Brian Friel’s masterly test of faith by Susannah Clapp

Donmar Warehouse, London Stephen Dillane, Gina McKee and Ron Cook excel in Lyndsey Turner’s tremendous revival of Brian Friel’s 1979 playBrian Friel makes it look like the most natural t…

SOURCE: The Guardian at 03:28AM

King Lear review – newly and bitingly prophetic by Susannah Clapp

Bristol Old Vic‘Albion comes to great confusion’ as Timothy West’s thoughtful Lear presides over a nation dividedA map of the British Isles cracks into pieces. In front of it two tribe…

SOURCE: The Guardian at 03:28AM
Sunday, June 26, 2016

Wild review – the erosion of identity by Susannah Clapp

Hampstead theatre, London NW3This edgy tale of a Snowden-type whistleblower is over-reliant on its stagey finaleMike Bartlett is one of our most protean playwrights. On telly: Doctor Foster;…

SOURCE: The Guardian at 04:16AM

Quills review – De Sade the surrealist by Susannah Clapp

Les Nuits de Fourvière, LyonRobert Lepage pulls no punches as he revisits the notorious marquis in the asylumRobert Lepage is the Marquis de Sade. In pigtailed perruque and high heels, turn…

SOURCE: The Guardian at 04:16AM
Sunday, June 19, 2016

Phaedra(s) review – three into one don’t go by Susannah Clapp

Barbican, LondonIsabelle Huppert sparkles intermittently in an incoherent attempt to yoke together different versions of the Greek mythAs a showcase for the translucent talent of Isabelle Hu…

SOURCE: The Guardian at 03:34AM

Richard III review – king of the car park by Susannah Clapp

Almeida theatre, London N1Ralph Fiennes is a masterly, transfixing Richard, while Vanessa Redgrave curses with quiet convictionHe seduces like a basilisk. Sheer force of self-belief concentr…

SOURCE: The Guardian at 03:34AM

Ross review – Terence on Arabia by Susannah Clapp

Chichester festival theatreA first-rate Joseph Fiennes saves the day in Terence Rattigan’s timid drama based on TE LawrenceThese days a theatre critic measures out her life in the Fiennes …

SOURCE: The Guardian at 03:34AM
Sunday, June 12, 2016

The Spoils review – a superior, sneering soap by Susannah Clapp

Trafalgar Studios, LondonActor/playwright Jesse Eisenberg is terrific as the rich narcissist in a witty and constantly surprising pieceJesse Eisenberg’s The Spoils has some of the ingredie…

SOURCE: The Guardian at 03:51AM

The Deep Blue Sea review – an explosive revival by Susannah Clapp

Lyttelton, LondonHelen McCrory brings steel and gusto to the role of Terence Rattigan’s scorned 1950s loverAfter the whirling excitement of her production of A Doll’s House, I half-expec…

SOURCE: The Guardian at 03:51AM
Sunday, June 5, 2016

Sunset at the Villa Thalia review – overstuffed and underheated by Susannah Clapp

Dorfman, LondonAlexi Kaye Campbell’s new work has plenty of political comment but little to say on the state of present-day GreeceThe theatre, one character proclaims in Alexi Kaye Campbel…

SOURCE: The Guardian at 03:52AM

Blue/Orange review – an argument still worth hearing by Susannah Clapp

Young Vic, LondonJoe Penhall’s dissection of racism and mental health in modern Britain is still compelling, thanks in part to an outstanding central performanceBlue/Orange does not startl…

SOURCE: The Guardian at 03:52AM

The Threepenny Opera review – cartoon counterfeit runs out of juice by Susannah Clapp

Olivier, LondonA new translation of Brecht and Weill’s dark comedy fails to hit its satirical targets but still makes for a good musical“Fake it to seem real,” a would-be beggar is adv…

SOURCE: The Guardian at 03:52AM

The Forbidden Zone review – poisoned by a ‘higher form of killing’ by Susannah Clapp

Barbican, LondonA mesmerising production from Katie Mitchell recounts the harrowing legacy of German chemist Fritz Haber as seen by his wife and granddaughterOne of the best things the theat…

SOURCE: The Guardian at 03:52AM
Monday, May 30, 2016

Sunset Boulevard review – sandblasting panache from Glenn Close by Susannah Clapp

Coliseum, LondonA glittering Glenn Close is ready once again for her close-up as Norma DesmondIt is more than 20 years since Glenn Close first starred in Andrew Lloyd Webber’s Sunset Boule…

SOURCE: The Guardian at 10:45AM
Sunday, May 29, 2016

The Night Watch review – the swish of the blackout curtain by Susannah Clapp

Royal Exchange, ManchesterHattie Naylor’s beautifully deft adaptation springs Sarah Waters’s bestseller on to the stage in a pitch-perfect productionWhat a haunting, unusual thing Hattie…

SOURCE: The Guardian at 03:46AM

Romeo and Juliet review – Branagh’s star-crossed lovers fail to soar by Susannah Clapp

Garrick, LondonLily James and Richard Madden certainly look the part, but are doomed by their dictionIt’s easy to think the famous golden lines, the swift, sad arc of Romeo and Juliet will…

SOURCE: The Guardian at 03:46AM
Wednesday, May 25, 2016

A Streetcar Named Desire review – Gillian Anderson is utterly compelling by Susannah Clapp

Young Vic, LondonBenedict Andrews's revival of the Tennessee Williams classic steams off the revolving set of the Young Vic• Gillian Anderson in Streetcar – in pictures• From Anderson …

SOURCE: The Guardian at 02:14AM
Sunday, May 22, 2016

The Philanderer review – tribute to the modern woman by Susannah Clapp

Orange Tree, LondonGeorge Bernard Shaw’s satirical attack on the divorce laws (and the medical profession) rather outstays its welcomeThe Philanderer, written in 1893, is a prescient play.…

SOURCE: The Guardian at 03:21AM

The Machine Stops review – EM Forster’s chilling vision by Susannah Clapp

York Theatre RoyalThis adaptation of the novelist’s prescient 1909 short story is impressively nimbleA woman looks into a screen showing the face of her faraway son. Electronic music ping …

SOURCE: The Guardian at 03:21AM
Wednesday, May 18, 2016

Amadeus review – Rupert Everett impresses as the seething Salieri by Susannah Clapp

Chichester Festival theatre, West SussexA vivid revival of Peter Shaffer's Amadeus christens a newly refashioned Chichester Festival theatreChichester Festival theatre reopens this summer, n…

SOURCE: The Guardian at 12:56AM
Sunday, May 15, 2016

Theatre review: Jerusalem / Royal Court, London by Susannah Clapp

Royal Court, LondonAbout half a mile down from the Little Chef on the A14, a giant chats about building Stonehenge. In a Wiltshire glade at dawn, teenage girls tumble bug-eyed and doped-up f…

SOURCE: The Guardian at 01:21AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic