All stories by Stokely@howlround.com (jdstokely) on BroadwayStars

Tuesday, September 18, 2018

The Birth of a Climate Commons by Stokely@howlround.com (jdstokely)

By Lanxing Fu. Lani Fu introduces the Climate Commons for Theatre and Performance, an initiative that emerged from the Theatre in the Age of Climate Change convening in June 2018.

Linked From HowlRound at 09:42AM
Monday, September 17, 2018

This Sentence by Stokely@howlround.com (jdstokely)

By Kendra Fanconi. Kendra Fanconi explains why it might take us eighty-eight minutes to digest one simple sentence about climate change.

Linked From HowlRound at 10:45AM
Sunday, September 16, 2018

Art on a Damaged Planet: the Theatre in the Age of Climate Change Convening by Stokely@howlround.com (jdstokely)

By MJ Halberstadt. Playwright MJ Halberstadt reports on Theatre of the Age of Climate Change convening, which took place 8-10 June 2018 in Boston, MA.

Linked From HowlRound at 10:33AM
Thursday, September 13, 2018

Radical Ideas Welcome: What Should the Latinx Theatre Commons Do Next? by Stokely@howlround.com (jdstokely)

By Abigail Vega. Latinx Theatre Commons (LTC) Producer Abigail Vega reflects on the last six years of programming, and encourages the community to submit ideas for future LTC programming.

Linked From HowlRound at 03:50PM
Wednesday, September 12, 2018

A Non-Binary Awakening in Philadelphia by Stokely@howlround.com (jdstokely)

By Pax Ressler. Pax Ressler looks at both the successes and challenges for non-binary theatre artists in Philadelphia.

Linked From HowlRound at 10:10AM
Tuesday, September 11, 2018

Working Like a Mother by Stokely@howlround.com (jdstokely)

By Rachel Bonds. Parent and artist Rachel Bonds reflects on being a working playwright since the birth of her son, and maps out tips for theatres working with other parent-artists.

Linked From HowlRound at 10:31AM
Thursday, September 6, 2018

How to Care for Your Queer Playwright: Development, Community, and Fresh Air by Stokely@howlround.com (jdstokely)

By Abraham Johnson. When the Lambda Emerging LGBTQ Voices Retreat was born in 2007, it was the first program of its kind for queer writers. Since then, annual week-long workshops have been l…

Linked From HowlRound at 01:43PM
Wednesday, September 5, 2018

Breaking Away from the Institution: How to Take Control of Your Education by Stokely@howlround.com (jdstokely)

By Abigail Warhus. Theatre student Abigail Warhus talks about feeling stuck at university and taking her education into her own hands.

Linked From HowlRound at 02:02PM
Tuesday, September 4, 2018

Dr. Sara BT Thiel on Pregnancy on the Stage in Early Modern English Drama by Stokely@howlround.com (jdstokely)

By Michael Lueger. How do you depict pregnancy when you're working with an all-male cast? Dr. Sara BT Thiel joins us to discuss this and other issues connected to pregnancy on the Stuart sta…

Linked From HowlRound at 09:00AM
Thursday, August 30, 2018

When the Invisible Illness Becomes Visible by Stokely@howlround.com (jdstokely)

By Sara Brookner, Megan Simcox. Dramaturg Sara Brookner interviews actor/director Megan Simcox about equitable casting, and why they founded ACTive Roles Theatre Company.

Linked From HowlRound at 09:00AM
Wednesday, August 29, 2018

Economic Precarity and Resiliency in Theatre: an American Psalm by Stokely@howlround.com (jdstokely)

By Caridad Svich. Playwright Caridad Svich reflects on the economic reality of working in theatre.

Linked From HowlRound at 11:17AM
Tuesday, August 28, 2018

Tilikum and Wading into Better Criticism by Stokely@howlround.com (jdstokely)

By Yasmin Mikhaiel. Yasmin Zacaria Mikhaiel talks about the importance of “good” criticism through the lens of Kristiana Rae Colón’s play Tilikum.

Linked From HowlRound at 10:34AM
Sunday, August 26, 2018

On Harassment Policies for Critics in the Age of #MeToo by Stokely@howlround.com (jdstokely)

By Kitty Drexel. Kitty Drexel reflects on harassment policies in the age of the #MeToo movement.

Linked From HowlRound at 09:00AM
Tuesday, August 21, 2018

What Indigenous Writers Can Bring to Theatre by Stokely@howlround.com (jdstokely)

By Ishmael Hope. Ishmael Hope (Tlingit) writes about why we need to support Native playwrights.

Linked From HowlRound at 02:47PM

Healing Stories from Naa Kahidi Theatre by Stokely@howlround.com (jdstokely)

By Allan Hayton (Gwich’in). Actor and former Naa Kahidi Theatre ensemble member Allan Hayton(Gwich’in) reflects on the history of the company and how theatre can be used as a tool for co…

Linked From HowlRound at 09:00AM
Monday, August 20, 2018

Denver: Where Playwrights Love Playwrights (and Actors, Directors, and Producers) by Stokely@howlround.com (jdstokely)

By Leslie C. Lewis. Leslie C. Lewis looks at how playwrights are working together and building community with Rough Draught Playwrights in Denver, Colorado.

Linked From HowlRound at 03:21PM

Navigating Western Theatre And Ancient Inupiaq Responsibilities by Stokely@howlround.com (jdstokely)

By Lucas Rowley (Inupiaq). Playwright Lucas Rowley reflects on navigating expectations of Western theatre while also balancing his Inupiaq traditions and community responsibilities.

Linked From HowlRound at 12:04PM
Sunday, August 19, 2018

Alaska Native Theatre Comes of Age by Stokely@howlround.com (jdstokely)

By Vera Starbard (Tlingit/Dena’ina). Vera Starbard (Tlingit/Dena’ina) introduces the series on Alaskan theatre through the lens of Alaska Native performance and storytelling.

Linked From HowlRound at 09:00AM
Thursday, August 16, 2018

How Post-Colonial Imagination Can Make Theatre into an Agent of Revolution by Stokely@howlround.com (jdstokely)

By Massimo Monfiletto. Using three different plays— M. Butterfly , Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart , and QPH —playwright Massi Monfiletto examines th…

Linked From HowlRound at 10:01AM
Wednesday, August 15, 2018

On Neo-Futurism by Stokely@howlround.com (jdstokely)

By Rob Onorato. Writer and performer Rob Onorato explores what makes the Chicago Neo-Futurists so special.

Linked From HowlRound at 10:44AM
Tuesday, August 14, 2018

The Collaborative Possibilities of Mediaturgy by Stokely@howlround.com (jdstokely)

By Katherine Swimm. Katherine Swimm discusses New Rep Theatre’s Boston production of Ripe Frenzy , and the innovative collaboration between playwright Jennifer Barclay and projection desig…

Linked From HowlRound at 09:00AM
Sunday, August 12, 2018

How We Produced a Green Convening by Stokely@howlround.com (jdstokely)

By Ramona Ostrowski, JD Stokely. Associate Producer Ramona Ostrowski and Fellow JD Stokely reflect on how HowlRound made the Theatre in the Age of Climate Change Convening on 8-10 June 2018 …

Linked From HowlRound at 09:00AM
Sunday, August 5, 2018

Teatro Línea de Sombra Connects with Portland, Oregon and the Pacific Northwest by Stokely@howlround.com (jdstokely)

By Georgina Young-Ellis. Georgina Young-Ellis looks at the history of the innovative Mexican theatre company Teatro Línea de Sombra, its connection to Portland, Oregon, and two of their pro…

Linked From HowlRound at 10:11AM
Thursday, August 2, 2018

Casting An Actor with Albinism: The Importance of Authenticity On Stage by Stokely@howlround.com (jdstokely)

By Julie Taiwo Oni. Playwright and scholar Julie Taiwo Oni reflects on the experience of casting an actor with albinism for her play Chisel , and discusses why authentic casting is worth the…

Linked From HowlRound at 10:23AM
Wednesday, August 1, 2018

Curating Courage and the Future of Latinx Theatre / Valentía Curatorial y el Futuro del Teatro Latinx by Stokely@howlround.com (jdstokely)

By Georgina Escobar. Playwright Georgina Escobar reflects on the curation of the 2018 Latinx Theatre Commons (LTC) Carnaval of New Latinx Work: ¡ConeXión!, which took place 19-21 July 2018…

Linked From HowlRound at 04:59PM
Tuesday, July 31, 2018

Accepting Applications for the Deaf Theatre Action Planning Session by Stokely@howlround.com (jdstokely)

By Tyrone Giordano, DJ Kurs, Ethan Sinnott, Rachel Grossman. The Deaf Theatre Action Planning Session, a convening for deaf theatremakers taking place on 15-17 March 2019, is accepting appli…

Linked From HowlRound at 04:43PM
Monday, July 30, 2018

Blurring Borders with Práctica/ Borrando las fronteras con Práctica by Stokely@howlround.com (jdstokely)

By Beatrice Basso. Beatrice Basso discusses what it was like to bring multidisciplinary artists from north and south of the US-Mexico border together to create and learn from each other in t…

Linked From HowlRound at 11:49AM
Wednesday, July 25, 2018

Playing Around with Nineteenth-Century Theatre in Dr. Robert Davis’s Broadway: 1849 by Stokely@howlround.com (jdstokely)

By Michael Lueger. Could you make it as the manager of a New York City theatre in the 1840s? That's the question that Dr. Robert Davis's game and app Broadway:1849 poses to players. Robert j…

Linked From HowlRound at 01:14PM
Monday, July 23, 2018

Seventeen Thoughts (in Random Order) about Neo-Futurism and Experimental Theatre by Stokely@howlround.com (jdstokely)

By Rob Neill. Rob Neill, founding ensemble member of the New York Neo-Futurists, shares his thoughts on the company’s process, devising work, and creating rituals in theatre.

Linked From HowlRound at 10:22AM
Sunday, July 22, 2018

Ignited: Puerto Rico, Politics, and the Diaspora in Magdalena Gomez's Dancing in My Cockroach Killers by Stokely@howlround.com (jdstokely)

By Noe Montez. Noe Montez interviews ensemble members from New York's Pregones Theatre on Dancing in My Cockroach Killers, which ran from 7 June to 1 July 2018 at the GALA Theatre in Washing…

Linked From HowlRound at 09:00AM
Tuesday, July 17, 2018

Talking about Protest with the Language of Actor Training by Stokely@howlround.com (jdstokely)

By Courtney Bailey Parker. Actor and literature/theatre professor Courtney Bailey Parker talks about national anthem protests, performance as activism, and theatre artists as mediators.

Linked From HowlRound at 09:00AM

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