All stories by Stephen Collins on BroadwayStars

Friday, May 1, 2015

CRITICS CHOICE: Top 10 Musicals 1st May 2015 by Stephen Collins

By Stephen Collins What Musical should you see first in London? We have compiled this list to save you the trouble of working it out! It’s just our view – and everyone has one &#…

SOURCE: britishtheatre.com at 11:02AM
Thursday, April 30, 2015

REVIEW: Ah, Wilderness!, Young Vic Theatre ✭✭ by Stephen Collins

By Stephen Collins The combination of sand, water, and romantic moon makes for a touching image towards the end of the play. It is beautifully lit by the talents of Charles Balfour and, for …

SOURCE: britishtheatre.com at 11:45AM

REVIEW: Everyman, National Theatre ✭✭ by Stephen Collins

By Stephen Collins Rufus Norris throws everything at the production. The result is garish, adolescent and intolerably dull. Too much show and too little style and substance. As Everyman, Chi…

SOURCE: britishtheatre.com at 10:22AM
Wednesday, April 29, 2015

REVIEW: Follies In Concert, Royal Albert Hall ✭✭✭ by Stephen Collins

By Stephen Collins In the case of Betty Buckley as Carlotta, the casting was inspired. Her powerful and joyful rendition of I'm Still Here stopped the show. But it was Anita Dobson’s self-…

SOURCE: britishtheatre.com at 05:54PM

REVIEW: Wicked, Apollo Victoria Theatre ✭✭✭✭✭ by Stephen Collins

By Stephen Collins Wicked Apollo Victoria Theatre 11 February 2015 5 Stars What are the chances of getting large audiences to come eight times a week to a musical about political propaganda,…

SOURCE: britishtheatre.com at 09:02AM
Tuesday, April 28, 2015

REVIEW: Closer To Heaven, Union Theatre ✭✭✭✭ by Stephen Collins

By Stephen Collins What makes the musical stand-out is it unashamed gaiety, and I use that word in its modern sense. This is, as Nicholas De Jongh said when the piece premiered, "the first t…

SOURCE: britishtheatre.com at 06:09PM
Friday, April 24, 2015

REVIEW: Light Shining In Buckinghamshire, Lyttleton Theatre ✭✭ by Stephen Collins

By Stephen Collins There is an acute fascination in watching the richly intense banquet give way, bit by bit, to the advances of the common folk, to see the lavish table become stripped bare…

SOURCE: britishtheatre.com at 12:48PM
Thursday, April 23, 2015

REVIEW: Dead Royal, Ovalhouse ✭✭✭✭ by Stephen Collins

By Stephen Collins Roberts is immaculate in playing both parts: the sour, rotten, old Wallis who, despite her bitterness, wants to save Diana from the dreary drudgery of joining the monarchy…

SOURCE: britishtheatre.com at 04:43AM
Wednesday, April 22, 2015

REVIEW: Shock Treatment, Kings Head Theatre ✭✭✭ by Stephen Collins

By Stephen Collins Julie Atherton can play dowdy geek character, svelte seductive siren, and camp fetish magnet (complete with vinyl Nurse's outfit just covering her pert derrière and barel…

SOURCE: britishtheatre.com at 10:15AM

REVIEW: Death Of A Salesman, Royal Shakespeare Theatre ✭✭✭ by Stephen Collins

By Stephen Collins The role of Willy Loman is very exacting, requiring great range and subtlety from the actor. The single greatest requirement, though, is for the actor to be Loman rather t…

SOURCE: britishtheatre.com at 09:55AM

REVIEW: Love’s Sacrifice, The Swan Theatre ✭✭ by Stephen Collins

By Stephen Collins Despite a delicious design from Anna Fleischle (the black velvet floor and beautifully detailed costumes especially) and some winning, often charming, performances from Ca…

SOURCE: britishtheatre.com at 06:08AM

REVIEW: Carmen Disruption, Almeida Theatre ✭✭✭✭ by Stephen Collins

By Stephen Collins At just over 90 minutes, this is a theatrical spectacle and tapestry as ethereal and vital as it is strange and incomprehensible. Simon Stephens throws those elements such…

SOURCE: britishtheatre.com at 05:48AM
Tuesday, April 21, 2015

REVIEW: All Male Pirates Of Penzance, Richmond Theatre ✭✭✭ by Stephen Collins

By Stephen Collins The key is truthfulness: the men play the female roles as truthfully as they can, in the context of the show, and by doing so, unlock different energies and synergies. Jus…

SOURCE: britishtheatre.com at 05:51AM

REVIEW: Fun Home, Circle In The Square ✭✭✭✭ by Stephen Collins

By Stephen Collins Universality is the key to the success of Fun Home. Fundamentally, it is about family and the undisclosed natures and secrets of those who are our family. Children discove…

SOURCE: britishtheatre.com at 05:24AM
Thursday, April 16, 2015

REVIEW: Gypsy, Savoy Theatre ✭✭✭✭✭✭ by Stephen Collins

By Stephen Collins Everyone in this company is superb in their part, everyone can really sing, really dance and really deliver the goods in terms of dramatic and comic acting. This is that r…

SOURCE: britishtheatre.com at 04:06AM
Wednesday, April 15, 2015

REVIEW: Rumpy Pumpy, Landor Theatre ✭ by Stephen Collins

By Stephen Collins Some of Mackie's tunes are pleasant and catchy - the music is easily the superior component in the work. But it is held back, both by poor lyrics and, generally speaking, …

SOURCE: britishtheatre.com at 05:02AM
Tuesday, April 14, 2015

REVIEW: Finding Neverland, Lunt-Fontanne Theatre ✭✭✭✭✭ by Stephen Collins

By Stephen Collins Finding Neverland is a truly magical musical theatre experience. The score is lively and quite quite beautiful. From ballads to raucous boy songs and big, generous ensembl…

SOURCE: britishtheatre.com at 08:00PM

Critics Choice Broadway Shows The Top 10- April 2015 by Stephen Collins

By Stephen Collins What show should audiences from the UK see first if visiting the Great White Way? We have compiled this list to save you the trouble of working it out! It’s just our…

SOURCE: britishtheatre.com at 03:33PM

REVIEW: Drunk Shakespeare, Roy Arias Stages ✭✭✭✭ by Stephen Collins

By Stephen Collins The result is fresh, frivolous and somewhat interactive theatrical tomfoolery. It looks haphazard and unsophisticated but actually it is the result of careful, considered …

SOURCE: britishtheatre.com at 09:11AM