All stories by Scotty Zacher on BroadwayStars

Tuesday, April 26, 2016

Review: Dreamgirls (Porchlight Music Theatre) by Scotty Zacher

Measure for measure, Dreamgirls has more star turns in its first 15 minutes than many musicals have in their entirety. And Porchlight Music Theatre's production, directed by Brenda Didier, d…

SOURCE: Chicago Theater Beat at 08:37PM

Review: Jesus Hopped The ‘A’ Train (Eclipse Theatre) by Scotty Zacher

Eclipse Theatre's *Jesus Hopped the ‘A’ Train* is a treasure in every sense of the word. Then embrace the encrusted grime as part of the tarnished gold. Engross yourself in Playwright St…

SOURCE: Chicago Theater Beat at 03:28PM
Sunday, April 24, 2016

Review: Bullets Over Broadway (Broadway in Chicago) by Scotty Zacher

Broadway in Chicago's 'Bullets Over Broadway' is a bizarre, cartoonish musicalization of the 1994 movie of the same name. By the time the show wraps up, it’s abundantly clear why this Woo…

SOURCE: Chicago Theater Beat at 08:16PM
Friday, April 22, 2016

Review: Hillary and Clinton (Victory Gardens Theater) by Scotty Zacher

Victory Gardens Theater's world-premiere 'Hillary and Clinton' is at once very broad and very niche. Playwright Lucas Hnath’s play challenges the audience to imagine a parallel universe al…

SOURCE: Chicago Theater Beat at 07:33PM
Thursday, April 21, 2016

Review: Paper City Phoenix (Tympanic Theatre) by Scotty Zacher

Walt McGough’s baffling, juvenile commentary 'Paper City Phoenix' is truly one of the most inscrutable plots this critic has ever had to try and parse, filled with shallow characters and v…

SOURCE: Chicago Theater Beat at 06:49PM
Wednesday, April 20, 2016

Review: Jabari Dreams of Freedom (Chicago Children’s Theatre) by Scotty Zacher

The subject matter of Chicago Childrens Theatre's world premiere 'Jabari Dreams of Freedom' is essential and timely. The talent is excellent, the production values beautiful. If Nambi E. Kel…

SOURCE: Chicago Theater Beat at 08:57PM

Review: Kill Floor (American Theater Company) by Scotty Zacher

Abe Koogler’s 'Kill Floor' is filled with complex, dynamic characters whose damaged lives will intrigue you from the stark, eerie, opening image. As the piece winds through a series of fra…

SOURCE: Chicago Theater Beat at 06:54PM
Tuesday, April 19, 2016

Review: Hershey Felder as Irving Berlin (Royal George Theatre, 2016) by Scotty Zacher

Royal George Theatre's 'Hershey Felder as Irving Berlin,' directed by Trevor Hay and performed on a gorgeous set designed by Hay and Felder that represents Berlin’s last home, is a marvelo…

SOURCE: Chicago Theater Beat at 07:13PM
Sunday, April 17, 2016

Review: The Few (Steep Theatre) by Scotty Zacher

Playwright Samuel D. Hunter is his laser-like focus on outsiders of the heartland, and his dedication to presenting them as the humans they are. Steep Theatre’s The Few showcases Hunter at…

SOURCE: Chicago Theater Beat at 11:14PM
Friday, April 15, 2016

Review: Trash (New American Folk Theatre) by Scotty Zacher

New American Folk Theatre's 'Trash' runs like an extended riff on the tropes of Southern Gothic. Playwright Johnny Drago’s characters feel like an inverted and exaggerated caricature of so…

SOURCE: Chicago Theater Beat at 06:08PM
Thursday, April 14, 2016

Review: Carlyle (Goodman Theatre) by Scotty Zacher

Thomas Bradshaw's 'Carlyle' is billed as a satire. It’s not. The piece delivers some of the most straightforwardly offensive and despicable forms of misogyny and racism that you can imagin…

SOURCE: Chicago Theater Beat at 11:50PM

Review: United Flight 232 (The House Theatre of Chicago) by Scotty Zacher

House Theatre's gut-wrenching world premiere adaptation of Laurence Gonzales’ book lovingly portrays the true story of a doomed 1989 flight that resulted in an inspiring tale of human resi…

SOURCE: Chicago Theater Beat at 06:26PM
Wednesday, April 13, 2016

Review: Adding Machine (The Hypocrites) by Scotty Zacher

Entertaining it is – light entertainment it’s not. Going into The Hypocrites' 'Adding Machine' with expectations of a piece that will challenge audiences, one will have a rewarding exper…

SOURCE: Chicago Theater Beat at 08:00PM

Review: Lester’s Dreadful Sweaters (Lifeline Theatre) by Scotty Zacher

Lester’s Dreadful Sweaters is a satisfying treat for families. This parable of open-mindedness and creativity has a great message, and this winning musical adaptation is sure to be a favor…

SOURCE: Chicago Theater Beat at 03:39PM
Tuesday, April 12, 2016

Review: Blood Wedding (Lookingglass Theatre) by Scotty Zacher

Directed by Daniel Ostling, 'Blood Wedding' is visually arresting and emotionally intense. But the overarching themes that Lorca delves into aren’t always clear, despite a fine cast and a …

SOURCE: Chicago Theater Beat at 10:42PM

Review: Mary Page Marlowe (Steppenwolf Theatre) by Scotty Zacher

In Tracy Letts’ 85-minute world-premiere Mary Page Marlowe, the six incarnations of the title character create a drama that pierces the heart, engages the intellect and weaves an extraordi…

SOURCE: Chicago Theater Beat at 01:50AM
Monday, April 11, 2016

Review: The Life of Galileo (Remy Bumppo Theatre) by Scotty Zacher

One of Remy Bumppo's most commendable traits is its willingness to tackle challenging productions. While I commend their initiative here, they ironically lose sight of the central conflict o…

SOURCE: Chicago Theater Beat at 06:19PM
Sunday, April 10, 2016

Review: Ulysses (The Plagiarists) by Scotty Zacher

Staged in a format that just doesn’t work and employing a “collective reading” that just results in a mess, The Plagiarists' 'Ulysses' manages to be both drawn-out and forgettable, wit…

SOURCE: Chicago Theater Beat at 11:49PM
Saturday, April 9, 2016

Review: Jerusalem (Profiles Theatre) by Scotty Zacher

Apart from the third act, where some real action occurs, Profiles Theatre's 'Jerusalem' by Jez Butterworth consists mainly of hearing drugged-out characters tell stories. At 3 hours, the pla…

SOURCE: Chicago Theater Beat at 02:07PM
Friday, April 8, 2016

Review: The Edge of Our Bodies (TUTA Theatre Chicago) by Scotty Zacher

TUTA Theatre has been regaling Chicago audiences with innovative theatre for years. 'The Edge of Our Bodies' is no exception, and Carolyn Molloy's performance is nothing short of exceptional…

SOURCE: Chicago Theater Beat at 10:22AM
Thursday, April 7, 2016

Review: Arcadia (Writers Theatre) by Scotty Zacher

Writers Theatre's 'Arcadia', by Tom Stoppard, is a triumph on multiple levels. It’s a celebration of the sumptuous new space and a crackling fine swath of storytelling, offering a magnific…

SOURCE: Chicago Theater Beat at 04:09PM
Wednesday, April 6, 2016

Review: Butler (Northlight Theatre) by Scotty Zacher

Northlight Theatre's 'Butler' is a hidden nugget of history, Written by Richard Strand, the play is based on true events, and is not only entertaining but educational as well in that we’re…

SOURCE: Chicago Theater Beat at 01:55AM
Tuesday, April 5, 2016

Review: Fooling Buddha (First Folio Theatre) by Scotty Zacher

David Kovac's 'Fooling Buddha' is a deft balance of comic prowess and sleight-of-hand. Part autobiographical storytelling, part mind-boggling illusion and part philosophical musing, it's tho…

SOURCE: Chicago Theater Beat at 06:18PM
Sunday, April 3, 2016

Review: Time Steps (Chicago Tap Theatre) by Scotty Zacher

The Chicago Tap Theatre is a gift to the local dance scene - the group is both staggeringly talented and never afraid to take a chance. With a compelling story, a stunning score and knockout…

SOURCE: Chicago Theater Beat at 11:17PM
Saturday, April 2, 2016

Review: Matilda the Musical (Broadway in Chicago) by Scotty Zacher

Matilda the Musical is a indeed special show. It’s an empowering story about dealing with bullies. It is also a story that celebrates imagination. And that will make you believe, if only a…

SOURCE: Chicago Theater Beat at 07:16PM
Friday, April 1, 2016

Review: The Last Big Mistake (The Factory Theater) by Scotty Zacher

The Factory Theater's 'The Last Big Mistake' combines campy acting with irreverent humor and fun/sexy wrestling moves, but it displays a lot more style than substance. If you've enjoyed othe…

SOURCE: Chicago Theater Beat at 10:54PM

Review: The New Sincerity (Theater Wit) by Scotty Zacher

Alena Smith's 'The New Sincerity' teeters between terrific and troubled. Smith does a first-rate job skewering a movement's shortcomings, but her plot is wholly unlikely and characters incon…

SOURCE: Chicago Theater Beat at 01:06AM
Thursday, March 31, 2016

Review: Short Shakespeare! Twelfth Night (Chicago Shakespeare Theater) by Scotty Zacher

Short Shakespeare! Twelfth Night, adapted and directed by Kirsten Kelly, is a fun and clever romp with deft direction, beautiful production values and talented actors. Shakespeare himself wo…

SOURCE: Chicago Theater Beat at 10:44PM

Review: The Matchmaker (Goodman Theatre) by Scotty Zacher

Ultimately , Goodman Theatre's 'The Matchmaker' is good “match” between cast and audience. In fact, the one big critique would be that sometimes, after a very funny line, actors proceed …

SOURCE: Chicago Theater Beat at 02:08PM
Tuesday, March 29, 2016

Review: Othello (Chicago Shakespeare Theatre, 2016) by Scotty Zacher

While not blatantly innovative, Chicago Shakes' 'Othello' subtly increases the play's relevance while staying true to the script. The tremendous cast excels in honoring Shakespeare's languag…

SOURCE: Chicago Theater Beat at 05:28PM

Review: 35MM – A Musical Exhibition (Circle Theatre) by Scotty Zacher

Though it wobbles in the beginning, 35MM is well worth watching. A snapshot into our minds and hearts, with the angst, passion and need for connection, the show is distinctive and emotional.…

SOURCE: Chicago Theater Beat at 03:20PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime