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In Kennedy Center performance, Brazilian dance company evokes the mangroves and creatures of the Capibaribe River.
Three dancers are out, but claims of sexual degradation and a toxic environment must trigger a broader reckoning.
Father dancing for his sick child is the opposite of embarrassing; it’s beautiful.
Fill your dance card at no charge at the Hirshhorn. Plus, a formal show that won’t break the bank.
Peter Martins faces a new DWI charge as well as misconduct allegations.
The common man and common woman got their due in the New York City Ballet’s tribute program performed at the Kennedy Center.
The unspecified allegation does not involve “the ABT community,” board chair says.
Corns, sickness, kids having accidents. But the real killer is the fake snow.
Peter Martins, heir to Balanchine, denies claims.
Great moments onstage from Julie Kent, Tiler Peck, Carmen de Lavallade and others.
The film adaptation is beautifully danced and well-designed, but the storytelling stumbles.
Costume designer Judith Hansen soothes artist nerves with silk and sequins.
Watch for simplicity and grandeur — and a few hairy legs.
“We, as a field, have work to do,” says the new director.
In July, Dakshina/Daniel Phoenix Singh presents “Frida” and tribute to muralist Siqueiros.
For 2017-2018: Jerome Robbins, Alexei Ratmansky, live music and return to the Opera House
Choreographer/teacher will replace longtime co-directors at vital Brookland arts center.
Woetzel will be the first dancer to lead the prestigious arts institution.
For the first time, the Kennedy Center taps artists to program a showcase of regional dance.
Think it’s a joy to work with the famed sculptor’s sets? Ask the Martha Graham dancers.
The ambition, variety and quantity of works make this a season of historic reach and significance.
An energizing mix of magic and child’s play is instilled in Alexei Ratmansky’s folk tale.
With fouettes as liberation and Odette as action hero, American Ballet Theatre’s staging is right for these times.
Alexei Ratmansky on storytelling through dance in “The Little Humpbacked Horse.”
Choreography includes nods to such classics as “West Side Story” and “American in Paris.”
Actress wasn’t trained as a dancer but outshone her “Singin’ in the Rain” co-stars.
Former ABT dancer's new work, Julie Kent's first commission as director of the Washington Ballet, is set to premiere in May at the Kennedy Center.
New director seizes the spotlight at 40th Anniversary Celebration with three wardrobe changes — and an announcement.
As the former ABT dancer readies the first program at her new gig, she eyes the details.
Farrell, the former New York City Ballet star, plans to teach at expanded Kennedy Center.
The fall dance by the San Francisco Ballet features great minds and grand ambition.