All stories by Sarah Kaufman on BroadwayStars

Thursday, November 7, 2013

Suzanne Farrell Ballet program at Kennedy Center by Sarah Kaufman

The Suzanne Farrell Ballet has become enormously adept at successive approximations. What other ballet company routinely approaches this one’s ability to almost get it, to come quite close…

SOURCE: Washington Post at 07:53PM
Wednesday, October 30, 2013

‘Play/Pause’: Dance that’s often lovely, but Susan Marshall work ultimately disappoints by Sarah Kaufman

“Play/Pause” isn’t just the title of Susan Marshall’s new work for six dancers; it also neatly sums up the structure. Casually dressed in leggings and T-shirts, the dancers play — …

SOURCE: Washington Post at 03:11PM
Friday, October 18, 2013

Hubbard Street dance troupe keeps audience engaged, surprised and inquisitive by Sarah Kaufman

Hubbard Street Dance Chicago’s program began with a gasp. The lights had just dimmed Thursday evening at the Kennedy Center’s Eisenhower Theater when one of the dancers sprinted down the…

SOURCE: Washington Post at 03:27PM
Friday, September 27, 2013

‘Dancing the Dream’ at the Portrait Gallery by Sarah Kaufman

The enchanting exhibit “Dancing the Dream” at the National Portrait Gallery begins with a magnificent art nouveau poster of Loie Fuller in all her silk-swirling, Folies Bergère radiance…

SOURCE: Washington Post at 11:24AM
Tuesday, September 17, 2013

Dance review: Margaret Jenkins reworks her past in inventive ‘Times Bones’ by Sarah Kaufman

By what alchemy does an artist take excerpts from 40 years of work and dovetail them into a compelling whole, with an emotional drive and visual rhythm of its own? This was the mystery and p…

SOURCE: Washington Post at 12:12AM
Friday, September 13, 2013

Review: Teshigawara at Kennedy Center by Sarah Kaufman

It’s with a sinking feeling that I read program notes about “conscience methodology” and “social-psychological restrictions.” When there’s also a strained, rambling poem on the p…

SOURCE: Washington Post at 05:08PM

At Fall Festival of Indian Arts, veteran dancers will share their rich treasury of experience by Sarah Kaufman

Astad Deboo’s dream began in the cargo hold of a boat bound for Iran with a load of goats and sheep. Armed with an economics degree, a backpack and a taste for Western dance, Deboo left h…

SOURCE: Washington Post at 09:48AM
Sunday, September 8, 2013

Fear won’t keep ballet star David Hallberg from the Bolshoi by Sarah Kaufman

David Hallberg, the American ballet star, wasn’t in Moscow in January when an assailanthurled acid on his boss, Bolshoi director Sergei Filin. The attack all but blinded Filin and horrifie…

SOURCE: Washington Post at 08:27PM
Friday, September 6, 2013

Innovation — and staples — abound in fall 2013 dance schedule by Sarah Kaufman

It’s a cruel task to pick a single favorite in a season that offers so many temptations. There is the Mariinsky Ballet’s definitive “Swan Lake,” for starters, though this production …

SOURCE: Washington Post at 01:53PM
Friday, August 16, 2013

Art review: ‘Swing Time: Reginald Marsh and Thirties New York’ by Sarah Kaufman

NEW YORK — Decades before John Updike wrote of flat-stomach nymphs parading in bikinis, and well before Slim Aarons focused his camera on the tanned and toned at St. Tropez, Reginald Marsh…

SOURCE: Washington Post at 11:36AM
Friday, August 2, 2013

Hitchcock’s restored first film shows roots of fascination with dance by Sarah Kaufman

Of Alfred Hitchcock’s cinematic obsessions, the moving body is one of the most remarkable. He lingered on bodies in motion with a choreographer’s eye to show us panic, passion and the fr…

SOURCE: Washington Post at 12:01PM
Wednesday, July 31, 2013

Aspen Santa Fe Ballet wows Wolf Trap crowd despite missteps of two pieces by Sarah Kaufman

Wolf Trap is presenting only one evening of concert dance this summer (not counting “Ballroom With a Twist’s” raft of reality-TV entertainers), so it had to pick carefully. Judging fr…

SOURCE: Washington Post at 09:38PM

Aspen Santa Fe Ballet wows Wolf Trap crowd despite missteps of two pieces by Sarah Kaufman

Wolf Trap is presenting only one evening of concert dance this summer (not counting “Ballroom With a Twist’s” raft of reality-TV entertainers), so it had to pick carefully. Judging fr…

SOURCE: Washington Post at 06:15PM
Friday, July 26, 2013

Paul McCarthy’s ‘WS’ and ‘James Turrell’: The spectrum of color and off-color on the East Side by Sarah Kaufman

This is a country of mystery, a sweet land of irony. What unites our states but declining incomes and anxiety? We haven’t even got a royal baby of our own to distract us as our cities go b…

SOURCE: Washington Post at 12:39PM
Friday, July 19, 2013

‘I’m So Excited’ and air travel choreography by Sarah Kaufman

Peninsula Flight 2549 is in trouble, forced to whirl above the clouds as it awaits a control-tower cue to crash land. So the flight attendants aboard it in Pedro Almodóvar’s new film, “…

SOURCE: Washington Post at 12:13PM
Friday, July 12, 2013

Annie-B Parson is about motion, not emotion by Sarah Kaufman

NEW YORK — “I don’t like modern dance,” says Annie-B Parson, who creates dances that you’d easily call modern. “I’m not interested in it. I don’t know how to do it. I don’t…

SOURCE: Washington Post at 12:57PM
Friday, June 21, 2013

How Walt Disney got ‘Rite of Spring’ right by Sarah Kaufman

Thank goodness neither the French nor Nijinsky had the last word on “The Rite of Spring.” “Shut up!” shouted the audience at the 1913 premiere in Paris of Stravinsky’s music and N…

SOURCE: Washington Post at 04:16PM
Tuesday, June 11, 2013

Washington Ballet's The Sun Also Rises invokes the spirit of Ernest Hemingway by Sarah Kaufman

Author's post-first world war novel of love, pain and alcohol gets an unlikely reworking via the medium of danceHas the sun ever risen on a busier ballet? Consider Ernest Hemingway's grim tr…

SOURCE: The Guardian at 08:59AM
Saturday, June 8, 2013

At Kennedy Center, three new takes on ballet offer two revelations by Sarah Kaufman

You’ll never guess what I saw at the Kennedy Center on Friday night: a new ballet that actually took ballet as its subject and didn’t blow it to pieces. Here were tutus and tiaras and t…

SOURCE: Washington Post at 06:16PM
Friday, June 7, 2013

Kennedy Center’s Ballet Across America: ‘Les Patineurs’ and ‘Wunderland’ by Sarah Kaufman

Things were out of whack Thursday night at the Kennedy Center. Was this really June? An unseasonably cool rain fell outside. Inside the Opera House, snow fell not once, but twice. The first …

SOURCE: Washington Post at 06:40PM
Wednesday, June 5, 2013

‘Symphony in Three Movements’ makeover retains Balanchine ballet’s transcendence by Sarah Kaufman

I’ve been flipping through a January 1970 issue of Seventeen magazine recently, a gift from a friend. It got me wondering: Miss Teenage America, with your Wella Care hair, your hips-forwar…

SOURCE: Washington Post at 02:53PM
Sunday, June 2, 2013

The dead can dance in Tantehorse production at the Atlas by Sarah Kaufman

The dead can’t dance, said Prokofiev, voicing doubts about the ending of his ballet “Romeo and Juliet.” But clearly, he had no idea what he was talking about. The dead not only danced …

SOURCE: Washington Post at 07:30AM
Friday, May 24, 2013

Shen Wei’s colorful ‘Undivided Divided’ defies our expectation by Sarah Kaufman

It was standing-room only for Shen Wei Dance Arts at the Kennedy Center on Thursday night. Except for the dancers, who were lying on the floor. Sometimes they’d sit up on one hip or lean o…

SOURCE: Washington Post at 01:48PM
Friday, May 10, 2013

‘The Sun Also Rises’: Washington Ballet’s graceful, gritty voyage to Hemingway’s world by Sarah Kaufman

Before the curtain rises on the Washington Ballet’s “Hemingway: The Sun Also Rises,” you get a taste of the ruin, decay and vague comfort that the war-scarred writer etched into his bo…

SOURCE: Washington Post at 06:02PM

Ballets Russes, and the enduring dancing man by Sarah Kaufman

Midnight in Paris. (A real one.) It’s May 1922. There’s a dazzling soiree going on at the Hotel Majestic: Picasso is there, and so is Stravinsky. Serge Diaghilev, head of the Ballets Rus…

SOURCE: Washington Post at 01:59PM
Thursday, May 9, 2013

Monica Bill Barnes & Company puts on a funny, affecting evening of dance by Sarah Kaufman

In her white top and plain black skirt, the dancer could be any office drone. But with that towering crown of feathers on her head — fluffy, cascading, Ziegfield Follies showgirl feathers …

SOURCE: Washington Post at 02:48PM
Saturday, May 4, 2013

Isadora Duncan is captured in ‘Once Wild’ by Sarah Kaufman

Behind every genius is the figure in the shadows, the lesser light whose stability and sanity lets the magic happen. This poor schlub’s story is rarely told. Yet that is the surprise, the …

SOURCE: Washington Post at 05:49PM
Friday, May 3, 2013

Washington Ballet’s ‘Hemingway: The Sun Also Rises’ by Sarah Kaufman

Has the sun ever risen on a busier ballet? Consider Ernest Hemingway’s grim treatise on wounds of flesh and spirit, “The Sun Also Rises,” with its famously arid, unembellished, plainsp…

SOURCE: Washington Post at 01:31PM
Sunday, April 28, 2013

At CityDance, Asanga Domask assures future of traditional Sri Lankan dance by Sarah Kaufman

So much of human culture has vanished from the world, will surely vanish still, will fall away as if it never existed. In the long view of time, our voices and our footprints are not as dura…

SOURCE: Washington Post at 05:49PM
Friday, April 26, 2013

‘Once Wild’ explores Isadora Duncan’s varied facets beyond dancing by Sarah Kaufman

Isadora Duncan, believer in free love and barefoot dance, had many children. Some of them are in this room. “Bankrupt. Bolsheviks at the door. There is no money for our school,” frets ac…

SOURCE: Washington Post at 12:19PM
Sunday, April 21, 2013

Karen Sherman’s ‘One With Others’ gleefully mocks artistic hooey by Sarah Kaufman

“If you are expecting me to change your life, forget about it,” says a voice in a recording in “One With Others,” a smart, witty production by Minneapolis-based artist Karen Sherman …

SOURCE: Washington Post at 07:10PM