All stories by Sarah Kaufman on BroadwayStars

Friday, May 30, 2014

‘The Lion King’ always makes me cry by Sarah Kaufman

This summer I will be weeping through “The Lion King,” for the third or fourth time. It’s not just the animal theme (but that helps). Or even the feline one. (I walked out of “Cats.�…

SOURCE: Washington Post at 01:42PM
Wednesday, May 21, 2014

Bolshoi Ballet’s uncommonly intimate ‘Giselle,’ at the Kennedy Center by Sarah Kaufman

“Giselle” is a ballet about secrets and lies. The two lovers at its core know nothing about each other. Count Albrecht is full of deceptions, including the fact that he’s engaged to so…

SOURCE: Washington Post at 12:14PM
Monday, May 19, 2014

Michael Jackson hologram: a hollow tribute by Sarah Kaufman

Is it bad to be reminded of a great entertainer after his death? Well, no. Is it creepy to project a known perfectionist as a hologram, in a performance before millions, enshrined in Interne…

SOURCE: Washington Post at 10:41AM
Sunday, May 18, 2014

Kyle Abraham showcases youthful struggle with being gay with hip-hop, sequins by Sarah Kaufman

It takes heart, imagination and ambition to frame a painful past in hip-hop and sequins. Kyle Abraham pulls it off, in more ways than one, in his newest work, “Live! The Realest MC,” an …

SOURCE: Washington Post at 09:33AM
Saturday, May 17, 2014

Jessica Lang Dance, waltzing delightfully with Leila Josefowicz and the NSO by Sarah Kaufman

There were so many ways the musicians could have upstaged the dancers at Friday’s performance of Jessica Lang Dance and the National Symphony Orchestra. The Kennedy Center’s Concert Hall…

SOURCE: Washington Post at 12:19PM
Friday, May 16, 2014

Bolshoi Ballet’s Sergei Filin, nearly blind but unbowed: ‘The dancing, I see perfectly’ by Sarah Kaufman

NEW YORK — Sergei Filin, artistic director of Moscow’s Bolshoi Ballet, stands with his back to the mirror, chewing on his pinky finger. He leans forward to get a better look at the dance…

SOURCE: Washington Post at 01:34PM

Is this the worst dance ad ever? by Sarah Kaufman

It wasn’t that bad until she tied on the pointe shoes, and then the tomatoes began to fly: “This. is horrifying. Ballet dancers everywhere are cringing!!!!” That’s one of many comme…

SOURCE: Washington Post at 10:08AM
Friday, May 2, 2014

Wayne McGregor’s ‘FAR’ is proof that grand, mind-boggling ambition still exists by Sarah Kaufman

In the Enlightenment, the human body was the new frontier. Lord Byron would become a fitness fanatic obsessed with fat. Surgeons cut into cadavers to discover what had lain concealed before …

SOURCE: Washington Post at 04:17PM

On the town with Larry Keigwin by Sarah Kaufman

In some ways, Larry Keigwin is living out the themes of “If/Then,” the Broadway show that he choreographed, which had a tryout here last fall and recently opened in New York. The show s…

SOURCE: Washington Post at 12:46PM
Saturday, April 26, 2014

Drowning out the noise to appreciate the beauty in ‘Assisted Living: Good Sports 2’ by Sarah Kaufman

“A charming eccentricity becomes obnoxious,” proclaimed Yvonne Rainer as her dancers jogged around the stage in high-water pants during Rainer’s fitfully charming, deeply eccentric “…

SOURCE: Washington Post at 04:23PM
Friday, April 25, 2014

Washington Ballet shows promise, wrinkles in challenging ’Tour-de-Force: Balanchine!’ by Sarah Kaufman

Just before the curtains opened in the Kennedy Center Eisenhower Theater on the Washington Ballet’s “Tour-de-Force: Balanchine!” program Thursday night, Artistic Director Septime Webre…

SOURCE: Washington Post at 05:56PM
Friday, April 18, 2014

Yvonne Rainer to perform two of her works at the American Dance Institute in Rockville by Sarah Kaufman

In the 1960s, simple was radical. Performers who did nothing more than walk around onstage, or run around, were called revolutionary. Choreographer Yvonne Rainer called it dance. With the …

SOURCE: Washington Post at 11:50AM
Wednesday, April 16, 2014

The Washington Ballet’s hardest dance moves, dissected (VIDEO) by Sarah Kaufman

Power is usually hidden in ballet. This video by PostTV uncovers it. What can pass in just a few musical beats during a performance — the corkscrew jumps, the ballerina who seems to fly ap…

SOURCE: Washington Post at 01:41PM
Friday, April 11, 2014

Amy Purdy’s bionic grace on ‘Dancing With the Stars’ by Sarah Kaufman

Like any good dancer, Amy Purdy has a great pair of legs. But as with any good dancer, there is far more to her talent than what she does with them. Still, the legs grab your attention. Purd…

SOURCE: Washington Post at 10:46AM
Thursday, April 3, 2014

At Kennedy Center, New York City Ballet reminds us why we go to the theater by Sarah Kaufman

An outbreak of eccentricity swept through the New York City Ballet at the Kennedy Center Opera House on Wednesday, and oh, what grand delirium ensued. It began as touches of comedy in Christ…

SOURCE: Washington Post at 02:27PM
Wednesday, April 2, 2014

Ballet ‘Jewels’ still a gem, but it’s lost some luster by Sarah Kaufman

When George Balanchine unveiled his ballet “Jewels,” he suggested that his inspiration lay in the glass cases at Van Cleef & Arpels. What a good story for the magpies among us drawn…

SOURCE: Washington Post at 06:43PM

Ballet ‘Jewels’ still a gem, but it’s lost some luster by Sarah Kaufman

When George Balanchine unveiled his ballet “Jewels,” he suggested that his inspiration lay in the glass cases at Van Cleef & Arpels. What a good story for the magpies among us drawn…

SOURCE: Washington Post at 02:12PM
Friday, March 28, 2014

Choreographer Justin Peck’s unprecedented success with New York City Ballet by Sarah Kaufman

NEW YORK — If Cary Grant had ever made a screwball comedy about ballet, it might look like what was happening on a recent afternoon at the New York City Ballet, where a lighthearted, sligh…

SOURCE: Washington Post at 10:50AM

Q&A with Justin Peck: A Ballet for Beyonce, and Other Musings by Sarah Kaufman

[Note: publish Friday March 28] Justin Peck has lots of ideas. At 26, the soloist with New York City Ballet has a skyrocketing career as a choreographer. He’s made half a dozen works for …

SOURCE: Washington Post at 10:10AM
Monday, March 24, 2014

Style Blog: Canevari’s Big Dance: Why We Love His Nae Nae by Sarah Kaufman

If “Dancing With the Stars” ever needs a ringer to suit up in a sparkle tux, may it turn to Kevin Canevari. Canevari is the Mercer University senior basketball player who turned his team…

SOURCE: Washington Post at 04:38PM
Sunday, March 16, 2014

‘Tempest Replica’ partly succeeds at translating Shakespeare by Sarah Kaufman

“The Tempest Replica,” a hybridized mime-dance-theater interpretation of Shakespeare’s “The Tempest,” begins with an exquisite piece of storytelling. From the first moments of this…

SOURCE: Washington Post at 08:44PM
Thursday, March 13, 2014

Paul Taylor Dance Company will feature other choreographers by Sarah Kaufman

Paul Taylor, founder of the world-famous Paul Taylor Dance Company, has always said he’s a lucky guy. When he got his start in New York in the 1950s, the modern art movement was young and …

SOURCE: Washington Post at 08:22PM
Saturday, March 8, 2014

Bowen McCauley Dance program proves that bigger and bolder challenge isn’t always better by Sarah Kaufman

You’d have to ask Charles Darwin why ambition and risk-taking are such standard hooks for our interest, whether in a mate, a business leader or an artist. We may need to evolve past this t…

SOURCE: Washington Post at 03:18PM
Friday, March 7, 2014

Amid Washington Ballet’s ‘British Invasion,’ there is a piece deserving of much love by Sarah Kaufman

With its current series, the Washington Ballet pays tribute to the rock-romanticism the Beatles unleashed in their first American appearances 50 years ago. Although the program is titled “…

SOURCE: Washington Post at 03:06PM
Wednesday, March 5, 2014

Style Blog: Washington Ballet to dive into “Swan Lake” by Sarah Kaufman

Eyebrows, prepare for liftoff. The Washington Ballet has announced its 2014-2015 season, and among its offerings of short, punchy contemporary works is a great big anomaly called “Swan Lak…

SOURCE: Washington Post at 05:49PM
Sunday, February 23, 2014

Dancers explore female sensuality and aggression in LeeSaar The Company program by Sarah Kaufman

“These ladies look like they could win all the gold in the Olympics,” said a man in the audience after Saturday’s performance at the American Dance Institute in Rockville. He was talki…

SOURCE: Washington Post at 05:15PM
Saturday, February 8, 2014

Dana Tai Soon Burgess’s dance pieces at Kennedy Center revel in the still moments by Sarah Kaufman

How powerful art is when it shows us our spiritual self, the part that gazes beyond this tottering world for meaning. Dance, with its embodied emotion, is optimal for this. The best dance pi…

SOURCE: Washington Post at 09:59PM
Friday, January 31, 2014

Bolshoi Ballet will bring ‘Giselle’ to the Kennedy Center in May by Sarah Kaufman

The Bolshoi Ballet has made headlines over the past year for all the wrong reasons. A vicious attack on its artistic director, bribery allegations, the recent sentencing of one of its dancer…

SOURCE: Washington Post at 01:37PM
Wednesday, January 29, 2014

Mariinsky Ballet’s ‘Swan Lake’ is magical by Sarah Kaufman

It’s as though both of Russia’s major ballet companies have been caught in the unyielding grip of a polar vortex. Bitter fissures have cracked through their elegant facades: Valery Gerg…

SOURCE: Washington Post at 07:14PM
Wednesday, November 13, 2013

Matthew Bourne injects new energy into ‘Sleeping Beauty’ with dance theater piece by Sarah Kaufman

The story is one of the best-known fairy tales, and it unfolds along the lines of one of the world’s most famous ballets. But things don’t happen as one might expect in Matthew Bourne’…

SOURCE: Washington Post at 08:22PM
Thursday, November 7, 2013

Suzanne Farrell Ballet program at Kennedy Center by Sarah Kaufman

The Suzanne Farrell Ballet has become enormously adept at successive approximations. What other ballet company routinely approaches this one’s ability to almost get it, to come quite close…

SOURCE: Washington Post at 07:53PM