All stories by Sarah Crompton on BroadwayStars

Sunday, October 1, 2023

Birmingham Royal Ballet: Black Sabbath – The Ballet; English National Ballet: Our Voices – review by Sarah Crompton

Birmingham Hippodrome; Sadler’s Wells, London The fathers of heavy metal have gained at least one new fan thanks to an inspired new Carlos Acosta commission. And the music’s the star in …

SOURCE: The Guardian at 04:43AM
Sunday, September 17, 2023

Dancing City; Alvin Ailey American Dance Theater – review by Sarah Crompton

Greenwich+Docklands international festival; Sadler’s Wells, LondonA change of clothes proves transformative in Canary Wharf’s al fresco dance fest, while Alvin Ailey’s season ends as i…

SOURCE: The Guardian at 04:55AM
Sunday, September 10, 2023

Alvin Ailey American Dance Theater Mixed Bill review – community-spirited joy by Sarah Crompton

Sadler’s Wells, LondonThe pioneering company’s warmth and athletic grace is showcased in a selection of old and new work There’s something generous about Alvin Ailey American Dance The…

SOURCE: The Guardian at 04:19AM
Sunday, August 27, 2023

Edinburgh festival dance: After All; Dances Like a Bomb; The Rite of Spring – review by Sarah Crompton

Dance Base; Zoo Southside; Playhouse, EdinburghSolène Weinachter’s funeral guest is a triumph of sound and vision. Elsewhere, a tragicomic study of ageing, and a thrilling Rite of Spring …

SOURCE: The Guardian at 04:13AM
Sunday, August 13, 2023

Matthew Bourne’s Romeo + Juliet review – more compelling than ever by Sarah Crompton

Sadler’s Wells, LondonSet in an asylum, the choreographer’s bleak yet passionate adaptation of Shakespeare’s tragic romance triumphs in a newly honed revival The choreographer Matthew …

SOURCE: The Guardian at 04:43AM
Sunday, July 30, 2023

Venice Dance Biennale: Pontus Lidberg: On the Nature of Rabbits; Andrea Salustri: Materia – review by Sarah Crompton

Teatro alle Tese; Tese dei Soppalchi, Venice Rabbits pop up again in Lidberg’s nightmarish new meditation on desire, while Salustri does extraordinary things with polystyrene… What is i…

SOURCE: The Guardian at 05:07AM
Sunday, July 23, 2023

Venice Dance Biennale: Simone Forti; Rachid Ouramdane: Variation(s) – review by Sarah Crompton

Sala d’Armi A; Tese dei Soppalchi, VeniceThis year’s Wayne McGregor-curated biennale pays tribute to Forti’s revolutionary work. Plus, a gorgeous double take from the French choreograp…

SOURCE: The Guardian at 04:43AM
Sunday, July 16, 2023

Carlos Acosta: ‘At 50, I have to dance in a way that I can still walk off, and not call an ambulance’ by Sarah Crompton

The Cuban star on returning to the Royal Opera House stage, commissioning a heavy metal ballet and diversity in the arts Carlos Acosta was one of the greatest classical dancers of the modern…

SOURCE: The Guardian at 05:25AM
Friday, July 14, 2023

Manchester international festival: Benji Reid: Find Your Eyes; Tino Sehgal: This Entry – review by Sarah Crompton

Manchester Academy; Whitworth Art Gallery, ManchesterA belief in the transformative power of art unites Reid’s sensational autobiographical work and Sehgal’s meditation on the grace of f…

SOURCE: The Guardian at 06:43AM
Sunday, July 9, 2023

Ballet Flamenco Sara Baras: Alma review – mesmerising power and fluency by Sarah Crompton

Sadler’s Wells, LondonThe Spanish star kicks off London’s annual Flamenco festival with a dazzling bolero-infused tribute to her late father The opening section of Sara Baras’s new wor…

SOURCE: The Guardian at 05:13AM
Sunday, June 25, 2023

English National Ballet: Cinderella review – at once grand, tender and intimate by Sarah Crompton

Royal Albert Hall, LondonChoreographer Christopher Wheeldon’s intelligence and invention combine to make an effortlessly entrancing piece in which to lose yourself If one quality character…

SOURCE: The Guardian at 04:25AM
Sunday, June 18, 2023

Royal Ballet triple bill review – McGregor and Wheeldon at the top of their game by Sarah Crompton

Royal Opera House, London Wayne McGregor’s incisive new ballet conjures the very brushstrokes of the late Carmen Herrera; Bernstein meets Les Sylphides in a muscular Christopher Wheeldon r…

SOURCE: The Guardian at 04:13AM
Sunday, June 11, 2023

The week in dance: Finnish National Ballet Youth Company; Air de Temps, Inside the Blind Iris – review by Sarah Crompton

Linbury theatre, Royal Opera House, London; Sadler’s Wells Digital StageThe ROH’s Next Generation festival launched with a Finnish flourish, while two uplifting collaborations show the p…

SOURCE: The Guardian at 04:13AM
Sunday, June 4, 2023

Kennedy Junior Muntanga, Ed Mitchell and Petronella Wiehahn review – full of promise by Sarah Crompton

The Place, London This triple bill proves that the Place’s annual Resolution festival can be relied on for thoughtful new choreography, skilfully danced There’s something irresistible ab…

SOURCE: The Guardian at 04:12AM
Sunday, May 28, 2023

Corps extrêmes; Rose Until It Touched the Sky – review by Sarah Crompton

Sadler’s Wells, London; Brighton DomeHighliner Nathan Paulin, two extreme climbers and eight acrobats add up to one riveting show, while Three Score Dance throw a new light on ageing When …

SOURCE: The Guardian at 04:12AM
Sunday, May 21, 2023

UniVerse: A Dark Crystal Odyssey; Northern Ballet: The Great Gatsby – review by Sarah Crompton

Linbury theatre, Royal Opera House; Sadler’s Wells, LondonWayne McGregor conjures a shimmering eco-myth from Jim Henson’s 80s fantasy film, while Northern Ballet’s handsome take on F S…

SOURCE: The Guardian at 04:42AM
Sunday, May 14, 2023

Frederick Ashton: Links in the Chain review – fascinating study of a master choreographer by Sarah Crompton

Available onlineLynne Wake’s film about Ashton is a compelling glimpse into the way his great works are reinterpreted by new generations of dancers One of the great privileges of writing a…

SOURCE: The Guardian at 04:54AM
Sunday, May 7, 2023

Breakin’ Convention; Russell Maliphant Dance Company: Vortex review – sheer pleasure and virtuosity by Sarah Crompton

Sadler’s Wells, London; and touringBreakin’ Convention celebrate 20 years of dazzling virtuosity, while one of the UK’s most thoughtful choreographers shines a new light on Jackson Pol…

SOURCE: The Guardian at 04:18AM
Sunday, April 23, 2023

Nederlands Dans Theater NDT1 review – a cri de coeur about the climate crisis by Sarah Crompton

Sadler’s Wells, LondonIn a strong triple bill, sublimely danced, Crystal Pite and Simon McBurney’s Figures in Extinction [1.0] stands out as a powerful portrait of nature under threat Ch…

SOURCE: The Guardian at 05:18AM
Sunday, April 9, 2023

National Dance Company Wales: Pulse review – full of verve by Sarah Crompton

The Place, LondonDisplaying remarkable unison, the company’s super-agile dancers celebrate its 40th anniversary in sparkling style A spool of tape falls to the floor of an empty stage; the…

SOURCE: The Guardian at 04:54AM
Sunday, April 2, 2023

Cinderella review – Ashton’s classic fairytale with extra frills by Sarah Crompton

Royal Opera House, LondonMarianela Nuñez, Vadim Muntagirov and company shine – as do their costumes – in the Royal Ballet’s over-the-top new design of this intricate work First the go…

SOURCE: The Guardian at 05:48AM
Sunday, March 19, 2023

Seeta Patel Dance: The Rite of Spring; Turn It Out With Tiler Peck & Friends – review by Sarah Crompton

Sadler’s Wells, LondonPatel and Peck push the classical forms of bharatanatyam and ballet in joyous and inventive new directions How do you honour classical dance technique while making it…

SOURCE: The Guardian at 05:00AM
Sunday, March 12, 2023

Ballet Black: Pioneers review – an uplifting tribute to Nina Simone by Sarah Crompton

Barbican theatre, LondonMthuthuzeli November’s passionate new work celebrating the musician is paired with Will Tuckett’s fine piece inspired by the poet Adrienne Rich Two powerful women…

SOURCE: The Guardian at 05:00AM
Tuesday, March 7, 2023

‘Ballet has the same appeal as Princess culture’: Alice Robb on how would-be ballerinas are taught to be thin, silent and submissive by Sarah Crompton

The writer talks to Sarah Crompton about her book exploring the pain and sacrifice of ballet training even for those who don’t make it to the top, and the way it perpetuates traditional id…

SOURCE: The Independent at 02:09AM
Sunday, March 5, 2023

Woolf Works review – Alessandra Ferri goes deeper in Wayne McGregor’s modern masterpiece by Sarah Crompton

Royal Opera House, LondonThe Italian star graces a flawless revival of McGregor’s dreamlike 2015 ballet inspired by the writings of Virginia Woolf Woolf Works is a beauty – a ballet of r…

SOURCE: The Guardian at 04:00AM
Sunday, February 26, 2023

Alessandra Ferri: ‘Dancing with Nureyev​,​ I swear he had an energetic aura around him’ by Sarah Crompton

The principal ballerina on portraying Virginia Woolf, why she’s so enthusiastic about ageing, and what she learned from the greats Born in Milan in 1963, Alessandra Ferri was a principal w…

SOURCE: The Guardian at 04:30AM

Dada Masilo’s The Sacrifice review – deeply moving and astonishingly fresh by Sarah Crompton

Brighton Dome and touringThe South African choreographer transforms The Rite of Spring using the music, rhythms and rituals of her Tswana background The South African choreographer Dada Masi…

SOURCE: The Guardian at 04:00AM

Tracy-Ann Oberman: ‘Shakespeare could not avoid the attitude of hatred towards Jews at the time he was writing’ by Sarah Crompton

The actor talks to Sarah Crompton about setting ‘The Merchant of Venice’ at the time of Oswald Mosley’s fascists, and her thoughts on trigger warnings

SOURCE: The Independent at 01:30AM
Sunday, February 12, 2023

‘It’s a grief and a healing’: why dance-makers love The Rite of Spring by Sarah Crompton

Stravinsky’s ballet sensation of 1913 shocked its first Paris audience. More than 150 versions later, the far-reaching pull of this modernist masterpiece remains irresistible… For a work…

SOURCE: The Guardian at 08:00AM

Secret Things/ Everyone Keeps Me; Dance Me review – the glory of Pam Tanowitz by Sarah Crompton

Linbury theatre, Royal Opera House; Sadler’s Wells, LondonThe American choreographer delights with a programme of rare wit, beauty and unshowy complexity. Elsewhere, a Vegas-style tribute …

SOURCE: The Guardian at 12:30AM
Saturday, January 28, 2023

Acosta Danza: Spectrum; Julie Cunningham: How Did We Get Here? – review by Sarah Crompton

Royal Opera House; Sadler’s Wells, LondonBig personalities shine out in the Cuban company’s celebratory show. And Mel C holds her own in Cunningham’s opaque new work In ballet, the dan…

SOURCE: The Guardian at 07:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime