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All stories by Sara Malik on BroadwayStars

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Tuesday, August 16, 2016

Review: The Burnt Part Boys, Park Theatre by Sara Malik

The Burnt Part Boys is an emotionally wrought and gripping coming-of-age tale. Centred on the taut relationship between two brothers, Pete and Jake, it is an unapologetic look at what it m…

SOURCE: A Younger Theatre at 06:25AM

Friday, August 5, 2016

Review: Radiator, Tristan Bates Theatre by Sara Malik

Radiator has humour, pace, and wit. It delves into serious mental illness, unhindered by its harmless jokes and portrayed by a character who questions the meaning of identity. Radiator seemi…

SOURCE: A Younger Theatre at 02:04AM

Wednesday, July 27, 2016

Review: Veils, The So & So Arts Club by Sara Malik

‘I hope they never force you to wear it, and I hope they never force me to take it off’ Veils attacks a subject head-on which we are all too afraid to really talk about, a subject that c…

SOURCE: A Younger Theatre at 03:48AM

Tuesday, July 5, 2016

Review: Henry V, Southwark Playhouse by Sara Malik

Henry V could not have graced the stage at a more poignant or apt time. Living in a society riddled with the drama of Brexit and surrounded by the even more consuming drama of the Euros tour…

SOURCE: A Younger Theatre at 09:19AM

Tuesday, June 28, 2016

Review: The Doctor in Spite of Himself, Drayton Arms by Sara Malik

The Doctor in Spite of Himself is a translation of Moliere’s hit French comedy. And it is a tongue-in cheek, highly self-conscious comedy at that. It is farce at its best, filled to the br…

SOURCE: A Younger Theatre at 03:01PM

Wednesday, June 22, 2016

Review: No Villain, Trafalgar Studios by Sara Malik

No Villain is Arthur Miller’s little acknowledged first attempt at playwriting. It addresses themes of communism, equality, the typical American household and, most importantly, the father…

SOURCE: A Younger Theatre at 02:16AM

Sunday, June 19, 2016

Review: Macbeth, New Wimbledon Studio by Sara Malik

Arrows and Traps’s Macbeth is a work of effortless energy and unending style. It is accessible, revitalised and thought-provoking. It is the story of Macbeth and the iconic witches wit…

SOURCE: A Younger Theatre at 11:40AM

Review: Gertrude – The Cry, Theatre N16 by Sara Malik

Gertrude – The Cry by Howard Barker is a radical reimagining of Shakespeare’s Hamlet – and radical is an understatement. Barker’s text focuses on Hamlet’s mother, Gertrude, who is …

SOURCE: A Younger Theatre at 05:43AM

Sunday, June 12, 2016

Review: Phaedra(s), Barbican by Sara Malik

Phaedra(s), presented with Odéon–Théâtre de l’Europe, shocks, confuses, and invigorates. The production is based on the Classical tale of Phaedra, who marries Theseus, the hero who fa…

SOURCE: A Younger Theatre at 06:09PM

Monday, June 6, 2016

Review: Minefield, Royal Court by Sara Malik

“I promised the 323 people who died [in the Falklands War] that every time I told their story, I would do it to honour their deaths” – Ruben Otero, cast member and survivor of …

SOURCE: A Younger Theatre at 06:48PM

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