Monday, April 17, 2017
Weirder than Westminster: Rosemary Waugh reviews Shakespeare at the Tobacco Factory's modern Molière.
The post Review: Tartuffe at the Tobacco Factory, Bristol appeared first on Exeunt Mag…
SOURCE: exeuntmagazine.com at 04:47AMMonday, April 10, 2017
Will, Barney and I: Rosemary Waugh and her imaginary friends enjoy a day out in Salisbury.
The post Review: Echo’s End at the Salisbury Playhouse appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 12:11PMFriday, April 7, 2017
Tom Morris’ Bristol Proms were created with the aim of making classical music accessible. As the director’s semi-staged production of Handel’s Messiah
SOURCE: The Stage Registration at 11:28AMWednesday, March 29, 2017
If Gary Owen’s new play Killology shares one thing in common with his acclaimed Iphigenia in Splott, it is a fierce compassion
SOURCE: The Stage Registration at 05:49AMThursday, March 23, 2017
After the runaway success of Iphigenia in Splott, Rachel O'Riordan is directing Gary Owen's new play Killology. She talks about her work as artistic director of the Sherman, and how theatre …
SOURCE: exeuntmagazine.com at 04:31AMFriday, March 17, 2017
Seanmhair is the Scots Gaelic word for grandmother, and it is the innate maternal knowledge of this figure that proves pivotal in
SOURCE: The Stage Registration at 08:08AMFriday, March 3, 2017
Junkyard is not your usual musical. A character threatens to put another’s “dick in a jar” and there are songs about blowjobs
SOURCE: The Stage Registration at 04:39AMThursday, March 2, 2017
Language is important in Plastic. The play by Marius von Mayenburg, making its UK premiere as part of the Ustinov Studio’s German
SOURCE: The Stage Registration at 09:30AMThursday, February 23, 2017
Insane Root Theatre’s production of Orpheus and Eurydice is more demanding of its audience than most. To watch the show, ticket holders
SOURCE: The Stage Registration at 10:23AMTuesday, February 21, 2017
As Roundelay opens at the Southwark Playhouse, playwright Sonja Linden talks to Rosemary Waugh about why sex and relationships involving older people are rarely discussed.
The post Sonja Lin…
SOURCE: exeuntmagazine.com at 10:52PMWednesday, February 15, 2017
Pam thinks her neighbours are “dodgy”, so she installs spy cameras in their homes. Fish Eye, Daniel Jamieson’s new play for Theatre
SOURCE: The Stage Registration at 11:24AMFriday, February 10, 2017
Ruth Ellis was the last woman to be executed in Britain. Sinners Club by Lucy Rivers is immersive gig theatre where the
SOURCE: The Stage Registration at 08:46AMWednesday, January 25, 2017
Director Memet Ali Alabora and playwright Meltem Arikan’s last show together for Be Aware Productions, Mi Minor, was accused by Turkish government
SOURCE: The Stage Registration at 08:21AMWednesday, December 14, 2016
David Hasselhoff debuted his Captain ‘Hoff the Hook’ in 2010 at the New Wimbledon Theatre. Since then, he’s performed the role in
SOURCE: The Stage Registration at 11:37AMMonday, December 12, 2016
“Wave! Wave! Wave!” Audience interaction in Francois Pandolfo’s Looking Through Glass is not just encouraged but positively commanded. Devised by Difficult Stage,
SOURCE: The Stage Registration at 08:49AMFriday, December 9, 2016
For this Christmas show for the under-sevens, the Bristol Old Vic team up with the Wardrobe Ensemble – the company that previously
SOURCE: The Stage Registration at 08:06AMThursday, December 8, 2016
Flamingos mate for life, we’re told in Cinderella: A Fairytale. That’s not the only element of longevity to this foot-stomping, uplifting Christmas
SOURCE: The Stage Registration at 06:25AMWednesday, November 30, 2016
In a theatre season characterised by flash and razzamatazz, the Sherman Theatre is presenting a stage adaptation of Mary Norton’s The Borrowers.
SOURCE: The Stage Registration at 07:22AMThursday, November 17, 2016
Alice Childress was the first African-American woman to win an Obie Award. Trouble in Mind, for which she received the award, is
SOURCE: The Stage Registration at 05:39AMThursday, November 10, 2016
“There’s a general perception you lack visibility,” is the reason given to Sophie (Gwenllian Higginson) when she’s made redundant from her job.
SOURCE: The Stage Registration at 11:59AM 
