For Music-Theatre Collaborators, It's the Questions You Hardly Ever Think to Ask That Can Make the Biggest Difference by Rolando Teco

In a music-theatre context, there are a number of questions that must be answered before any song can be completed. Often when lyricists and composers collaborate on songs for a new show, th…

Time is Your Friend, Not Your Enemy by Rolando Teco

I was reminded recently of a director I once had the displeasure of working with who saw his job more or less as moving actors around like set pieces on his set. As one of those...

Rolando's Manifesto: Questions to Ask Before You Show by Rolando Teco

In the weeks since I first wrote this 3-page manifesto in response to a question from one member of my online scriptwriters workshop, I've continued to have requests for copies. So I figured…

Serendipity and Meryl Streep at the Quad Cinema by Rolando Teco

On Tuesday afternoon, my plan was to take my Mom to see Claude Berri's THE TWO OF US at the Quad Cinema. About an hour before we headed out I learned that -- oops! -- in...

STREET THEATRE: Oh Mr. Albee, Aren't we all just hanging by a thread? by Rolando Teco

Something strange happened yesterday at the Quad Cinema on 13th Street. I'd taken Mom to an early-evening screening of the filmed version of Edward Albee's A DELICATE BALANCE. If you haven't…

The Day I Became a Composer by Rolando Teco

When I was eight or nine I'd been taking piano lessons for a couple of years. One day I arrived at my weekly lesson unprepared and my teacher noted the fact that it seemed as though...

Lessons from Actors: Alvin Epstein by Rolando Teco

Alvin Epstein, actor and director, has been one of my mentors. Over the 40+ years I've known him he's taught me many lessons. I'd like to briefly describe three of them here. 1. The Sign of.…

Transcending a Natural Need for Certainty by Rolando Teco

My first summer there Charles Ludlum (of Ridiculous Theatre fame) was there as a guest director; he was directing Die Fledermaus, a lighthearted operetta by Johann Strauss... I remember so v…

Everyone's a Critic by Rolando Teco

At the multiplex in Roanoke. Waiting for the feature presentation to begin, an action-packed trailer pops up for a movie called KIDNAP. We see Halle Berry as a mother-warrior fighting what l…

STREET THEATRE: "Next" in Exile. by Rolando Teco

At Citarella, where the staff has been carefully schooled to call us to their registers with "May I help the following guest?" I recently heard this shouted at me: "Following!" I love it! At…

Guest Post: Guy Kettelhack "Notions about the Notion of a 'Studio" by Rolando Teco

For the past couple days, as I seem more than usually to have awakened to accepting I actually have one, I've been musing on the power and marvelous mix of comfort and strangeness of the act…

The Playwright Has Left The Planet (And Who Do I Want By My Side?) by Rolando Teco

So a cool pal of mine who will not want to be named here (because she is genetically predisposed to modesty and discretion) managed to snag me a "plus one" invite to today's memorial for the…

The Death of Edward Albee and Possibly Some Part of Me by Rolando Teco

And just like that I was grateful to him again. I find it difficult to think of another human being so fundamentally unwilling to sugar coat the truth. By his actions and through his presenc…

Hadestown vs. The Total Bent (or) The Importance of a Good Book by Rolando Teco

In the past week I happened to see two musicals built in similar ways -- HADESTOWN at NYTW and THE TOTAL BENT at The Public. One really grabbed me, whipped me around, shook me up and...

So Many Unrepeatable (and unforgettable) Moments by Rolando Teco

My pal John Yearley has a show up. You should go see it. You only have three more days to do so. The Unrepeatable Moment is the latest offering from The Barrow Group, known for their...

Hamilton and the "Bach Weep" by Rolando Teco

There's a certain kind of emotion that washes over me when I encounter works of monumental genius. It's like my whole being is flooded with awe and wonder and gratitude so much so that I sta…

Storytelling vs. Story Writing by Rolando Teco

Don't get me wrong. I love a good storytelling. And I love the Moth, whose Artistic Director Catherine Burns, is an old pal of mine. But as much as I may love good story, I love great writin…

In Denver: A window into a new community of playwrights emerging by Rolando Teco

I'm in Denver for The Dramatists Guild. Yesterday I offered a Self-Production Primer, a 4-hour starter kit workshop on some fundamentals for playwrights interested in producing their own wor…

Oh where oh where did our firewall go? Marketing firms and name brands are getting into the "Art" game. Should we care? by Rolando Teco

This item recently caught my eye. Heineken, Stella Artois, and Sony are among those to have commissioned one-off immersive live theatrical experiences in recent months. Now, however, London …

Jonathan Mandell on "Diversity" (on Howlround) by Rolando Teco

Is the diversity movement in the theater focused on having more characters depicted on stage from underrepresented demographic groups (race, gender, ethnicity, sexual orientation, etc.), and…

Love and Information by Caryl Churhill by Rolando Teco

What is your definition of great theatre? Well, I sort of thought I had a handle on mine until I saw Caryl Churchill's latest play, which the gentleman sitting beside me would argue is not. …

Over-specialization Alert: Dr. Jane Chu to head NEA (PhD in... ??) by Rolando Teco

Scanning this Whitehouse press release on Obama's nomination of a new Chairman for the National Endowment for the Arts. Dr. Jane Chu has an impressive resume. And she's a pianist. Love the i…

So Much Talk of Commerce. So Little Time. by Rolando Teco

Lydia Stryk has a fascinating piece up on HowlRound about a movement to guarantee artists a living wage. And Stryk's wonderful piece (not all of which I agree with) is just the tip of the ic…

I have seen the future of opera in LONDON ROAD by Rolando Teco

It seems to me that in LONDON ROAD, Cork and Blythe have stumbled onto a new way for opera to recapture the immediacy it had several centuries ago when it was the venality and cruelty of the…

Playwrights at the Helm (DG Academy) by Rolando Teco

I had an absolute blast moderating this panel for the Dramatists Guild on Tuesday. Really smart and generous panelists include: August Schulenburg (Flux Theatre Ensemble), James Comtois (Nos…

Theresa Rebeck says: Just do it! by Rolando Teco

Today in her keynote conversation with Gary Garrison, Theresa Rebeck offered her own version of a tune I've been singing ever since I began at the Guild and I felt validated. In a big way. E…

The Unrepeatable Moment (or: loving John Yearley's play) by Rolando Teco

Shortly after my father died, I had lunch with my friend John Yearley and I asked him if he wouldn't mind emailing me a copy of his one-act, HATING BECKETT. I thought re-reading the play mig…

Playwright Tammy Ryan on the guns in her plays by Rolando Teco

Tammy Ryan has a fascinating and troubling piece up on Howlround. Here's a quote: I have never owned a gun, never touched a gun, never even ever seen a real gun. I don’t share Khakpour’s…

New York Theatre Workshop revises its Fellowship Program by Rolando Teco

Preliminary applications are now open for NYTW's Fellowship program, which has been re-imagined as: The 2050 Fellowships. Here's the official announcement from our friends on E. 4th Street: …

When Life Imitates Art imitating Life... ONCE by Rolando Teco

NOW PLAYING: nothing by Rolando Teco

How do you know there's a storm coming to New York City? A serious storm? Walk down 12th Street and look up at the Cinema Village marquee: