
The 300-plus young women of the Takarazuka Revue, Japan's most successful performance group, do 'Chicago' for the Lincoln Center Festival.
SOURCE: The New York Observer at 09:49PM[SHARE]She has upped the stakes with Beethoven Opus 130, the centerpiece of her current two-week season at the Joyce.
SOURCE: The New York Observer at 02:49PM[SHARE]The Dance Theatre of Harlem and Pennsylvania Ballet establish themselves as more than Balanchine offshoots.
SOURCE: The New York Observer at 11:05PM[SHARE]He resolutely looks forward artistically, not backwards.
SOURCE: The New York Observer at 09:25PM[SHARE]Alvin Ailey American Dance Theater again brings fantastic dancers a disappointing repertory.
SOURCE: The New York Observer at 06:21PM[SHARE]Twyla Tharp has been celebrating her 50th anniversary as a choreographer with a nationwide tour of two major new works.
SOURCE: The New York Observer at 10:19PM[SHARE]The brief ABT showcase brings revivals, a new work by Mark Morris.
SOURCE: The New York Observer at 02:43PM[SHARE]New York City Ballet's recent performances are uneven, with uneven casting, though they still delight.
SOURCE: The New York Observer at 07:03PM[SHARE]A look back at ABT's season: Promotions, a hollow Cinderella and a deeply moving Antony Tudor work.
SOURCE: The New York Observer at 09:48PM[SHARE]The Royal Ballet presented an erratic repertoire in New York, with works we seen regularly for the most part, and a few fantastic gems.
SOURCE: The New York Observer at 07:55PM[SHARE]There are bad ballets, and then there is Boris Eifman. Plus, last week's 'Othello' by Lar Lubovitch for ABT will do nicely as an example of a merely bad ballet.
SOURCE: The New York Observer at 10:32AM[SHARE]Peter Martins' restating of Bournonville's 1832 ballet is clean and clear.
SOURCE: The New York Observer at 01:32PM[SHARE]My parents, like all good parents in the mid-forties, took me to see "Oklahoma!" After that, as far as musicals were concerned, I was on my own. I would go to them (and straight plays, too) …
SOURCE: The New Yorker Subscription at 07:00PM[SHARE]What is left of Thornton Wilder, our only writer to have won a Pulitzer Prize for both drama (twice) and fiction, and at one time a kind of semi-official cultural spokesman for America? The …
SOURCE: The New Yorker Subscription at 12:00AM[SHARE]

