Eugène Ionesco's Exit the King is a play that seems, provokingly, to have set out to be a masterpiece. Even more provokingly, it succeeds. Ionesco, the supposed maestro of the Theatre of the Absurd (a gimcrack term used to bestow a false uniformity on many disparate playwrights, and one that he to his credit disliked) ...
SOURCE: National Post (Canada) at 08:00AM on August 18, 2011