All stories by Nicole Serratore on BroadwayStars

Thursday, October 12, 2017

Do Your Worst by Nicole Serratore

Boom Bat Gesture's 'Do Your Worst' series asks artists to create deliberate flops. Nicole Serratore asks them about failure, DIY theatre, and Spiderman. The post Do Your Worst appeared first…

SOURCE: exeuntmagazine.com at 04:00AM
Tuesday, October 10, 2017

Time and the Conways review at American Airlines Theatre, New York – ‘moving performances’ by Nicole Serratore

JB Priestley’s between-the-wars drama, Time and the Conways bears the hallmarks of a well-made play of the period. It’s suffused with class

SOURCE: The Stage Registration at 09:00PM
Thursday, September 28, 2017

As You Like It review at Classic Stage Company, New York – ‘mild-mannered’ by Nicole Serratore

John Doyle’s Off-Broadway production of Shakespeare’s As You Like It is a mild-mannered affair – a passable production of limited enchantments. It’s

SOURCE: The Stage Registration at 07:15PM
Saturday, August 19, 2017

A Piece of Work: A Text of Hamlet Remixed by Nicole Serratore

Preserving performance is a challenge. How do you document multi-faceted work that involves sound, light, text, bodies, and music? Video may take images of it but rarely captures it. For Ann…

SOURCE: Mildly Bitter's Musings at 02:00PM

The TEAM: “Towards collective liberation” by Nicole Serratore

New York collaborative theatre heroes The TEAM are staging 'Primer for a Failed Superpower', a multi-generational pop concert of protest songs. Nicole Serratore sits in on rehearsals. The po…

SOURCE: exeuntmagazine.com at 05:43AM
Friday, August 11, 2017

Nicole Serratore: Cinema broadcast leaves angels with dimly-lit faces by Nicole Serratore

Theatre productions beamed into the cinema act as soft diplomacy for the industry. It expands access beyond physical theatres and national boundaries,

SOURCE: The Stage Registration at 02:00AM
Thursday, July 13, 2017

Angels In America: Home Again by Nicole Serratore

Andrew Garfield in Angels in America (Photo: Helen Maybanks)Sometimes a show is a time capsule to another part of your life. I saw Tony Kushner’s Angels in America on Broadway just after I…

SOURCE: Mildly Bitter's Musings at 09:59PM
Sunday, July 9, 2017

Memory and Memorial: Come from Away and Villa by Nicole Serratore

Photo: Play Co.Guillermo Calderón's play Villa is about three women asked to resolve the impossible--how should they treat the remains of General Pinochet's demolished Villa Grimaldi, …

SOURCE: Mildly Bitter's Musings at 06:20PM

The Ferryman: Everything and Nothing by Nicole Serratore

(Photo: Johan Persson)Can a play be both rich and slight?  Jez Butterworth's The Ferryman makes me believe so. Set in Armagh, Northern Ireland in 1981, it is inevitable that The Fe…

SOURCE: Mildly Bitter's Musings at 05:48PM
Friday, June 30, 2017

Marvin’s Room review at American Airlines Theatre, New York – ‘slight and ponderous’ by Nicole Serratore

When it opened Off Broadway in 1991, Scott McPherson’s Marvin’s Room was viewed through the lens of the Aids crisis – the

SOURCE: The Stage Registration at 05:13AM
Thursday, June 29, 2017

My Personal Fake Obie Awards by Nicole Serratore

We ended up not doing this piece for Exeunt...but I had these fake Obie awards that I wanted to give out for work in 2016 so I thought I would share. Best Play About Economic AnxietyDominque…

SOURCE: Mildly Bitter's Musings at 09:50AM
Sunday, June 25, 2017

Measure for Measure review at Polonsky Shakespeare Center, New York – ‘an illuminating production’ by Nicole Serratore

In Simon Godwin’s taut production of Measure for Measure the audience enters the theatre via the back entrance through Mistress Overdone’s brothel. Greeted by

SOURCE: The Stage Registration at 08:00PM
Thursday, June 22, 2017

1984 review at Hudson Theatre, New York – ‘dark, audacious production’ by Nicole Serratore

Sales of George Orwell’s novel, 1984, have skyrocketed since the inauguration of Donald Trump. It’s an apt moment for Robert Icke and

SOURCE: The Stage Registration at 08:00PM
Sunday, June 11, 2017

Review: Maps For A War Tourist at Dixon Place by Nicole Serratore

Activism, terrorism, and Turkish politics shape this Performative Essay starring two tortoises The post Review: Maps For A War Tourist at Dixon Place appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 09:07PM
Tuesday, May 16, 2017

Derren Brown: Secret review Linda Gross Theater, New York – ‘a series of dazzling acts’ by Nicole Serratore

The first rule of Derren Brown: Secret is you need to keep it secret. Magician and mentalist Brown is making his American

SOURCE: The Stage Registration at 10:00PM
Sunday, April 30, 2017

Review: The Little Foxes at Samuel J. Friedman Theatre by Nicole Serratore

Laura Linney and Cynthia Nixon give strong voices to the complex women in Lillian Hellman's play The Little Foxes The post Review: The Little Foxes at Samuel J. Friedman Theatre appeared fir…

SOURCE: exeuntmagazine.com at 07:13PM
Monday, April 24, 2017

Review: Anastasia at Broadhurst Theatre by Nicole Serratore

Screen addiction threatens to steal all the attention in Broadway's Anastasia. The post Review: Anastasia at Broadhurst Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 09:18PM
Thursday, March 30, 2017

Miss Saigon review at Broadway Theatre, New York – ‘a muddled revival’ by Nicole Serratore

Mega-musical Miss Saigon is back on Broadway. But despite the presence of its trademark helicopter the thrills are limited in Laurence Connor’s

SOURCE: The Stage Registration at 12:39PM
Thursday, March 16, 2017

The Price review at American Airlines Theatre, New York – ‘all-star cast fails to unify’ by Nicole Serratore

With contrived accents and mannered performances, Terry Kinney’s production of Arthur Miller’s The Price lacks genuine dramatic punch. The tension in this

SOURCE: The Stage Registration at 09:00PM
Wednesday, March 15, 2017

Joan of Arc: Get Into the Fire, It's Probably Better than this Musical by Nicole Serratore

Joan of Arc: Into the Fire (Photo: Tammy Shell)When your show involves two virgin checks on your leading lady, you may want to rethink everything you did to get yourself there. E-v-e-r-y-t-h…

SOURCE: Mildly Bitter's Musings at 11:35PM
Thursday, February 23, 2017

Sunday in the Park With George starring Jake Gyllenhaal – review at Hudson Theatre, New York by Nicole Serratore

Jake Gyllenhaal has proven in plays, on and off Broadway (Constellations, If There is I Haven’t Found It Yet), that he is an

SOURCE: The Stage Registration at 09:00PM
Wednesday, February 15, 2017

A Battle for Contextual Criticism by Nicole Serratore

A New York Times review sparked fury for critiquing Mark Twain's racial politics. Here, Nicole Serratore steps into the critical dispute over Big River and representation in theatre. The pos…

SOURCE: exeuntmagazine.com at 07:33PM
Thursday, February 9, 2017

Sunset Boulevard starring Glenn Close – review at Palace Theatre, New York by Nicole Serratore

Those clamouring for Glenn Close’s musical return to Broadway won’t be disappointed. She gives a suitably grandiose performance as the reclusive screen

SOURCE: The Stage Registration at 08:00PM
Thursday, January 19, 2017

August Wilson’s Jitney review at Samuel J Friedman Theatre, New York – ‘piercing drama’ by Nicole Serratore

Honour, family, lost promise, and legacy are the broad themes that August Wilson hones in Jitney, his tale of a motley crew

SOURCE: The Stage Registration at 09:00PM
Saturday, December 31, 2016

Self-Care: A 24-Decade Reflection by Nicole Serratore

For months I’ve struggled to write about my time at Taylor Mac’s A 24-Decade History of Popular Music.  I could not head into 2017 with this piece hanging over my head any longer. &…

SOURCE: Mildly Bitter's Musings at 10:26PM
Friday, December 23, 2016

Top 10 of 2016: US edition by Nicole Serratore

In 2016 I promised myself I would cut back on theater.  I saw 90 less shows in 2016 (180) than I did in 2015 (270).  <pats self on the back>Here are the 10 shows which made m…

SOURCE: Mildly Bitter's Musings at 05:40PM
Friday, December 16, 2016

Othello starring David Oyelowo and Daniel Craig – review at New York Theatre Workshop by Nicole Serratore

In his intimate production of Othello, director Sam Gold lures the audience in as co-conspirators to Daniel Craig’s playful Iago as we

SOURCE: The Stage Registration at 06:33AM
Monday, November 14, 2016

Natasha, Pierre and the Great Comet of 1812 review on Broadway – ‘atmospheric and open-hearted’ by Nicole Serratore

This new musical adaptation of Tolstoy’s War and Peace, which started life Off-Broadway at a 99-seat theatre, has been scaled up for

SOURCE: The Stage Registration at 08:00PM
Thursday, November 10, 2016

New York Theatre Workshop: Off-Broadway’s home for radical writers and directors by Nicole Serratore

In years past, to see Hollywood heavyweights on stage such as Daniel Craig or Daniel Radcliffe you would have to buy a

SOURCE: The Stage Registration at 09:00AM
Friday, May 20, 2016

Backstage in Biscuit Land: Welcoming All by Nicole Serratore

Courtesy of Touretteshero"Hands on buzzards.""Biscuit wave.""Pony cunts."Suddenly, Jess Thom looks sheepish. That last phrase was unplanned. Language is slippery and in Backstage In Biscuit…

SOURCE: Mildly Bitter's Musings at 10:45AM
Monday, April 4, 2016

Ironbound: Rationing Love by Nicole Serratore

Marin Ireland & Morgan Spector. Photo by Sandra CoudertMartyna Majok's new play Ironbound slyly lures you in with a well-set snare.  She gets you comfortable watching a couple fight…

SOURCE: Mildly Bitter's Musings at 05:17PM

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