Sunday, April 21, 2019
Taylor Mac, the radically subversive theatre artist, and Nathan Lane, America’s stage comedy sweetheart, make an unlikely pairing. Lane is the star
SOURCE: The Stage Registration at 08:00PMTuesday, April 16, 2019
Adam Driver gives a sublimely physical performance in this Broadway revival of Lanford Wilson’s 1987 play. As a piece of writing Burn
SOURCE: The Stage Registration at 09:30PMThursday, April 4, 2019
In 2016, Glenda Jackson made a triumphant return to the stage in King Lear at London’s Old Vic. Now, she plays the
SOURCE: The Stage Registration at 08:00PMMonday, April 1, 2019
Should the US constitution be abolished? Playwright and star Heidi Schreck debates this issue in her improbably funny and deeply felt play,
SOURCE: The Stage Registration at 06:01AMThursday, March 14, 2019
Scott Ellis’ revival of the Cole Porter musical unites the effervescent Kelli O’Hara with the rakish Will Chase for a production that
SOURCE: The Stage Registration at 09:00PMWednesday, March 13, 2019
Off-Broadway’s National Yiddish Theatre Folksbiene began a century ago by bringing international theatre to the Yiddish-speaking population. Today it brings Yiddish theatre
SOURCE: The Stage Registration at 09:50AMThursday, March 7, 2019
Nothing has dulled Phoebe Waller-Bridge’s sharp-edged, caustic, comedic solo show, Fleabag, since it premiered at the Edinburgh Fringe in 2013. What has
SOURCE: The Stage Registration at 10:00PMThursday, February 7, 2019
Leah Nanako Winkler knew she wanted to be a writer when she was about seven. The playwright had been underestimated in her
SOURCE: The Stage Registration at 06:20AMMonday, January 28, 2019
Fox’s broadcast of Jonathan Larson’s cult 1990s musical Rent: Live ended up being Rent: Pre-Taped due to the injury of Brennin Hunt,
SOURCE: The Stage Registration at 09:43AMThursday, January 24, 2019
Sam Shepard’s play about brotherly animosity and the mythical American West returns to Broadway in a kinetic production by James Macdonald featuring
SOURCE: The Stage Registration at 09:00PMTuesday, January 8, 2019
The new play by Tarell Alvin McCraney, winner of the best adapted screenplay Oscar for Moonlight, is set in the Charles R
SOURCE: The Stage Registration at 10:00PMTuesday, January 1, 2019
This tends to be the place where I've kept track of my yearly theater stats. And this year felt like a lot of work so I counted out what I did.203 shows seen (not counting duplicate visits)2…
SOURCE: Mildly Bitter's Musings at 01:26PMTuesday, December 11, 2018
Though the familiar characters and central romance remain in Amy Heckerling’s musical adaptation of her hit 1995 film, Clueless, the nostalgia factor
SOURCE: The Stage Registration at 07:01PMMonday, December 10, 2018
It’s all about the work for New York’s Lark theatre laboratory, which has helped develop Pulitzer Prize-winning plays and the careers of
SOURCE: The Stage Registration at 11:48AMMonday, December 3, 2018
With nostalgic tunes, kitsch design, and oodles of Bob Mackie sequins, The Cher Show is a suitably dazzling new jukebox musical based
SOURCE: The Stage Registration at 09:00PMMonday, November 12, 2018
For its current shows, the West Village’s Rattlestick Playwrights Theater has radically redesigned its auditorium and ditched half the seats. Its artistic
SOURCE: The Stage Registration at 07:30AMThursday, November 8, 2018
This new musical version of King Kong, roaring its way onto Broadway, features some spectacular puppetry. But though the ape is great
SOURCE: The Stage Registration at 10:00PMThursday, October 18, 2018
This new play about a fact-checking dispute at a magazine feels incredibly timely. Exploring the relationship between fact and fiction, journalism and the
SOURCE: The Stage Registration at 10:00PMMonday, October 8, 2018
In his startling, minimalist reimagining of Oklahoma!, director Daniel Fish foregrounds the carnality and violence that has always formed part of this
SOURCE: The Stage Registration at 05:35AMFriday, September 28, 2018
Richard Bean’s broad, and at times crude, comedy, The Nap, premiered in Sheffield, the home of UK snooker, in 2016. The play’s plot
SOURCE: The Stage Registration at 08:45AMTuesday, September 25, 2018
It would be a real thrill to see Janet McTeer do Hamlet. In Theresa Rebeck’s new play Bernhardt/Hamlet we get glimpses, though
SOURCE: The Stage Registration at 10:00PMSaturday, August 18, 2018
Sleight of hand: Vincent Gambini's magic show is an exploration of political deception.
The post Edinburgh fringe review: The Chore of Enchantment at Underbelly appeared first on Exeunt Maga…
SOURCE: exeuntmagazine.com at 04:03AMFriday, August 17, 2018
Writer-performer Molly Taylor unpacks the lives of the couple she grew up down the street from. A jumble of memories, objects and
SOURCE: The Stage Registration at 12:47PMThursday, August 16, 2018
Linking together several non-linear storytelling strands, Never Vera Blue by Alexandra Wood addresses the experience of domestic abuse and violence. From subtle
SOURCE: The Stage Registration at 08:41AMMarrying aerial movement to the process of egg donation may not be the most obvious of creative choices, but the physical risks
SOURCE: The Stage Registration at 05:20AMWednesday, August 15, 2018
Sisyphus with a shitty cell phone: Nicole Serratore reviews Eve Nicol's play about modern relationships.
The post Edinburgh Review: One Life Stand at Summerhall appeared first on Exeunt Maga…
SOURCE: exeuntmagazine.com at 04:06AMTuesday, August 14, 2018
David Carl and Michole Biancosino’s Trump Lear manages to be both a fair rendering of an abridged production of Shakespeare’s Lear and
SOURCE: The Stage Registration at 01:13PMMonday, August 13, 2018
Waves of anger: Nicole Serratore writes on Penelope Skinner's play, and the grim realities of toxic masculinity online.
The post Edinburgh review: Angry Alan at Underbelly appeared first on …
SOURCE: exeuntmagazine.com at 12:54PMWhat happens when a couple is in love and want to spend the rest of their lives together, but the question of
SOURCE: The Stage Registration at 06:15AMSexual violence in the US military is all too frequent, under-reported, and rarely prosecuted. Writer-performer Mary Jane Wells’ one-woman show Heroine recounts
SOURCE: The Stage Registration at 05:59AMSaturday, August 11, 2018
Somewhere between lecture, cabaret and stand-up, Natalie Cutler’s one-woman show Not Yet Suffragette gives a history lesson on women’s rights, battles and
SOURCE: The Stage Registration at 07:23AM 
