All stories by Natasha Tripney on BroadwayStars

Thursday, August 10, 2017

Education, Education, Education review at Pleasance Dome, Edinburgh – ‘slick, polished and highly entertaining’ by Natasha Tripney

The Wardrobe Ensemble excels at taking specific cultural moments and unpacking them. In Education Education Education the company flashes back to 1997

SOURCE: The Stage Registration at 12:19PM
Wednesday, August 9, 2017

Frogman review at Traverse Theatre at Codebase, Edinburgh – ‘technically innovative’ by Natasha Tripney

It feels like the shape and size of VR helmet itself in part must have influenced Curious Directive’s technically innovative new devised

SOURCE: The Stage Registration at 07:33AM

Me and Robin Hood review at Pleasance Dome, Edinburgh – ‘a consummate and controlled storyteller’ by Natasha Tripney

Shon Dale-Jones is angry. He’s angry about the chasm that exists between rich and poor. He’s angry that the system we live

SOURCE: The Stage Registration at 07:18AM

The B*easts review at Underbelly Cowgate, Edinburgh – ‘intentionally challenging’ by Natasha Tripney

A woman’s breasts are not hers alone. You might think they are. They’re part of your body after all. They consist of

SOURCE: The Stage Registration at 04:52AM
Tuesday, August 8, 2017

Black Mountain review at Roundabout at Summerhall, Edinburgh – ‘more atmospheric than suspenseful’ by Natasha Tripney

Rebecca and Paul have gone to a remote cabin to try and salvage their relationship and do some healing after some unspecified,

SOURCE: The Stage Registration at 11:05AM

Edinburgh Fringe trend: Body shaming banished in orgy of self-discovery by Natasha Tripney

Despite many nations turning in on themselves, new work at this year’s Edinburgh Fringe has opted to embrace greater understanding, tackling trans

SOURCE: The Stage Registration at 10:00AM
Monday, August 7, 2017

Rhinoceros review at Royal Lyceum Theatre, Edinburgh – ‘stylish but laboured’ by Natasha Tripney

Eugene Ionesco’s 1959 study of mob mentality, in which the inhabitants of a town gradually start to become rhinoceroses until a single

SOURCE: The Stage Registration at 08:29AM

The Whip Hand review at Traverse Theatre, Edinburgh – ‘tangled family drama’ by Natasha Tripney

Privilege looms large in Douglas Maxwell’s moral muddle of a play, The Whip Hand. Dougie announces, right in the middle of the

SOURCE: The Stage Registration at 05:45AM
Sunday, August 6, 2017

Out of Love review at Roundabout at Summerhall, Edinburgh – ‘funny and tender’ by Natasha Tripney

Elinor Cook’s new play Out of Love is a celebration of female friendship. A close friendship can be as rich and hot

SOURCE: The Stage Registration at 01:18PM

Adam review at Traverse Theatre, Edinburgh – ‘a moving trans story’ by Natasha Tripney

There are many stories about the trans experience at this year’s fringe. The National Theatre of Scotland’s Adam, one of a pair

SOURCE: The Stage Registration at 12:29PM

Above the Mealy-mouthed Sea review at Underbelly, Edinburgh – ‘atmospheric but shapeless’ by Natasha Tripney

Poet and performer Jemima Foxtrot is a consistently engaging stage presence. She brightens every poetry night she’s part of and her writing

SOURCE: The Stage Registration at 10:06AM
Saturday, August 5, 2017

Lilith: The Jungle Girl review at the Traverse, Edinburgh – ‘knotty and complex’ by Natasha Tripney

For its first 10 minutes or so Lilith: The Jungle Girl comes across as an irritatingly flimsy pastiche reliant on over-the-top accents

SOURCE: The Stage Registration at 06:42AM
Friday, August 4, 2017

Salt review at Summerhall, Edinburgh – ‘moving, personal journey’ by Natasha Tripney

Some shows feel as if they need to be made: that they serve a deeper purpose for the maker. Selina Thompson’s Salt

SOURCE: The Stage Registration at 09:45AM

Cosmic Scallies review at Summerhall, Edinburgh – ‘sweet but slight’ by Natasha Tripney

In the the 1960s urban planners hoped to turn Skelmersdale, an overspill town in West Lancashire, into a kind of utopia. The

SOURCE: The Stage Registration at 05:56AM
Wednesday, July 26, 2017

Girl from the North Country review at the Old Vic – ‘Bob Dylan’s music wins out’ by Natasha Tripney

How exactly would one go about staging a Bob Dylan musical? Conor McPherson, a man who knows a thing or two about

SOURCE: The Stage Registration at 07:05PM

Mosquitoes starring Olivia Colman – review at the National Theatre, London – ‘idea-stuffed’ by Natasha Tripney

Lucy Kirkwood likes to cram a lot into her plays. Mosquitoes is the story of sisters Alice and Jenny. One is a

SOURCE: The Stage Registration at 04:32AM
Monday, July 24, 2017

Cat on a Hot Tin Roof review at Apollo Theatre, London – ‘never completely connects’ by Natasha Tripney

The Young Vic’s first production to premiere in the West End sees Australian director Benedict Andrews return to the distinctive emotional terrain of

SOURCE: The Stage Registration at 07:17PM
Friday, July 21, 2017

Much Ado About Nothing review at Shakespeare’s Globe, London – ‘high-concept Mexican staging’ by Natasha Tripney

When not dicking around with Dickens at the Open Air Theatre, Matthew Dunster has repeatedly demonstrated that he is a director who understands

SOURCE: The Stage Registration at 05:41AM
Monday, July 17, 2017

Natasha Tripney: We have a female Doctor Who at last! But what about the women storytellers? by Natasha Tripney

So Jodie Whittaker is to be the new Doctor Who. The news was extremely cheering and it was a joy to see

SOURCE: The Stage Registration at 10:39AM
Tuesday, July 11, 2017

Queen Anne review at the Theatre Royal Haymarket, London – ‘intriguing but sedate’ by Natasha Tripney

There’s a statue of Queen Anne, the last Stuart monarch, in front of St Paul’s. Sceptre in hand and a glum expression

SOURCE: The Stage Registration at 05:42AM
Thursday, July 6, 2017

Fatherland review at the Royal Exchange Theatre, Manchester – ‘moving and euphoric’ by Natasha Tripney

For their contribution to the Manchester International Festival, playwright Simon Stephens and Frantic Assembly’s Scott Graham and composer Karl Hyde – aka

SOURCE: The Stage Registration at 05:32AM
Tuesday, July 4, 2017

Titus Andronicus review at the Royal Shakespeare Theatre, Stratford-upon-Avon by Natasha Tripney

Shakespeare’s messy and excessive early play, Titus Andronicus, poses a number of problems for directors. Tonally, it’s all over the place, at

SOURCE: The Stage Registration at 07:29PM
Monday, July 3, 2017

Committee… (A New Musical) review at the Donmar Warehouse, London – ‘ambitious verbatim musical’ by Natasha Tripney

The charity Kids Company was founded in the 1980s to help London’s most disadvantaged and vulnerable children. Its distinctive chief executive Camila

SOURCE: The Stage Registration at 07:32PM

Mumburger review at Old Red Lion Theatre, London – ‘strange, sad, surreal’ by Natasha Tripney

Given how evocative and transporting smell can be, it’s puzzling that directors don’t make more use of it. In the Sarah Kosar’s

SOURCE: The Stage Registration at 05:25AM
Friday, June 30, 2017

Natasha Tripney: Oliver Frljic, the Malta Festival and the continuing crisis in Polish theatre by Natasha Tripney

Poland’s Malta Festival, which came to a close on June 25, is a multi-arts festival that takes place annually in Poznan. This

SOURCE: The Stage Registration at 01:08PM
Wednesday, June 28, 2017

Ink starring Bertie Carvel – review at the Almeida Theatre, London – ‘detailed and fascinating’ by Natasha Tripney

James Graham’s new play Ink, about the rise of The Sun newspaper, is a fascinating study of Fleet Street as it once

SOURCE: The Stage Registration at 04:44AM
Tuesday, June 27, 2017

Lady Day at Emerson’s Bar and Grill starring Audra McDonald – review at Wyndham’s Theatre, London by Natasha Tripney

Audra McDonald is a performer of great vocal prowess and precision. A six-time Tony-winner, she has a rich, operatic voice, and in

SOURCE: The Stage Registration at 06:00PM
Wednesday, June 21, 2017

Hir review at Bush Theatre, London – ‘absurd and bleak’ by Natasha Tripney

Isaac comes home from the war to a home in disarray. His father has suffered a debilitating stroke and his sister is

SOURCE: The Stage Registration at 06:03AM
Thursday, June 15, 2017

Hamlet starring Andrew Scott – review at Harold Pinter Theatre, London – ‘hypnotic’ by Natasha Tripney

His performance is one of complexity, clarity and control: In its move from the Almeida to the Harold Pinter Theatre in the

SOURCE: The Stage Registration at 08:14PM

The Country Girls review at Minevrva Theatre, Chichester – ‘gentle and lyrical by Natasha Tripney

The cover of a recent reprint of Edna O’Brien’s first novel, The Country Girls, makes it look like any number of chick

SOURCE: The Stage Registration at 05:20AM
Monday, June 12, 2017

Natasha Tripney’s top 7 shows from David Lan’s Young Vic by Natasha Tripney

After 17 years in the role, David Lan is to step down as artistic director of the Young Vic. He began his

SOURCE: The Stage Registration at 11:06AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime