All stories by Natalie Haynes on BroadwayStars

Monday, August 7, 2023

Some people just won’t like you, but don’t take it personally: what surviving the fringe taught me about life | Natalie Haynes by Natalie Haynes

Performing at the Edinburgh festival is hugely stressful, but the things I learned there have been useful offstage too If the beginning of September still makes me think I need a new noteboo…

SOURCE: The Guardian at 07:55AM
Sunday, July 26, 2020

The Persians review – a triumph of empathy for a time of Covid-19 by Natalie Haynes

Ancient Theatre of Epidaurus, Greece (streaming online)Staged outside, this live production of Aeschylus’ tragedy reminds us how even mighty powers can be brought low by too much confidenc…

SOURCE: The Guardian at 07:24AM
Thursday, March 7, 2019

Medea review – a funny, brutal and raw masterpiece by Natalie Haynes

Barbican, LondonSimon Stone’s smart and harrowing retelling of Euripides is performed by a flawless ensemble Euripides’ Medea was first performed in Athens, in 431BC– and it came last…

SOURCE: The Guardian at 04:58AM
Tuesday, November 27, 2018

Macbeth review – potent brew of monstrous majesty and sexual twists by Natalie Haynes

Garrick, LondonThe National Youth Theatre’s urgent, gender-fluid production bubbles with intimacy, brutality and fearSpace is in such short supply in the West End that the National Youth T…

SOURCE: The Guardian at 03:04AM
Thursday, September 20, 2018

The Burning Tower review – show staged on council estate responds to Grenfell by Natalie Haynes

SPID theatre, LondonHelena Thompson’s passionate and pacy drama is a celebration and defence of social housing‘I’d love to call time on this, the world’s worst play,” says Em, a co…

SOURCE: The Guardian at 05:54AM
Tuesday, September 11, 2018

No joke: TV editors cut me out of a panel show – and didn’t even notice | Natalie Haynes by Natalie Haynes

Sandi Toksvig is right: TV comedy can be brutal for women. Luckily, there’s a simple solutionWhen Sandi Toksvig says women are cut out of panel shows, she really isn’t exaggerating. I on…

SOURCE: The Guardian at 02:48PM
Tuesday, July 10, 2018

Me and My Girl review – understudy triumphs in sparkling musical by Natalie Haynes

Chichester Festival theatre Jokes aplenty, catchy songs and a cleverly staged production – there’s much to enjoy as Matt Lucas’s stand-in, Ryan Pidgen, and Caroline Quentin shine Danie…

SOURCE: The Guardian at 07:48AM
Wednesday, July 4, 2018

Home, I'm Darling review – cupcakes, cocktails and fetishising wifeliness by Natalie Haynes

Theatr Clwyd, MoldKatherine Parkinson is superb in Laura Wade’s play about a woman who lives like a 1950s housewife in the 21st centuryJudy and Johnny live in a 1950s dream home. She is dr…

SOURCE: The Guardian at 11:32AM
Friday, June 29, 2018

Henry V review – a deeply thoughtful study of war's victors and victims by Natalie Haynes

Ustinov, BathElizabeth Freestone’s highly kinetic production matches an often vulnerable Henry with a wonderfully punky KatharineHenry V is a king in name only at the beginning of Elizabet…

SOURCE: The Guardian at 09:54AM
Wednesday, June 6, 2018

#WeAreArrested / Day of the Living review – voices from the dungeon and of the disappeared by Natalie Haynes

★★★★☆/★★☆☆☆The Other Place, Stratford-upon-Avon Can Dündar’s jail memoir inspires an audacious drama while the presumed murder of 43 students in Mexico drives an uneve…

SOURCE: The Guardian at 03:42PM
Tuesday, May 29, 2018

Consent review – bracingly clever courtroom drama by Natalie Haynes

Harold Pinter theatre, LondonRoger Michell directs the West End transfer of Nina Raine’s smart play about a group of lawyers and their private livesConsent opens in an unapologetically upp…

SOURCE: The Guardian at 05:48PM
Tuesday, March 13, 2018

Votes for Women review – political awakening captures suffragists' spirit by Natalie Haynes

New Vic theatre, Newcastle-under-LymeThere are shades of Shaw in this rare revival of Elizabeth Robins’ warm and sincere playElizabeth Robins should be better known than she is. An America…

SOURCE: The Guardian at 03:00AM
Friday, September 22, 2017

Politicians v the people: what our leaders could learn from Coriolanus by Natalie Haynes

Shakespeare plucked an obscure Roman general from Plutarch and made him a principled but uncompromising hero. As the RSC brings the play back, its brutal statement on class divide and convic…

SOURCE: The Guardian at 08:18AM
Tuesday, April 14, 2015

That Angela Lansbury, she’s so much more than Jessica Fletcher by Natalie Haynes

The message of Lansbury’s Olivier award at the age of 89 – for her Madame Arcati, in Blithe Spirit – is that old does not have to mean frail Continue reading...

SOURCE: The Guardian at 03:00AM
Friday, February 27, 2015

Antigone: freedom fighter or terrorist? by Natalie Haynes

A production of Antigone starring Juliette Binoche, from a translation by Anne Carson, opens this week. Natalie Haynes on a protagonist who is either brave or disobedientIt is a vintage time…

SOURCE: The Guardian at 06:30AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards