Thursday, March 5, 2020
The relationship between the USA and the UK is special all right. In Hassan Abdulrazzak‘s incisive play, six deportees detail how the
SOURCE: The Stage Registration at 10:11AMThursday, February 27, 2020
It’s a strange time to watch Moonlight and Magnolias, a play about a big Hollywood producer and the 1930s film that Donald
SOURCE: The Stage Registration at 12:25PMWednesday, February 12, 2020
Juliet Gilkes Romero’s troubling new play The Whip dramatises the 1833 Abolition of Slavery Act, and the £10 billion repayments the British
SOURCE: The Stage Registration at 09:39AMTuesday, December 24, 2019
J M Barrie’s classic story is set in a contemporary, working-class Birmingham home. When Peter Pan turns up in Wendy’s high-rise flat,
SOURCE: The Stage Registration at 06:12AMTuesday, December 3, 2019
The US in the 1960s. The civil rights movement. This is a familiar setting, or at least we think it is. On
SOURCE: The Stage Registration at 12:35PMThursday, November 28, 2019
There’s much to appreciate about Homing Birds, Rukhsana Ahmad’s new play, marking her return to Kali Theatre which she co-founded. Her slick
SOURCE: The Stage Registration at 07:24AMWednesday, October 30, 2019
Time can feel long when you don’t know what you’re doing. Jeanine, drifts unmoored between sex with mask-making Victor and lessons with
SOURCE: The Stage Registration at 06:58AMFriday, October 25, 2019
This show feels like waking up halfway through an argument between a millennial and a baby boomer only to realise that not
SOURCE: The Stage Registration at 08:19AMTuesday, February 26, 2019
Working it out: Naomi Obeng reviews Luca Rutherford's solo show in two parts - a written response, and an audio recording made immediately after the performance.
The post Review: Luca Ruther…
SOURCE: exeuntmagazine.com at 04:17AMFriday, June 1, 2018
Naomi Obeng encounters transformation, an intergalactic mission, bingo, and tons of exciting new performance at Cambridge Junction's one day fest.
The post Watch Out Festival 2018 appeared f…
SOURCE: exeuntmagazine.com at 04:18AMSaturday, April 21, 2018
Dancing around the periphery: there's a compelling story lurking somewhere in Selina Fillinger's debut play.
The post Review: Faceless at the Park Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 12:52PMThursday, April 12, 2018
Naomi Obeng reports back from National Student Drama Festival, and on its collective conversations around how to make spaces fairer, more accessible, and more representative.
The post NSDF: …
SOURCE: exeuntmagazine.com at 09:23AMMonday, January 29, 2018
Queens of Crime: this music hall melodrama eschews subtlety and sensitivity.
The post Review: Oranges & Elephants at Hoxton Hall appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:16PMThursday, October 19, 2017
"You can almost hear Wilde laughing at our desire for moral certainty": Naomi Obeng reviews the opening production of a year long season of Oscar Wilde.
The post Review: A Woman of No Import…
SOURCE: exeuntmagazine.com at 05:34AMFriday, September 1, 2017
Drama that fills out history: Naomi Obeng reviews Tanika Gupta's new play about the fight for Indian Independence.
The post Review: Lions and Tigers at the Sam Wanamaker Playhouse appeared f…
SOURCE: exeuntmagazine.com at 04:05AM 
