Thursday, October 31, 2019
His “Same Time, Next Year” ran for years on Broadway, was made into a movie and is often described as one of the most-produced plays in the world.
SOURCE: The New York Times Subscription at 08:03PMWednesday, April 24, 2019
The work, featuring a central character who is deaf, won the Tony Award for best play in 1980 and was turned into an Oscar-winning 1986 movie.
SOURCE: The New York Times Subscription at 01:05PMMonday, April 15, 2019
After gaining fame as the blustery newsman Ted Baxter’s love interest, Ms. Engel went on to “Everybody Loves Raymond” and more.
SOURCE: The New York Times Subscription at 07:58PMWednesday, March 6, 2019
Friday, March 1, 2019
Before she found fame on two long-running television series, Ms. Helmond was a well-regarded stage actress.
SOURCE: The New York Times Subscription at 06:13PMThursday, February 28, 2019
A founder of the Free Southern Theater in 1963, he was as eager to hear his audiences’ stories as he was to perform.
SOURCE: The New York Times Subscription at 06:33PMTuesday, January 22, 2019
Best known for the 1960s sitcom “The Mothers-in-Law,” she also had memorable turns in Broadway musicals and rode the nightclub circuit for years.
SOURCE: The New York Times Subscription at 03:04PMFriday, December 28, 2018
When she led the orchestra for “The Music Man” in 1960, she became the first woman to be hired as a full-time conductor for a Broadway show.
SOURCE: The New York Times Subscription at 08:18PMHis work in opera, theater and ballet cast aside traditional ideas of what sets should be — realistic and utilitarian — in favor of abstract designs that made a statement.
SOURCE: The New York Times Subscription at 04:54PMTuesday, December 25, 2018
He became a core member of the Spanish-language troupe Repertorio Español after leaving Cuba, where he had spent time in a forced-labor camp.
SOURCE: The New York Times Subscription at 04:18PMThursday, December 20, 2018
An “accidental actor,” he found himself on Broadway almost immediately after his career began and went on appear frequently onstage.
SOURCE: The New York Times Subscription at 06:24PMWednesday, December 19, 2018
His plays, produced frequently in the 1970s, ’80s and ’90s, often threw polar opposites together to explore themes both comic and serious.
SOURCE: The New York Times Subscription at 02:54PMTuesday, November 27, 2018
His cartoon show, loved by the 12-and-under crowd and by many much older fans as well, spawned two movies and a Tony-nominated Broadway musical.
SOURCE: The New York Times Subscription at 02:50PMMonday, November 12, 2018
Mr. Rain was a regular on the stage at the Stratford Festival for decades, but he was perhaps best known as HAL 9000 in “2001: A Space Odyssey.”
SOURCE: The New York Times Subscription at 07:18PMThursday, November 1, 2018
His achievements included helping to found the National Theater of the Deaf. The actress Marlee Matlin was one of his protégés.
SOURCE: The New York Times Subscription at 04:18PMTuesday, October 16, 2018
Ms. Hall was a moderately successful songwriter until she and two collaborators came up with one of the biggest Broadway hits of the 1970s.
SOURCE: The New York Times Subscription at 02:18PMFriday, October 5, 2018
He won a Tony Award for his work in the 2009 revival of Mr. Wilson’s “Joe Turner’s Come and Gone,” his seventh and final Broadway appearance.
SOURCE: The New York Times Subscription at 11:42AMThursday, September 27, 2018
He represented hundreds of shows on Broadway and off and had a long association with Joseph Papp, whom he helped battle to keep Shakespeare free.
SOURCE: The New York Times Subscription at 02:18PMThursday, September 20, 2018
She helped the famed director Peter Brook start an influential theater group in Paris and mount major productions like “The Mahabharata.”
SOURCE: The New York Times Subscription at 04:48PMHe also had a keen eye for undiscovered talent, helping along numerous careers as a reader of new works at the Royal Court Theater in London.
SOURCE: The New York Times Subscription at 02:18PMThursday, September 13, 2018
In a long career cut short by cancer, she earned three Tony nominations in just six years, for performances in “Passion,” “Ragtime” and “Kiss Me, Kate.”
SOURCE: The New York Times Subscription at 03:48PMMonday, September 10, 2018
Her works, drawn from her own experiences, including time in an internment camp, focused on dislocation and assimilation.
SOURCE: The New York Times Subscription at 12:24PMWednesday, August 22, 2018
South African-born, Mr. Murray went to Broadway by way of the Royal Shakespeare Company. In a busy career, he was nominated for three Tony Awards.
SOURCE: The New York Times Subscription at 01:18PMTuesday, August 21, 2018
South African-born, Mr. Murray went to Broadway by way of the Royal Shakespeare Company. In a busy career he was nominated for three Tony Awards.
SOURCE: The New York Times Subscription at 08:18PMBest known for a revelatory staging of “Morning’s at Seven,” he also directed Noël Coward in his final West End stage performance.
SOURCE: The New York Times Subscription at 12:48PMFriday, August 17, 2018
Mr. Glines was a producer who was committed to plays with gay themes and instrumental in bringing them into the mainstream.
SOURCE: The New York Times Subscription at 05:18PMWednesday, July 18, 2018
Mr. Beach’s many Broadway roles also included Lumière, the genial candelabra, in the original cast of “Beauty and the Beast.”
SOURCE: The New York Times Subscription at 07:54PMWednesday, June 6, 2018
His works on topical subjects like the AIDS crisis and suburban sprawl were widely staged, including by Circle Repertory Company and the Bay Street Theater.
SOURCE: The New York Times Subscription at 03:18PMFriday, June 1, 2018
She starred in the Broadway hit “Where’s Charley?” in 1948 and went on to TV fame on “The Tony Randall Show” and “The Days and Nights of Molly Dodd.”
SOURCE: The New York Times Subscription at 07:18PMFriday, May 18, 2018
Both his films and his stage work angered Communist officials, but he was embraced abroad and was an inspirational figure for the Romanian New Wave.
SOURCE: The New York Times Subscription at 05:48PMWednesday, May 16, 2018
His dark works avoided the stereotype of a rural Irish utopia, instead exploring subjects like the county’s famine and its history of emigration.
SOURCE: The New York Times Subscription at 07:48PM 
