All stories by Michael Schulman on BroadwayStars

Saturday, September 17, 2016

Remembering Crazy Eddie: His Prices Were Insane by Michael Schulman

Growing up in Manhattan in the eighties, I loved the TV commercials for the electronics chain “Crazy Eddie.” What kid wouldn’t? The pitchman, an unholy mashup of Pee-wee Herman and Don…

SOURCE: The New Yorker Subscription at 08:58AM
Friday, July 22, 2016

Phones On, Curtain Up by Michael Schulman

Most theatregoers I know have an almost physical aversion to audience participation. That’s probably because audience members are often cast in the role of patsy—set up to look awkward, …

SOURCE: The New Yorker Subscription at 02:11PM
Monday, June 13, 2016

The 2016 Tony Awards: After Orlando by Michael Schulman

For more than a year now, any half-conscious prognosticator could have told you that the 2016 Antoinette Perry Awards would unofficially be the “Hamilton” Tonys. Mostly, it was. Nominate…

SOURCE: The New Yorker Subscription at 01:15PM
Friday, May 6, 2016

Gross Indecency by Michael Schulman

On April 5, 1895, Oscar Wilde was holed up at the Cadogan Hotel, in London, torn between fleeing the country and facing a parlous fate. Spurred by his sometime paramour Lord Alfred Douglas, …

SOURCE: The New Yorker Subscription at 06:01AM
Tuesday, May 3, 2016

The 2016 Tony Nominations: Not All About the Hamiltons by Michael Schulman

Yesterday, the Asian American Performers Action Coalition released its annual report of “Ethnic Representation on New York Stages.” On Broadway and Off, thirty per cent of available role…

SOURCE: The New Yorker Subscription at 11:12PM
Wednesday, April 20, 2016

Theatre for Babies by Michael Schulman

Not long ago, a resident of the Financial District named Evan Miles settled in for a theatrical production on Forty-second Street. He was not an experienced playgoer—actually, this was his…

SOURCE: The New Yorker Subscription at 07:26PM
Friday, March 25, 2016

The Room Where It Happens by Michael Schulman

Of the many allusions woven throughout Lin-Manuel Miranda’s score for “Hamilton”—“The Pirates of Penzance,” the Notorious B.I.G.—one of the funniest comes in Act II, when Alexa…

SOURCE: The New Yorker Subscription at 08:44AM
Sunday, March 13, 2016

How Broadway Imagines Africa by Michael Schulman

Until a few weeks ago, if you wanted to see Africa represented in a Broadway show, you had two options, both ridiculous. There is the colorful puppet wilderness of “The Lion King,” in wh…

SOURCE: The New Yorker Subscription at 06:07PM
Tuesday, November 17, 2015

Theatre’s Superpower by Michael Schulman

The theatre has the power—more like the prerogative—to warp reality to suit its own ends, exiting the literal world through whatever trapdoors it creates. Why does an angel crash through…

SOURCE: The New Yorker Subscription at 05:34PM
Friday, August 21, 2015

Fall Preview by Michael Schulman

Movie stars crash-landing on Broadway seems de rigueur, but last season “Fun Home” and “The Curious Incident of the Dog in the Night-Time” led the pack without famous names. This fal…

SOURCE: The New Yorker Subscription at 06:35AM
Friday, August 7, 2015

The Women of “Hamilton” by Michael Schulman

Lin-Manuel Miranda’s rightfully lauded hip-hop musical “Hamilton,” which has just opened on Broadway after a smash run at the Public, is about many things, among them men: how they fig…

SOURCE: The New Yorker Subscription at 06:45AM
Wednesday, June 10, 2015

The Best Broadway Musical That Doesn’t Exist by Michael Schulman

Broadway loves a messy, washed-up diva who cleans up (only so much) for a comeback, and on Monday night that diva was “Smash.” It’s been two years since NBC cancelled the series, a mus…

SOURCE: The New Yorker Subscription at 07:22PM
Monday, June 8, 2015

The Tony Awards Phone Home by Michael Schulman

The Tony Awards broadcast is an act of contortion, in which one medium (live theatre) simultaneously puffs itself up and scrunches itself down to fit into another (television). Every once in…

SOURCE: The New Yorker Subscription at 03:46PM
Monday, May 25, 2015

The Boards: Playoff by Michael Schulman

Broadway and football: it was only a matter of time before someone put the two together.

SOURCE: The New Yorker Subscription at 05:58PM
Tuesday, April 28, 2015

The Tony Nominations: Kings, Queens, and Lesbian Cartoonists by Michael Schulman

It’s a bad day to be Harvey Weinstein’s assistant. That is, a particularly bad day. The Pooh-Bah of Oscar campaigning cannonballed into Broadway this year, as the lead producer of “Fin…

SOURCE: The New Yorker Subscription at 02:43PM
Friday, March 27, 2015

How to Write for the Rockettes by Michael Schulman

The playwright Joshua Harmon is thirty-one years old and currently in his third year at Juilliard. He lives on the Upper West Side, because Wendy Wasserstein lived there, too. The first play…

SOURCE: The New Yorker Subscription at 09:30AM
Friday, February 27, 2015

Spring Preview by Michael Schulman

Broadway is an old dog, slow to learn new tricks. But every now and then it aces one of its old tricks. The audiences who flocked to Lincoln Center’s 2008 revival of “South Pacific” wo…

SOURCE: The New Yorker Subscription at 12:00AM
Wednesday, December 24, 2014

Why “Into the Woods” Matters by Michael Schulman

For the past year or so, a certain segment of the population—musical-theatre fans who were children in the eighties and thought they were too good for Andrew Lloyd Webber—has experienced…

SOURCE: The New Yorker Subscription at 12:00AM
Friday, October 3, 2014

For Alan Cumming, Life Isn’t Always a Cabaret by Michael Schulman

As revealed in a new memoir, “Not My Father’s Son,” Mr. Cumming lived for years under the long shadow of his father — or, at least, the man he thought was his father.

SOURCE: The New York Times Subscription at 07:10PM
Monday, June 23, 2014

Michael Schulman: Amanda Burden sees herself in “If/Then.” by Michael Schulman

One night this spring, Amanda Burden went to see the new Broadway musical “If/Then.” She had recently returned from a “psychic healing” retreat in Arizona, having spe…

SOURCE: The New Yorker Subscription at 12:00AM
Monday, June 9, 2014

The 2014 Tony Awards Go All the Way by Michael Schulman

At their best, the Tony Awards dance like nobody’s watching.

SOURCE: The New Yorker Subscription at 11:05AM
Monday, June 2, 2014

Michael Schulman: The cast of “The Cripple of Inishmaan” break some eggs. by Michael Schulman

Among the trends on Broadway this season: musicals about sixties girl rockers (Janis Joplin, Carole King); bravura performances by men in drag (Neil Patrick Harris, Mark Rylance); and raw eg…

SOURCE: The New Yorker Subscription at 12:00AM
Friday, May 30, 2014

Michael Schulman: Lily Rabe in “Much Ado About Nothing,” at the Delacorte. by Michael Schulman

Shakespeare’s women, Harold Bloom has observed, are always marrying down. Is Orlando truly worthy of Rosalind, with her panoptic wit? How does Viola wind up with that ninny Orsino? Per…

SOURCE: The New Yorker Subscription at 12:00AM
Wednesday, May 28, 2014
Monday, April 14, 2014

Michael Schulman: Trampolining with Toni Collette. by Michael Schulman

Two aspiring trampoliners arrived the other day at Streb Lab for Action Mechanics (SLAM), a fitness and dance studio in Williamsburg, described by its founder, Elizabeth Streb, as a “b…

SOURCE: The New Yorker Subscription at 12:00AM
Sunday, April 13, 2014

Watching the Obamas Watch “A Raisin in the Sun” by Michael Schulman

It’s not often that a single member of the audience commands more attention than the action onstage.

SOURCE: The New Yorker Subscription at 01:16PM
Friday, February 21, 2014

Who’s Afraid of Elaine Stritch? by Michael Schulman

The new documentary “Elaine Stritch: Shoot Me” shows its eighty-nine-year-old subject’s ferocious dual nature.

SOURCE: The New Yorker Subscription at 01:31PM
Monday, November 11, 2013

Michael Schulman: Backstage with Mark Rylance and Claire van Kampen. by Michael Schulman

Somewhere in the bowels of the Belasco Theatre, long considered to be haunted by its namesake, the actor Mark Rylance has installed a Ping-Pong table. “I like to encourage a playful pl…

SOURCE: The New Yorker Subscription at 12:00AM
Thursday, October 31, 2013

Watching Sondheim Watch “Fun Home” by Michael Schulman

I sat directly behind Stephen Sondheim at a performance of “Fun Home,” a new musical at the Public.

SOURCE: The New Yorker Subscription at 12:39PM
Tuesday, October 29, 2013

My Big Sister, Janis Joplin by Michael Schulman

Since Janis Joplin died, in the fall of 1970, her younger siblings, Laura and Michael Joplin, have jointly watched over her estate.

SOURCE: The New Yorker Subscription at 02:08PM
Monday, September 2, 2013

Michael Schulman: An opera about Anna Nicole Smith. by Michael Schulman

By the time Vickie Lynn Hogan was twenty-six, she had made a name for herself, having modelled for Guess jeans and appeared on the cover of Playboy. The name was Anna Nicole Smith. A native …

SOURCE: The New Yorker Subscription at 12:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic