All stories by Michael Billington on BroadwayStars

Wednesday, July 26, 2017

Mosquitoes review – sparring sisters collide in Lucy Kirkwood's science stormer by Michael Billington

Dorfman, LondonOlivias Williams and Colman give a spellbinding account of sibling strife in this wonderfully ambitious play set during the Higgs boson breakthroughLucy Kirkwood has proved, w…

SOURCE: The Guardian at 11:48AM
Tuesday, July 25, 2017

Theatre review | Cat On a Hot Tin Roof | Novello, London by Michael Billington

Novello, LondonWhat difference does it make that Tennessee Williams's play is performed by a black cast in Debbie Allen's Broadway production? It undoubtedly gives the work a new dynamic. Bu…

SOURCE: The Guardian at 11:06AM

Cat on a Hot Tin Roof review – Sienna Miller and Jack O'Connell rattle their gilded cage by Michael Billington

Apollo, LondonBenedict Andrews’s radical update of the classic delivers emotional intensity shot through with humour – and a blistering performance by Jack O’ConnellThis is a classic e…

SOURCE: The Guardian at 11:06AM
Monday, July 24, 2017

Michelle Terry is a bold, unexpected and possibly inspired choice for Shakespeare's Globe by Michael Billington

The Globe’s new artistic director may have little directing experience. But as an actor, she had a huge range, a fierce intelligence and a profound understanding of Shakespeare’s languag…

SOURCE: The Guardian at 11:04AM
Sunday, July 23, 2017

The House They Grew Up In review – Samantha Spiro is magnetic in humane hymn to tolerance by Michael Billington

Minerva Theatre, ChichesterDeborah Bruce’s play follows the fallout of a friendship between a young boy and an autistic, eccentric hoarder as police, press and property hunters prey on the…

SOURCE: The Guardian at 08:04AM
Saturday, July 22, 2017

Passion Play – review by Michael Billington

Duke of York's, LondonIt's a well-known fact that Peter Nichols's play, which first appeared in 1981, forms part of an unofficial trinity of dramas about infidelity: it came after Pinter's B…

SOURCE: The Guardian at 03:04AM
Friday, July 21, 2017

Crestfall review – sleepy rural Ireland seething with cruelty and murder by Michael Billington

Mick Lally theatre, Galway Mark O’Rowe’s three-hander turns the Irish idyll into a seething mass of lust, junkies, pimps and wimpy husbandsDramatists from JM Synge to Martin McDonagh hav…

SOURCE: The Guardian at 10:12AM
Thursday, July 20, 2017

Woyzeck in Winter review – triumphant union of Büchner and Schubert by Michael Billington

Black Box, GalwayThe anguish and torment of Büchner’s tragedy and Schubert’s song cycle Winterreise are fused to brilliant effect in this pioneering piece of music-theatre Georg Büchne…

SOURCE: The Guardian at 07:54AM
Wednesday, July 19, 2017

Dessert review – capitalist is held captive in Trevor Nunn thriller by Michael Billington

Southwark Playhouse, LondonOliver Cotton’s explosive new play explores wealth and morality as a luxurious dinner party is interrupted by an intruderOliver Cotton is not afraid to tackle bi…

SOURCE: The Guardian at 06:42AM
Tuesday, July 18, 2017

Twilight Song review – Kevin Elyot reveals lives unchanged by gay liberation by Michael Billington

Park theatre, LondonIn his final play, which takes place over three summers, Elyot explores passions and pressures before and after the decriminalisation of homosexuality Related: Kevin Elyo…

SOURCE: The Guardian at 09:24AM
Monday, July 17, 2017

Theatre review: Action by Michael Billington

Young Vic Studio, London Rating: **Sam Shepard was once regarded as the quintessential American playwright. But, on the evidence of the recent revival of the rambling A Lie of the Mind and t…

SOURCE: The Guardian at 11:06PM
Friday, July 14, 2017

A Tale of Two Cities review – the Reign of Terror clashes with today's refugee crisis by Michael Billington

Regent’s Park Open Air theatre, LondonCharles Dickens’ 1859 novel simply does not lend itself to a modern-day reinterpretation featuring border police and demonstrationsIt is part of the…

SOURCE: The Guardian at 07:54AM
Wednesday, July 12, 2017

Bodies review – Vivienne Franzmann explores the ethics of surrogacy by Michael Billington

Royal Court, LondonThis family drama confronts a host of dilemmas but is at its best when it allows a fine cast to express the characters’ strained relationshipsVivienne Franzmann has in t…

SOURCE: The Guardian at 09:33AM
Tuesday, July 11, 2017

Queen Anne review – Romola Garai is a sensational schemer in gripping history play by Michael Billington

Theatre Royal Haymarket, LondonHelen Edmundson’s account of the power struggle between the pious monarch and her ambitious friend Sarah Churchill is a rousing hymn to female agencyRomola G…

SOURCE: The Guardian at 08:06AM
Monday, July 10, 2017

David Mamet's move to punish theatres for debating his work is absurd by Michael Billington

It’s true that plays often defy instant analysis but Mamet’s attempt to prevent post-show discussions perpetuates the notion of theatre as a sanctified templeIt would be easy to mock Dav…

SOURCE: The Guardian at 09:54AM
Sunday, July 9, 2017

Returning to Reims review – Nina Hoss is magnetic in poignant political drama by Michael Billington

Home, ManchesterThe Homeland star impresses in Thomas Ostermeier’s engrossing staging of a memoir about political change and the left’s disregard of the working classThe title suggests a…

SOURCE: The Guardian at 10:18AM
Saturday, July 8, 2017

Why Stephen Ward was the wrong musical for Andrew Lloyd Webber by Michael Billington

Audiences struggled to relate to the 50-year-old Profumo scandal. Lloyd Webber needs to focus on passionate love• Matt Trueman: Stephen Ward to close after four months• Xan Brooks: Steph…

SOURCE: The Guardian at 10:12PM
Thursday, July 6, 2017

Fatherland review: three dads and a ladder give a voice to angry Britain by Michael Billington

This thrilling play about three sons who go home to their dads – and their childhoods – shows verbatim theatre’s power to heed the forgottenThe scene: a wine-bar close to the Royal Exc…

SOURCE: The Guardian at 10:24AM
Wednesday, July 5, 2017

​Titus Andronicus review – blood-drenched warrior bestrides the austerity age by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonA terrific cast give a masterclass in power and paranoia in this tremendous modern-day revival of Shakespeare’s tale of revengeBlanche McIntyr…

SOURCE: The Guardian at 09:42AM
Tuesday, July 4, 2017

Batmanghelidjh and Yentob face the music in Kids Company musical Committee – review by Michael Billington

Donmar Warehouse, London Singing MPs grill charity founder Camila Batmanghelidjh and chair Alan Yentob in a show that’s as melodramatic as Tosca – though not as tunefulIs there anything …

SOURCE: The Guardian at 11:48AM
Monday, July 3, 2017

Mr Gillie review – James Bridie's classroom cracker still bristles with anger by Michael Billington

Finborough theatre, LondonThis tale of an idealistic teacher in a Scottish mining village wears its enjoyably scathing politics on its sleeveAs an outpost for Scottish drama, the Finborough …

SOURCE: The Guardian at 09:18AM
Friday, June 30, 2017

Alligators review – a teacher's reputation is ruined in chilling downward spiral by Michael Billington

Hampstead theatre, LondonIn Andrew Keatley’s powerful play, a life is destroyed by a pupil’s allegation of sexual assault, and shameful secrets are exposed‘Is the accuser always holy n…

SOURCE: The Guardian at 01:42AM
Thursday, June 29, 2017

The Wind in the Willows review – Rufus Hound goes wild with Julian Fellowes' party animals by Michael Billington

London Palladium Toad, Badger, Mole and Rat are joined by new female characters in a fast-moving musical which ranges in style from Gilbert and Sullivan to raucous rockKenneth Grahame’s 19…

SOURCE: The Guardian at 07:06PM
Tuesday, June 27, 2017

Lady Day at Emerson’s Bar and Grill review – Audra McDonald sings the blues for Billie Holiday by Michael Billington

Wyndham’s, LondonSix-time Tony award-winner McDonald captures the style and spirit of the legendary jazz singer, but Lanie Robertson’s play wallows in her declineOne legend gets to play …

SOURCE: The Guardian at 06:24PM
Monday, June 26, 2017

Julius Caesar review – Roman ruler morphs from Trump to Corbyn at Glasto by Michael Billington

Storyhouse, ChesterIn Loveday Ingram’s swaggering production, Caesar bids to ‘make Rome great again’ then poses for selfies at a rock festivalHedging his bets, Henry James described Ch…

SOURCE: The Guardian at 08:42AM
Thursday, June 22, 2017

You, the jury: plays are giving power to the people by Michael Billington

A new show, Terror, restores drama to its classical function by asking us to make a moral decision. But it doesn’t go nearly far enoughDrama invites judgment. One of the oldest plays in th…

SOURCE: The Guardian at 06:36PM

Michael Billington: Hamlet's sitting Tennant breaks the myth of the understudy by Michael Billington

"Sawyer, you're going out a youngster but you've got to come back a star." So Ruby Keeler was famously told by Warner Baxter in the movie of 42nd Street. And that classic line about understu…

SOURCE: The Guardian at 10:36AM

Gloria review – superb hatchet job on modern American journalism by Michael Billington

Hampstead theatre, LondonThere are shades of Neil LaBute’s In the Company of Men in Branden Jacobs-Jenkins’ merciless modern satire, set in the offices of a Manhattan magazineNothing can…

SOURCE: The Guardian at 08:48AM
Saturday, June 17, 2017

Theatre review: Julius Caesar / Courtyard, Stratford-upon-Avon by Michael Billington

Courtyard, Stratford-upon-AvonAs a director Lucy Bailey is clearly at home in ancient Rome: she gave us a blackly sardonic Titus Andronicus at Shakespeare's Globe; now she comes up with a vi…

SOURCE: The Guardian at 05:24AM
Friday, June 16, 2017

Summer 2017's essential theatre: from the rise of Murdoch's Sun to Dylan's dustbowl blues by Michael Billington

The Kids Company inquiry becomes a musical, Olivia Colman and Olivia Williams star as sisters, Sienna Miller and Jack O’Connell hit the roof and rhinoceroses rampage through Edinburgh• S…

SOURCE: The Guardian at 01:06AM
Thursday, June 15, 2017

The Country Girls review – Edna O'Brien returns to a vanished Ireland by Michael Billington

Minerva, ChichesterO’Brien has revised her 2011 stage adaptation of her evocative novel about two friends who move from rural Ireland to DublinRitually burned in the grounds of her local p…

SOURCE: The Guardian at 12:33PM