All stories by Michael Billington on BroadwayStars

Tuesday, September 12, 2017

The March on Russia review – dreams turn to despair in David Storey's family reunion by Michael Billington

Orange Tree, Richmond In this revival of Storey’s 1989 play, set during the Thatcher era, a poignant celebration subtly turns into a state-of-the-nation drama There could no better tribute…

SOURCE: The Guardian at 09:42AM

Sir Peter Hall: 'Politicians don't grasp the case for the arts' by Michael Billington

More than any other director, Sir Peter Hall shaped British theatre. As he turns 80, he tells Michael Billington about his doubts about the new RSC building and his dismay at fighting arts c…

SOURCE: The Guardian at 05:54AM

Angels and demons: the unmissable theatre, comedy and dance of autumn 2017 by Michael Billington, Lyn Gardner, Judith Mackrell and Brian Logan

Hamilton hits London, Bryan Cranston’s news anchor goes berserk, Wayne McGregor turns his DNA into dance, Mae Martin revisits her teen addictions and Toyah Willcox is a time-travelling que…

SOURCE: The Guardian at 02:12AM
Monday, September 11, 2017

The Knowledge review – Maureen Lipman steers witty cabbie comedy by Michael Billington

Charing Cross theatre, LondonThis adaptation of Jack Rosenthal’s TV film brings back the desperate drivers and their sadistic examiner – but does the story belong on stage?Any adaptation…

SOURCE: The Guardian at 06:42PM
Friday, September 8, 2017

On the Shore of the Wide World, Royal Exchange, Manchester by Michael Billington

Royal Exchange, ManchesterFamilies lie at the heart of drama. And Simon Stephens' new play, co-commissioned by the National Theatre and the Royal Exchange, offers a sensitive study of three …

SOURCE: The Guardian at 12:18AM
Thursday, September 7, 2017

Faithful Ruslan: The Story of a Guard Dog review – ingenious allegory with a bite by Michael Billington

Belgrade theatre, Coventry A dazzling ensemble play dogs and chickens, as well as brutal soldiers and their prisoners, in this account of the horrors of the gulagHelena Kaut-Howson is one of…

SOURCE: The Guardian at 10:48AM
Wednesday, September 6, 2017

Follies review – Sondheim's showbiz stunner returns in breathtaking style by Michael Billington

National Theatre, LondonImelda Staunton is unforgettable in Dominic Cooke’s ingenious revival of a musical that perfectly fuses splendour and poetic sadnessAlthough it has legions of admir…

SOURCE: The Guardian at 06:04PM
Tuesday, September 5, 2017

Medea review – Carrie Cracknell's version is a tragic force to be reckoned with by Michael Billington

Olivier, LondonHelen McCrory excels in this modern-dress take on Euripides that is alive with complexity and psychological astutenessAfter her success with Ibsen's A Doll's House, Carrie Cra…

SOURCE: The Guardian at 11:18PM
Monday, September 4, 2017

Rudy’s Rare Records review – Lenny Henry’s reggae romp has the audience roaring by Michael Billington

Birmingham RepStuffed with gags and overflowing with an easygoing, laid-back liberalism, this comedy about a vinyl-shop owner fighting developers has the feel of a stonking hitIf there is a …

SOURCE: The Guardian at 05:48PM
Friday, September 1, 2017

Hamlet review – lucky few see Tom Hiddleston combine sweet sadness with incandescent fury by Michael Billington

Donmar Warehouse, LondonHollywood star shines in limited run production directed by Kenneth Branagh and designed to raise funds for RadaFew shows are seemingly more exclusive than this. Tom …

SOURCE: The Guardian at 08:12PM
Monday, August 28, 2017

Windows review – Galsworthy's warring family put woolly liberalism to the sword by Michael Billington

Finborough, LondonGeoffrey Beevers’ production of little-known play about the moral fissures within an upper middle-class family is a razor-sharp take on a quietly subversive workAs a refo…

SOURCE: The Guardian at 11:18AM
Thursday, August 24, 2017

Loot review – Joe Orton's savage farce now even funnier and filthier by Michael Billington

Park theatre, LondonFrom the necrophilia to the suggestion Christ was framed, the playwright’s most dangerous work – performed without the censor’s cuts for the first time – shows Or…

SOURCE: The Guardian at 09:24AM
Wednesday, August 23, 2017

Knives in Hens review – a fable with many messages by Michael Billington

Donmar Warehouse, LondonDavid Harrower’s 1995 play, with its deceptively simple premise of a woman finding articulacy, offers insight into the power of language to shape our humanity If on…

SOURCE: The Guardian at 07:04AM
Sunday, August 20, 2017

The Stepmother review – marriage, morals and misdemeanours by Michael Billington

Minerva, ChichesterInjustice, inequality, power and passion drive the plot of this remarkable play which still rings horribly true a century after it was writtenGitha Sowerby’s remarkable …

SOURCE: The Guardian at 12:04PM

Against review – Ben Whishaw on a mission to save the world by Michael Billington

Whishaw is quietly charismatic in this play with lofty philosophical ambitions but which ignores the social and political history behind today’s violenceBen Whishaw is a highly sympathetic…

SOURCE: The Guardian at 06:48AM
Thursday, August 17, 2017

King Lear review – poverty-stricken Shakespeare puts spotlight on homeless by Michael Billington

Shakespeare’s Globe, London On a stripped-back stage, Nancy Meckler’s production locates Lear in a world of deprivation, broken family relationships and bubbling anger‘No disco-dancing…

SOURCE: The Guardian at 07:48AM
Tuesday, August 15, 2017

The Majority review – solo show asks us to vote on ethical issues by Michael Billington

Dorfman, London Rob Drummond presents us with questions such as whether violence is a legitimate weapon of political protest but there’s not enough room for real debateVoting is becoming t…

SOURCE: The Guardian at 10:06AM
Sunday, August 13, 2017

The Divide review by Michael Billington

King’s theatre, EdinburghAlan Ayckbourn’s Handmaid’s Tale-esque projection of a plague-ravaged future contains many nice ironies and performances, but strains patience over its six hou…

SOURCE: The Guardian at 02:18AM
Friday, August 11, 2017

Looking at Lucian review – mesmerising portrait of the artist as an old man by Michael Billington

Ustinov Studio, BathHenry Goodman is utterly convincing in Alan Franks’ one-man play about Lucian Freud, with stories of his models, from the Krays to the QueenA solo play about a painter …

SOURCE: The Guardian at 08:12AM
Wednesday, August 9, 2017

The Whip Hand review – fiery family drama tackles the slave trade by Michael Billington

Traverse, EdinburghDomestic friction and a guilty history set the scene for powerful performances in Douglas Maxwell’s new playSubtlety is not the prime asset of Douglas Maxwell’s new pl…

SOURCE: The Guardian at 09:36AM
Tuesday, August 8, 2017

Play it again, Sam: why Krapp's Last Tape still leaves us reeling by Michael Billington

Albert Finney sobbed like an animal, Harold Pinter ramped up the terror and John Hurt even resembled Beckett himself. Now, at the Edinburgh festival, Barry McGovern takes on the role that ne…

SOURCE: The Guardian at 11:54AM
Monday, August 7, 2017

Zinnie Harris brings stampeding rhinos and marooned lovers to Edinburgh by Michael Billington

The Scottish playwright’s take on an Ionesco classic comes with added festival gags, while her drama Meet Me at Dawn looks at the difficulty of letting goThree works by the Scottish dramat…

SOURCE: The Guardian at 11:24AM
Sunday, August 6, 2017

Flight review – miniature models tell epic refugee story by Michael Billington

Church Hill theatre, Edinburgh Two boys endure stormy seas and slave labour as they journey from Kabul to London this highly imaginative productionHow do you begin to recreate the refugee ex…

SOURCE: The Guardian at 10:04AM
Friday, August 4, 2017

Apologia review – Stockard Channing induces sympathy for a monstrous matriarch by Michael Billington

Trafalgar Studios, LondonThe West Wing and Grease star takes the lead in this revival of Alexi Kaye Campbell’s play, but is let down by unresolved contradictionsStockard Channing, star of …

SOURCE: The Guardian at 07:33AM
Wednesday, August 2, 2017

Gangsta Granny review – David Walliams’s comic crooks hit the West End by Michael Billington

Garrick, LondonNeal Foster has created a gentle, genial show based on the bestselling book about a boy and his gran joining forces for a heist at the Tower of LondonDavid Walliams bounced on…

SOURCE: The Guardian at 07:12AM

Stage direction: North By Northwest takes Hollywood to the theatre by Michael Billington

A theatrical adaptation of the Hitchcock classic finds clever ways to rework film techniques – and is the latest example of how the screen is influencing the stageHollywood in its infancy …

SOURCE: The Guardian at 04:32AM
Sunday, July 30, 2017

Road review – raucous 80s account of a divided Britain still hits close to home by Michael Billington

Royal Court, LondonLemn Sissay stars in a revival of Jim Cartwright’s 1986 account of a community scarred by unemployment that couldn’t be more relevant or rousingJim Cartwright’s play…

SOURCE: The Guardian at 08:36AM
Friday, July 28, 2017

Just to Get Married review – the home counties Hedda shows her brutal side by Michael Billington

Finborough theatre, LondonCicely Hamilton’s feminist play from 1911, exposing the plight of women forced to use marriage to gain their independence, is full of attackCicely Hamilton (1872-…

SOURCE: The Guardian at 09:54AM
Thursday, July 27, 2017

The Secret Diary of Adrian Mole Aged 13 ¾ review – Townsend's gawky icon rescues the British musical by Michael Billington

Menier Chocolate Factory, LondonWith the help of a vibrant ensemble, Luke Sheppard tells the earnest diarist’s much-loved story with wit, craft and crackling Cuban dance numbersSurprisingl…

SOURCE: The Guardian at 08:18AM
Wednesday, July 26, 2017

Girl from the North Country review – Dylan's songs are Depression-era dynamite by Michael Billington

Old Vic, LondonA superb cast use Bob’s back catalogue to glorious effect in Conor McPherson’s astonishing cross-section of hope and stoic suffering in Depression-era MinnesotaThis is the…

SOURCE: The Guardian at 07:48PM

Mosquitoes review – sparring sisters collide in Lucy Kirkwood's science stormer by Michael Billington

Dorfman, LondonOlivias Williams and Colman give a spellbinding account of sibling strife in this wonderfully ambitious play set during the Higgs boson breakthroughLucy Kirkwood has proved, w…

SOURCE: The Guardian at 11:48AM