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Friday, September 18, 2015

Jane Eyre review – new staging is abridged too far by Michael Billington

Lyttelton, LondonA shortened version of the acclaimed Bristol Old Vic production has much to admire, but inevitably loses the fine detail of the great novelAcclaimed last year at the Bristol…

SOURCE: The Guardian at 07:10AM
Thursday, September 17, 2015

Old Times - review by Michael Billington

Harold Pinter Theatre, LondonKristin Scott Thomas and Lia Williams are currently alternating the two female roles in Harold Pinter's 1971 play with Rufus Sewell as the man in the middle. The…

SOURCE: The Guardian at 11:38PM

F*ck the Polar Bears review – drilling into the climate debate by Michael Billington

Bush, LondonTanya Ronder’s play probes the clash between corporate career and private conscience via one conflicted familyYou can’t accuse the British theatre of ignoring climate change:…

SOURCE: The Guardian at 10:10AM
Tuesday, September 15, 2015

Kinky Boots review – glamorously rebooted musical never drags by Michael Billington

Adelphi, LondonFrom Cyndi Lauper’s score to impressive lead performances, this winsome men-in-frocks show puts its best foot forwardThis theatre seems to be specialising in factory-set mus…

SOURCE: The Guardian at 06:15PM

Infidelity, vodka and gloom: Chekhov's stories lurch onto the stage by Michael Billington

Watching dramatisations of Chekhov’s early short stories, Michael Billington finds the writer sketching out his caustic portrait of the Russian character – complete with drunken fisherme…

SOURCE: The Guardian at 09:45AM
Monday, September 14, 2015

Photograph 51 review – Nicole Kidman in the ecstasy of scientific discovery by Michael Billington

Noël Coward theatre, London Anna Ziegler’s new play asserts the contribution of 1950s chemist Rosalind Franklin to the discovery of DNA and asks: is science still sexist?You could hardly …

SOURCE: The Guardian at 05:44PM

Sweet Bird of Youth – review by Michael Billington

Old Vic, LondonEverything that art can do to boost this revival of Tennessee Williams's 1959 play has been done. Marianne Elliott's production is first-rate. The cast, led by Kim Cattrall, i…

SOURCE: The Guardian at 02:12PM
Sunday, September 13, 2015

HighTide festival review – an express train of sex, death and social outcasts by Michael Billington

Aldeburgh, Suffolk Ninth time round, the festival showcases three impeccable new plays using sharp writing to deal with testing topicsNow in its ninth year and transferred from Halesworth to…

SOURCE: The Guardian at 07:26AM
Friday, September 11, 2015

Michael Billington talks to playwright Edward Bond by Michael Billington

He was one of Britain's most shocking, uncompromising playwrights. Then he fell out of favour. But now Edward Bond is back. He grants Michael Billington a rare interview'I'm an extremist,&qu…

SOURCE: The Guardian at 11:42PM
Thursday, September 10, 2015

Future Conditional review – Rob Brydon delivers a seriously funny school lesson by Michael Billington

Old Vic, London Tamsin Oglesby’s play dissecting the British education system packs a punch yet still has fun in the playgroundMatthew Warchus begins an ambitious, eight-play first season …

SOURCE: The Guardian at 06:09PM
Wednesday, September 9, 2015

Hero's Welcome review – Alan Ayckbourn surprises us yet again by Michael Billington

Stephen Joseph theatre, ScarboroughThe playwright directs a well-acted and ruefully comic view of marital breakdown, mayhem and murderGiven that this is Alan Ayckbourn’s 79th play, it is h…

SOURCE: The Guardian at 08:41AM
Tuesday, September 8, 2015

When We Were Women review – meandering drama with a core of truth by Michael Billington

Orange Tree, RichmondA rare revival of Sharman Macdonald’s quietly haunting play reveals uncomfortable truths about the oppressiveness of family life and sexual attitudes in wartime Scotla…

SOURCE: The Guardian at 08:49AM
Monday, September 7, 2015

Hymn/Cocktail Sticks – review by Michael Billington

Lyttelton, LondonI sometimes feel I know Alan Bennett's family almost as well as my own. But, although these two "recollections" contain material that will be familiar to readers o…

SOURCE: The Guardian at 03:07AM
Friday, September 4, 2015

Oresteia review – a vigorous, vivid, but inconsistent take on Aeschylus by Michael Billington

Shakespeare’s Globe, LondonRory Mullarkey’s adaptation is linguistically rich, but Adele Thomas’s production can’t seem to settle on a styleAfter Robert Icke’s free adaptation of A…

SOURCE: The Guardian at 08:26AM
Thursday, September 3, 2015

Flare Path review – conflict and passion, tidily collided by Michael Billington

Richmond theatre, London A well put together production of Terence Rattigan’s 1942 play about a love triangle among RAF bombersTerence Rattigan’s 1942 play about wartime bomber crews enj…

SOURCE: The Guardian at 08:38AM
Wednesday, September 2, 2015

People, Places and Things review – a vivid tale of acting and addiction by Michael Billington

Dorfman, LondonDenise Gough is superlative as an actor who breaks down mid-show and is forced into recovery, in a vibrant play that draws parallels between theatre and rehabDuncan Macmillan …

SOURCE: The Guardian at 07:55AM
Tuesday, September 1, 2015

My Eyes Went Dark review – unleashing the power of vengeance by Michael Billington

Finborough, London Matthew Wilkinson’s play about the rage of a grieving man is given acute expression by Cal MacAninch and Thusitha JayasunderaWritten and directed by Matthew Wilkinson, t…

SOURCE: The Guardian at 07:30AM
Friday, August 28, 2015

You Won't Survive on Broadway If You Don't Have Any Jews review – the golden age turns to bronze by Michael Billington

St James’s, London An anthology highlighting Jewish songwriters’ contributions to the American musical, from the 1930s to the present, is at its most delightful in the first halfThe titl…

SOURCE: The Guardian at 11:48AM
Thursday, August 27, 2015

Our Country’s Good review – dramatic redemption from Australian hell by Michael Billington

Olivier, LondonThe National production of Timberlake Wertenbaker’s historical play shows convicts and captors alike escaping their colonial chains in shared expressionSince it is only two …

SOURCE: The Guardian at 08:30AM
Wednesday, August 26, 2015

Mrs Henderson Presents review – a shot in the arm for the British musical by Michael Billington

Theatre Royal, BathTerry Johnson’s adaptation of the 2005 film is a defiantly patriotic piece with a delightful score, rousing ensemble and first-rate performancesIt’s a cliche that, eve…

SOURCE: The Guardian at 07:07PM

Choosing my 101 greatest plays – and why I left out King Lear by Michael Billington

How do you even begin to pick the world’s 101 greatest plays? The Guardian’s theatre critic explains how he approached this controversial task for his new book – and admits he is alrea…

SOURCE: The Guardian at 02:34PM
Tuesday, August 25, 2015

Hamlet review – Benedict Cumberbatch is imprisoned by a dismal production by Michael Billington

Barbican, LondonCumberbatch has a gift for suggesting Hamlet’s essential decency, but visual conceits take the place of textual investigation in this frustrating stagingAfter all the hype …

SOURCE: The Guardian at 06:55PM
Friday, August 7, 2015

For Services Rendered five-star review – no help for heroes in Maugham's war by Michael Billington

Minerva theatre, ChichesterDirector Howard Davies’s production is meticulous in its emotional detail and the cast match him in charting the aftermath of warThis is Chichester at its best: …

SOURCE: The Guardian at 08:34AM
Thursday, August 6, 2015

Grand Hotel review – roaring 20s musical, staged with glittering panache by Michael Billington

Southwark Playhouse, LondonPerfectly drilled dance, stunning vocals and stylish direction fuel this cross-section of luxury hotel life in 20s Berlin This musical, based on Vicki Baum’s por…

SOURCE: The Guardian at 09:58AM
Wednesday, August 5, 2015

Splendour review – Abi Morgan puts four women in the firing line by Michael Billington

Donmar Warehouse, London In her tense and riveting early work, Morgan highlights the fragility of power as a group of women gather in a presidential palace with revolution brewing outsideAbi…

SOURCE: The Guardian at 08:03AM

No actor can fail as Hamlet: a profoundly mysterious hero by Michael Billington

At London’s Barbican, Benedict Cumberbatch will be taking over a role that defies age, transcends gender and allows actors to play to their strengthsOn Wednesday night, Benedict Cumberbatc…

SOURCE: The Guardian at 02:21AM

The Book of Mormon – review by Michael Billington

Prince of Wales, LondonStrip away all the hype surrounding this hit Broadway import and what do you find? A mildly amusing musical, with some knowingly parodic songs, that takes a few pot sh…

SOURCE: The Guardian at 12:13AM
Tuesday, August 4, 2015

Dear Lupin review – James and Jack Fox chomp through the upper crust by Michael Billington

Apollo, LondonMichael Simkins’ adaptation of Roger Mortimer’s correspondence with his son is performed with style by a real-life father and sonA collection of letters by racing correspon…

SOURCE: The Guardian at 07:51AM
Monday, August 3, 2015

Operation Crucible review – war history evoked with horror and humanity by Michael Billington

Finborough, LondonFirst-time playwright Kieran Knowles captures the terror of the Sheffield blitz in the experiences of four trapped steelworkersOn 12 December 1940, more than 600 people die…

SOURCE: The Guardian at 08:25AM
Thursday, July 30, 2015

Bakkhai review – Ben Whishaw enchants but play draws admiration, not zeal by Michael Billington

Almeida, LondonJames Macdonald’s production at the Almeida offers clarity and imaginative acting, yet falls short of the rage and frenzy that Euripides’ masterpiece demandsHaving started…

SOURCE: The Guardian at 08:10PM

Impossible review – macho magic show bisects and belittles its female stars by Michael Billington

Noël Coward theatre, LondonA major gender imbalance undermines the slick and intriguing acts in this Vegas-style fiesta of illusion Continue reading...

SOURCE: The Guardian at 07:04PM

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