All stories by Maya Phillips on BroadwayStars

Friday, September 11, 2020

How to Birth a New American Theater by Jesse Green, Maya Phillips, Laura Collins-Hughes, Elisabeth Vincentelli and Alexis Soloski

Six months dark. Thousands of artists out of work. Could this disaster have a surprise ending? Five critics on what must change, onstage and off.

SOURCE: The New York Times Subscription at 05:18AM
Thursday, September 3, 2020

Why ‘Rent,’ the Movie, Was My Gateway Musical by Maya Phillips

It was a flop, but the film adaptation of the Broadway smash turned me on to theater. And those starving artists made me want to make art too.

SOURCE: The New York Times Subscription at 05:06AM
Sunday, August 30, 2020

Review: Bringing Borges to Life in ‘Footnote for the End of Time’ by Maya Phillips

Theater in Quarantine’s latest small-scale, digitally savvy production is an adaptation of a Borges story about a man stopping time to stare down death.

SOURCE: The New York Times Subscription at 05:06PM
Monday, August 24, 2020

Outdoors in Bushwick, Gardens of Theatrical Discovery by Maya Phillips

Replete with music, masks and vibrant costumes, “Quince” and “Beast Visit” turn urban green spaces into stages for festivity.

SOURCE: The New York Times Subscription at 03:18PM
Wednesday, August 19, 2020

Designing Doesn’t Stop, Even When Stage Shows Do by Maya Phillips

Staying creative in lockdown means setting the scene for a cat, a baby and a garden. Plus an Instagram account that makes Mom and Dad into art stars.

SOURCE: The New York Times Subscription at 10:32AM
Monday, August 17, 2020

From a Wrestling Ring to Tiny Boxes: How ‘Chad Deity’ Went Zoom by Maya Phillips and Elisabeth Vincentelli

Two critics square off to determine how well this body slam of a comedy, about stereotypes and storytelling, made it to the very small screen.

SOURCE: The New York Times Subscription at 02:54PM
Tuesday, August 11, 2020

In Two Renditions, ‘Dutchman’ Speaks to the Moment by Maya Phillips

A Seeing Place Theater production and a Play-PerView reunion reading by the 2007 Cherry Lane Theater cast bring out different aspects of Amiri Baraka’s famous play.

SOURCE: The New York Times Subscription at 03:48PM
Sunday, July 26, 2020

‘In These Uncertain Times’ Review: Love, Loss and Zoom by Maya Phillips

Source Material presents a postmodern approach to talking about grief and isolation in quarantine.

SOURCE: The New York Times Subscription at 03:48PM
Friday, July 17, 2020

‘Richard II’ Review: A Radio King With a Tottering Crown by Maya Phillips

Electric performances, led by André Holland, transcend didacticism in an audio rendition that replaced a Shakespeare in the Park production.

SOURCE: The New York Times Subscription at 04:32PM
Wednesday, July 15, 2020

A Plague on Your Houses: Reading Covid-19 Into Disease Onstage by Maya Phillips

Efforts like ‘The Oedipus Project’ are worthy, but in an attempt to draw contemporary parallels, they can misread drama and mislead about the present.

SOURCE: The New York Times Subscription at 11:03AM
Wednesday, July 8, 2020

‘Hamilton,’ ‘The Simpsons’ and the Problem With Colorblind Casting by Maya Phillips

Animated shows are finally moving away from letting white actors play characters of color. But even well-intentioned efforts at increasing diversity create complications.

SOURCE: The New York Times Subscription at 05:36PM

This Is Theater in 2020. Will It Last? Should It? by Ben Brantley, Jesse Green and Maya Phillips

Our critics discuss the last four months, which thanks to Zoom (and Meryl Streep) have been full of experimentation and playfulness.

SOURCE: The New York Times Subscription at 10:54AM
Wednesday, June 17, 2020

Review: A Bracing Trial by Zoom in ‘State vs. Natasha Banina’ by Maya Phillips

Anchored by a charismatically off-kilter performance, this one-woman show asks viewers to judge a young Russian accused of a crime of passion.

SOURCE: The New York Times Subscription at 02:42PM
Friday, June 12, 2020

12 Streamable Plays That Depict Black Lives Pierced by Racism by Ben Brantley, Jesse Green and Maya Phillips

From the documentary works of Anna Deavere Smith to brief monologues written in this moment of unrest, dramatists are sounding an alarm.

SOURCE: The New York Times Subscription at 07:03PM
Wednesday, March 11, 2020

‘About Love’ Review: Turgenev With Songs and Heartbreak by Maya Phillips

Despite charming performances, a Culture Project production works too hard bringing a delicate novella to the stage.

SOURCE: The New York Times Subscription at 10:42AM
Tuesday, March 3, 2020

‘Incantata’ Review: An Elegy in Words, Video and Potatoes by Maya Phillips

A solo stage adaptation of Paul Muldoon’s poem considers whether making art can offer solace in the wake of grief.

SOURCE: The New York Times Subscription at 01:36PM
Wednesday, February 26, 2020

Review: Name-dropping Harlem in ‘Blues for an Alabama Sky’ by Maya Phillips

The neighborhood is referrred to constantly, insistently, but doesn’t come to life in Pearl Cleage’s play about a nightclub singer from the 1930s.

SOURCE: The New York Times Subscription at 04:03PM
Tuesday, February 18, 2020

‘Where We Stand’ Review: Gifts are Given, but at What Cost? by Maya Phillips

Donnetta Lavinia Grays is winningly uninhibited in her fable-like solo show about a community seduced by a mysterious benefactor.

SOURCE: The New York Times Subscription at 04:24PM
Friday, February 7, 2020

Review: Blood Runs Too Thick in ‘Doctors Jane and Alexander’ by Maya Phillips

Edward Einhorn’s playful play takes on a lot: his scientist grandfather, his aging mother and his own doubts about putting their lives onstage.

SOURCE: The New York Times Subscription at 03:32PM
Monday, November 25, 2019

Review: A ‘Crucible’ for the Modern Mob by Maya Phillips

Eric Tucker updates the allegorical play about the Salem witch trials, directly implicating the audience in its examination of mass hysteria.

SOURCE: The New York Times Subscription at 05:03PM
Thursday, November 14, 2019

‘Black History Museum’ Review: Learn. Laugh. Suffer. Move Along. by Maya Phillips

An immersive play crossed with an art installation offers sharp angles on race and white supremacy, but is dampened by didactism.

SOURCE: The New York Times Subscription at 07:24PM
Thursday, October 24, 2019

‘When It Happens to You’ Review: A Daughter’s Rape, a Mother’s Anguish by Maya Phillips

Tawni O’Dell set herself a bracing challenge: Writing and reliving her family’s trauma onstage. But it’s more than the novelist can pull off.

SOURCE: The New York Times Subscription at 09:03PM
Wednesday, October 9, 2019

Review: Stuck in Maine in ‘Nothing Gold Can Stay’ by Maya Phillips

Friends and family about to be left behind when a young man goes to college reckon with a world of narrow choices in Chad Beckim’s play.

SOURCE: The New York Times Subscription at 06:54PM
Tuesday, October 1, 2019

Review: ‘Katsura Sunshine’s Rakugo’ Offers Stand-Up Comedy Without the Standing by Maya Phillips

Mr. Sunshine is one of the rare Westerners to become a master of the centuries-old Japanese comic storytelling form.

SOURCE: The New York Times Subscription at 03:33PM
Wednesday, September 25, 2019

‘Mothers’ Review: Mommy and Me and the Apocalypse by Maya Phillips

A barbed comedy takes a grim turn when friends find themselves tested over how far they’ll go to defend their choices and protect their children.

SOURCE: The New York Times Subscription at 10:54PM
Wednesday, March 13, 2019

Review: Scripture With the Lunch Lady in ‘Surely Goodness’ by Maya Phillips

Chisa Hutchinson’s earnest morality play spends time with a Newark schoolboy and the brusque cafeteria worker he befriends.

SOURCE: The New York Times Subscription at 09:45PM
Monday, September 10, 2018

Review: A Beatboxer Climbs Up and Out in ‘The Unwritten Law’ by Maya Phillips

In this stage memoir, Chesney Show struggles to balance a powerful personal story with historical heft.

SOURCE: The New York Times Subscription at 02:24PM
Tuesday, April 17, 2018

Review: In ‘ms. estrada,’ Campus Feminists Say No to Sex, Yes to Hip-Hop by Maya Phillips

This “Lysistrata” update at the Flea Theater is consistently lively, but its comic aims are scattershot.

SOURCE: The New York Times Subscription at 04:05PM
Thursday, March 29, 2018

Review: A Bad Romance with Operatic Overtones in ‘Dido of Idaho’ by Maya Phillips

This retelling of the ancient Greek queen’s plight, set in the modern Midwest, is hilarious until it takes a grisly turn.

SOURCE: The New York Times Subscription at 01:26PM
Wednesday, December 20, 2017

Review: A Runaway Slave Rides West in ‘Cross That River’ by Maya Phillips

The show features jazz, blues and country music from Allan Harris, who also plays the title character.

SOURCE: The New York Times Subscription at 05:18PM
Thursday, August 3, 2017

Review: Celebrating a ‘Golden Land’ With a Lot of Song and a Little Mugging by Maya Phillips

The National Yiddish Theater Folksbiene show is at once a rapid-fire revue and a textbook chronology of Jewish history in New York.

SOURCE: The New York Times Subscription at 04:04PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic