Wednesday, December 19, 2012
Rarely have theatre critics doled out so many ill-starred reviews, from the Donmar's Julius Caesar to the Spice Girls' Viva Forever!. Strangely, sometimes producers rely on themAlthough it's…
SOURCE: The Guardian at 10:54AMWednesday, December 12, 2012
New West End shows The Bodyguard and Viva Forever! feature plenty of female whooping at male nudity. Would it be acceptable the other way around?Is it all right for theatregoers to be sexual…
SOURCE: The Guardian at 12:04PMTuesday, December 4, 2012
Saying all-female productions are inauthentic misses the point – Shakespeare's plays have always been gender-bendingThe acting editions published by Samuel French have traditionally specif…
SOURCE: The Guardian at 08:57AMWednesday, November 28, 2012
The Evening Standards' honouring of individual stars such as Simon Russell Beale and Lolita Chakrabarti belies the fact that their productions were ensemble effortsJames Corden began Sunday …
SOURCE: The Guardian at 07:28AMMonday, November 19, 2012
Anya Reiss's new version modernises The Seagull and transplants it to the Isle of Wight. Does the language suffer – and how respectful should adaptations be?Just before seeing a new versio…
SOURCE: The Guardian at 10:11AMTuesday, November 13, 2012
Theatres can't keep asking us to hang about in the dark while actors move house. We may as well go to the cinemaAll performers hope for applause – but the new London West End production of…
SOURCE: The Guardian at 08:33AMMonday, November 5, 2012
It's the done thing on Broadway to shower star names with applause the moment they enter. I can't be the only one to find this tradition ridiculousOn a recent trip to New York, I was depress…
SOURCE: The Guardian at 11:38AMTuesday, October 30, 2012
Like many a printed companion to a play, this column contains spoilers – namely, how dramatists sometimes use programmes to keep audiences in the darkFirst, a warning that this column cont…
SOURCE: The Guardian at 09:17AMTuesday, October 23, 2012
The idea of white actors making themselves up as black is shocking to most of us – and yet a theatre in Germany has seen fit to continue the tradition. Why?Most news stories – government…
SOURCE: The Guardian at 10:27AMThe idea of white actors making themselves up as black is shocking to most of us – and yet a theatre in Germany has seen fit to continue the tradition. Why? Continue reading...
SOURCE: The Guardian at 10:27AMSunday, October 21, 2012
He writes for Doctor Who and Sherlock – now Mark Gatiss is starring as Charles I on stage. He talks to Mark Lawson about overreaching royals, bad auditions and why he's the man to play Jer…
SOURCE: The Guardian at 01:59PMTuesday, October 16, 2012
Radio is a great place to push the boundaries of drama, for playwrights and audiences alike – as recent productions testifyFor a long time, many London West End openings – think Ghost: T…
SOURCE: The Guardian at 03:05AMWednesday, October 3, 2012
Her plays arrive fully formed – and she refuses to talk about what they mean. Mark Lawson talks to actors, directors and her publisher about what really makes Churchill tickSince the death…
SOURCE: The Guardian at 01:44PMCasting well-known names from TV or film has become a sure-fire way of generating ticket sales. But it blinds us to the true depth and breadth of British theatreAlthough theatre reviewing ha…
SOURCE: The Guardian at 11:36AMCasting well-known names from TV or film has become a sure-fire way of generating ticket sales. But it blinds us to the true depth and breadth of British theatre Continue reading...
SOURCE: The Guardian at 11:36AMThursday, September 20, 2012
I'd always been sceptical of site-specific and non-text-based theatre, but Robert Wilson's astonishing Walking won me overAs readers rapidly come to suspect, critics tend to have their preju…
SOURCE: The Guardian at 10:20AMWednesday, September 12, 2012
Some dramatists, such as Caryl Churchill and Debbie Tucker Green, refuse point blank to talk about their work. Is this vow of silence defensible – or detrimental?Before the opening of a ne…
SOURCE: The Guardian at 11:21AMTuesday, September 4, 2012
It's a paradox that the more successful a show or theatre, the more difficult it is to get a ticket. Has Josie Rourke found a cure?Is it possible for a theatre to become too successful? Over…
SOURCE: The Guardian at 06:39AMThursday, August 30, 2012
From Madness frontman Graham McPherson to Falklands veteran Ken Lukowiak, solo shows are all the rage right now. But what makes this the moment of the monologue?It's often been said that eve…
SOURCE: The Guardian at 05:25AMWednesday, August 22, 2012
In search of theatrical immortality? You could get your play on the school syllabus, like Tom Stoppard, mention the US elections or Christmas, like Gore Vidal and Alan Ayckbourn – or just …
SOURCE: The Guardian at 08:27AMTuesday, July 31, 2012
You thought it was innocent family entertainment? Wrong. Danny Boyle's political production would have made Joan Littlewood and the leftwing Theatre Workshop proudDuring the era of agitprop …
SOURCE: The Guardian at 10:17AMTuesday, July 24, 2012
I've somehow notched up 15 different Julius Caesars, 12 Pinter Betrayals, and who knows what else. Where do you stand on seeing shows more than once?Audiences sometimes experience the unfort…
SOURCE: The Guardian at 09:21AMTuesday, July 17, 2012
Picasso, Munch and Gormley have all dabbled, but imagine the inspired collaborations that could result if more major artists turned their talents to stage designThe artists Gilbert & George,…
SOURCE: The Guardian at 11:01AMWednesday, July 11, 2012
Whether it's coalition government, banking or war, scenes or subjects – even apparently inconsequential – can take on a new resonance for audiences in the light of current eventsA direct…
SOURCE: The Guardian at 08:06AMTuesday, July 3, 2012
The sight of Stephen Mangan's prosthetic penis in Joe Penhall's Birthday was too much for preview audiences, who thought it was real. Why can't theatre cope with too much reality?A few weeks…
SOURCE: The Guardian at 08:22AMThe sight of Stephen Mangan's prosthetic penis in Joe Penhall's Birthday was too much for preview audiences, who thought it was real. Why can't theatre cope with too much reality? Continue r…
SOURCE: The Guardian at 08:22AMTuesday, June 26, 2012
Too much publicity threatens the surprise and suspense of narrative art. That is why the Royal Court and the National Theatre have tried to keep quiet the entire content of a playIn the stor…
SOURCE: The Guardian at 06:59AMThursday, June 21, 2012
Julie Walters returns to National stage in The Last of the Haussmans as baby boomer confronted by her adult childrenSubsidised theatres have been under pressure from governments and funding …
SOURCE: The Guardian at 11:18AMTuesday, June 19, 2012
The idea of the epic theatre marathon isn't new – but it raises fascinating questions about how much an audience is prepared to put up withIn Tom Stoppard's one-acter The Real Inspector Ho…
SOURCE: The Guardian at 03:23AMSunday, June 10, 2012
From One Man, Two Guvnors to Noises Off and What the Butler Saw, trouser-dropping and door-slamming is back with a vengeance in the West End and on Broadway. How come?On radio phone-ins at t…
SOURCE: The Guardian at 01:30PMMonday, June 4, 2012
Long test periods for shows are driven by the neurosis of producers. In any case, these days bloggers and tweeters are sharing their verdicts long before the official opening nightIt's rare …
SOURCE: The Guardian at 09:18AM 
