All stories by Mark Lawson on BroadwayStars

Monday, July 29, 2013

Theatre tickets: when did they become so expensive? by Mark Lawson

Premium tickets over £100. A £1,500 access-all-Ayckbourn luxury package. £10,000 for lunch with the director of the National. Welcome to the curious world of the 'premium' theatre ticketW…

SOURCE: The Guardian at 02:00PM
Friday, July 12, 2013

Why the National Theatre could use a history lesson from Richard Eyre by Mark Lawson

A prescient memoir by the theatre's former chief suggests that when it comes to this prestigious yet demanding post, candidates have always been thin on the groundWhen Ronald Reagan was shot…

SOURCE: The Guardian at 03:30AM
Friday, July 5, 2013

When the script doesn't live up to the staging by Mark Lawson

Four recent shows show how design razzmatazz can charm the senses – and also draw attention to holes in the writingIn cinema, the term "high production values" has long been code for the s…

SOURCE: The Guardian at 08:00AM
Wednesday, June 12, 2013

Has David Mamet lost the plot? by Mark Lawson

David Mamet has now had six box-office letdowns in a row. Is Broadway's insatiable desire for big talking-point plays to blame?Critics often commend theatres for going off-piste and staging …

SOURCE: The Guardian at 03:00PM
Friday, May 3, 2013

Long live Viva Forever! and the tradition of musical flops by Mark Lawson

Mamma Mia! it wasn't, but at least Judy Craymer's Spice Girls stageshow escaped the fate of the musical Kelly, which closed on opening nightThe plot of Mel Brooks's 1968 movie The Producers …

SOURCE: The Guardian at 12:20PM
Thursday, April 11, 2013

Hytner's National Theatre: who should run it next? by Mark Lawson

Nicholas Hytner is stepping down as artistic director of the National Theatre. Who will take his place? It's a crowded field – with some surprise inclusionsThe National Theatre's artistic …

SOURCE: The Guardian at 06:39AM
Monday, April 8, 2013

The final curtain: how best to bid farewell to much-loved actors? by Mark Lawson

The stage world's response to the death of Richard Griffiths shows certain theatrical traditions have an enduring relevanceA friend who went to see the Alan Bennett double bill Untold Storie…

SOURCE: The Guardian at 10:07AM
Monday, April 1, 2013

The name game: do play titles matter? by Mark Lawson

Audiences today often don't know the name of a play until just before its run starts. But would you book a ticket for a show without a title?With a new play, audiences never quite know what …

SOURCE: The Guardian at 07:17AM

The name game: do play titles matter? by Mark Lawson

Audiences today often don't know the name of a play until just before its run starts. But would you book a ticket for a show without a title? Continue reading...

SOURCE: The Guardian at 07:17AM
Wednesday, March 20, 2013

Why Chekhov has never been busier by Mark Lawson

With only four great plays to Chekhov's name, what are British theatres to do? Write some new ones, of course ...In the days when record shops existed widely, music fans were prone – as Ni…

SOURCE: The Guardian at 09:26AM
Tuesday, March 12, 2013

Charm offensive: The Book of Mormon comes to London by Mark Lawson

Taboo-busting musical The Book of Mormon isn't anti-Mormon: it also has Jews, Starbucks, gay people and Africans in its sights. As the show debuts in London, Mark Lawson asks its American st…

SOURCE: The Guardian at 03:30PM
Friday, March 8, 2013

Theatre about theatre shows there's no business like show business by Mark Lawson

A Chorus Line – being revived in London – is one of several successful shows that put the focus on theatre itselfReaders and critics are traditionally sniffy about novels about novelists…

SOURCE: The Guardian at 04:30AM
Friday, March 1, 2013

It's hard not to groan when a star pulls out by Mark Lawson

No matter how good the understudy, the withdrawal of a leading name is almost inevitably bad news for a stage productionNormally the question star-seeking theatregoers ask is "Who's in it?" …

SOURCE: The Guardian at 12:39PM

It's hard not to groan when a star pulls out by Mark Lawson

No matter how good the understudy, the withdrawal of a leading name is almost inevitably bad news for a stage production Continue reading...

SOURCE: The Guardian at 12:39PM
Thursday, February 21, 2013

Age on stage: how actors and plays depict the passing of the years by Mark Lawson

Stage actors – with minimal scope for makeup or prosthetics between scenes – tend to find it easier to age down than upThere are various ways of measuring a play: the number of character…

SOURCE: The Guardian at 12:03PM
Monday, February 11, 2013

Authors in search of a character: when playwrights stage themselves by Mark Lawson

With Hymn and Cocktail Sticks, Alan Bennett joins a tradition – including Dario Fo and David Hare – of writers putting versions of themselves into the frayAn American TV viewer once wrot…

SOURCE: The Guardian at 11:09AM
Monday, January 28, 2013

Waiting in the wings: when off-stage characters take over by Mark Lawson

From Simon Gray to Alan Ayckbourn, many playwrights have kept their most interesting roles out of sight – but very much in mindRowan Atkinson dominates the posters for a West End productio…

SOURCE: The Guardian at 11:57AM
Monday, January 21, 2013

Which theatre audiences are the most demanding? by Mark Lawson

Are rich patrons easier to entertain? And are those in the cheap seats more discerning?Coughing, texting, talking and rustling sweets are all ways in which audiences can affect a performance…

SOURCE: The Guardian at 09:38AM
Friday, January 11, 2013

Who'd have a career as a playwright? by Mark Lawson

From John Osborne to Howard Brenton, many fine playwrights have suffered periods of neglect – but, as Peter Nichols's resurgence shows, dramatic fortunes can rise as well as fallIt's notor…

SOURCE: The Guardian at 03:05AM
Tuesday, January 1, 2013

Sondheim and the art of revival: how a show that first flops becomes a hit by Mark Lawson

As Merrily We Roll Along extends its run at the Menier Chocolate Factory, Stephen Sondheim offers rare proof that it's possible to create a show that sinks before it swimsStephen Sondheim's …

SOURCE: The Guardian at 05:44AM

Sondheim and the art of revival: how a show that first flops becomes a hit by Mark Lawson

As Merrily We Roll Along extends its run at the Menier Chocolate Factory, Stephen Sondheim offers rare proof that it's possible to create a show that sinks before it swims Continue reading...

SOURCE: The Guardian at 05:44AM
Wednesday, December 19, 2012

The rise and rise of the one-star theatre review by Mark Lawson

Rarely have theatre critics doled out so many ill-starred reviews, from the Donmar's Julius Caesar to the Spice Girls' Viva Forever!. Strangely, sometimes producers rely on themAlthough it's…

SOURCE: The Guardian at 10:54AM
Wednesday, December 12, 2012

Naked appeal: is it OK to find actors attractive? by Mark Lawson

New West End shows The Bodyguard and Viva Forever! feature plenty of female whooping at male nudity. Would it be acceptable the other way around?Is it all right for theatregoers to be sexual…

SOURCE: The Guardian at 12:04PM
Tuesday, December 4, 2012

War of the sexes: why Shakespeare's parts aren't just for men by Mark Lawson

Saying all-female productions are inauthentic misses the point – Shakespeare's plays have always been gender-bendingThe acting editions published by Samuel French have traditionally specif…

SOURCE: The Guardian at 08:57AM
Wednesday, November 28, 2012

Why theatre awards are the hardest to give by Mark Lawson

The Evening Standards' honouring of individual stars such as Simon Russell Beale and Lolita Chakrabarti belies the fact that their productions were ensemble effortsJames Corden began Sunday …

SOURCE: The Guardian at 07:28AM
Monday, November 19, 2012

Translating The Seagull: how far can you push Chekhov? by Mark Lawson

Anya Reiss's new version modernises The Seagull and transplants it to the Isle of Wight. Does the language suffer – and how respectful should adaptations be?Just before seeing a new versio…

SOURCE: The Guardian at 10:11AM
Tuesday, November 13, 2012

Scene changes – the traffic jams of theatre by Mark Lawson

Theatres can't keep asking us to hang about in the dark while actors move house. We may as well go to the cinemaAll performers hope for applause – but the new London West End production of…

SOURCE: The Guardian at 08:33AM
Monday, November 5, 2012

Showstopping: why Broadway audiences applaud too often by Mark Lawson

It's the done thing on Broadway to shower star names with applause the moment they enter. I can't be the only one to find this tradition ridiculousOn a recent trip to New York, I was depress…

SOURCE: The Guardian at 11:38AM
Tuesday, October 30, 2012

How The River shows the power of a theatre programme by Mark Lawson

Like many a printed companion to a play, this column contains spoilers – namely, how dramatists sometimes use programmes to keep audiences in the darkFirst, a warning that this column cont…

SOURCE: The Guardian at 09:17AM
Tuesday, October 23, 2012

Theatre should turn its back on blackface by Mark Lawson

The idea of white actors making themselves up as black is shocking to most of us – and yet a theatre in Germany has seen fit to continue the tradition. Why?Most news stories – government…

SOURCE: The Guardian at 10:27AM

Theatre should turn its back on blackface by Mark Lawson

The idea of white actors making themselves up as black is shocking to most of us – and yet a theatre in Germany has seen fit to continue the tradition. Why? Continue reading...

SOURCE: The Guardian at 10:27AM