All stories by Mark Lawson on BroadwayStars

Monday, December 23, 2013

Best theatre of 2013, No 7: Ghosts by Mark Lawson

Richard Eyre's production modernised the pacing of Ibsen and in the process made it yet more pertinent to our times• Read Michael Billington's review of Ghosts• Read more from the Best t…

SOURCE: The Guardian at 06:54AM
Friday, December 20, 2013

Why this is the West End's Year of the Three Hitlers by Mark Lawson

The appearance of Hitler in Andrew Lloyd Webber's musical Stephen Ward marks the Führer's third on the London stage this year – but his presence is as shocking as everWhen the Vatican suf…

SOURCE: The Guardian at 01:07PM
Monday, December 9, 2013

What's the secret to running a successful regional theatre? by Mark Lawson

The first-season choices of James Dacre, artistic director of Northampton's Royal & Derngate theatres, embody the possibilities and challenges of drawing local theatregoersRunning one of Bri…

SOURCE: The Guardian at 09:06AM
Tuesday, November 26, 2013

What's the secret to Morecambe & Wise's staying power? by Mark Lawson

With a new tribute on the West End and a BBC1 documentary, Eric and Ernie rival comedy duos Laurel and Hardy or the Marx Brothers for their afterlife. Why do they continue to inspire?Morecam…

SOURCE: The Guardian at 11:35AM

Birgitte Sørenson: power player by Mark Lawson

Best known for her role in Danish drama Borgen, Birgitte Sørenson is about to take to the British stage in Coriolanus. She tells Mark Lawson about doing Shakespeare by Skype and bowing out …

SOURCE: The Guardian at 02:00AM
Wednesday, November 20, 2013

How Jewish artists built Broadway by Mark Lawson

A US documentary asserts that the Broadway musical is almost an exclusively Jewish creation. But is it useful to look at art in this way?A US documentary shown in Britain last week advanced …

SOURCE: The Guardian at 10:13AM

How Jewish artists built Broadway by Mark Lawson

A US documentary asserts that the Broadway musical is almost an exclusively Jewish creation. But is it useful to look at art in this way?A US documentary shown in Britain last week advanced …

SOURCE: The Guardian at 10:13AM
Monday, November 4, 2013

Why musicals are hard work by Mark Lawson

It might be the artifice, or it might be the egos. But everyone from Bernstein to Simon Gray agrees: musical theatre is a nightmare to produceAlthough Fred Ebb – who wrote the lyrics to Jo…

SOURCE: The Guardian at 10:30AM
Tuesday, October 22, 2013

Regime change at the National Theatre: what next? by Mark Lawson

It was a peaceful transition, but new artistic director Rufus Norris will be bound to impose his preferences on the institutionThe most dramatic event in British theatre last week took place…

SOURCE: The Guardian at 05:50AM
Friday, October 4, 2013

Doubling the fun? When actors do two for the price of one by Mark Lawson

Actors playing multiple parts is not only an economic necessity – it's huge fun for the audienceAlthough the main business of Handbagged, Moira Buffini's rightly acclaimed new play, is the…

SOURCE: The Guardian at 11:04AM
Wednesday, September 18, 2013

Secrets of the over-70s acting brigade by Mark Lawson

Medical tests, memory loss, exhaustion . . . acting in your 70s (and 80s) is no picnic. But that's not stopping Vanessa Redgrave, James Earl Jones, Sheila Hancock and Derek Jacobi. Mark Laws…

SOURCE: The Guardian at 03:00AM
Friday, September 13, 2013

Which plays best represent the countries they hail from? by Mark Lawson

Whether it's an Irish Chekhov or an American classic, Mark Lawson finds that boiling down a nation's theatrical tradition to a single work is a difficult businessOne of the panels on the Gre…

SOURCE: The Guardian at 11:33AM
Tuesday, September 10, 2013

Michael Grandage: flops, spats and spliffs by Mark Lawson

Actors on drugs, a booze ban for Derek Jacobi, stars not speaking … as his Midsummer Night's Dream hits the stage, director Michael Grandage tells Mark Lawson his highs and lowsReading a n…

SOURCE: The Guardian at 03:00AM
Tuesday, September 3, 2013

Falling stars: what happens when stage actors are a no-show? by Mark Lawson

From a vanishing Hayley Atwell to a script-reading Oedipus, welcome to the season of the understudyA surprise piece of computer dialogue greets anyone buying tickets online for the current r…

SOURCE: The Guardian at 12:07PM
Monday, July 29, 2013

Theatre tickets: when did they become so expensive? by Mark Lawson

Premium tickets over £100. A £1,500 access-all-Ayckbourn luxury package. £10,000 for lunch with the director of the National. Welcome to the curious world of the 'premium' theatre ticketW…

SOURCE: The Guardian at 02:00PM
Friday, July 12, 2013

Why the National Theatre could use a history lesson from Richard Eyre by Mark Lawson

A prescient memoir by the theatre's former chief suggests that when it comes to this prestigious yet demanding post, candidates have always been thin on the groundWhen Ronald Reagan was shot…

SOURCE: The Guardian at 03:30AM
Friday, July 5, 2013

When the script doesn't live up to the staging by Mark Lawson

Four recent shows show how design razzmatazz can charm the senses – and also draw attention to holes in the writingIn cinema, the term "high production values" has long been code for the s…

SOURCE: The Guardian at 08:00AM
Wednesday, June 12, 2013

Has David Mamet lost the plot? by Mark Lawson

David Mamet has now had six box-office letdowns in a row. Is Broadway's insatiable desire for big talking-point plays to blame?Critics often commend theatres for going off-piste and staging …

SOURCE: The Guardian at 03:00PM
Friday, May 3, 2013

Long live Viva Forever! and the tradition of musical flops by Mark Lawson

Mamma Mia! it wasn't, but at least Judy Craymer's Spice Girls stageshow escaped the fate of the musical Kelly, which closed on opening nightThe plot of Mel Brooks's 1968 movie The Producers …

SOURCE: The Guardian at 12:20PM
Thursday, April 11, 2013

Hytner's National Theatre: who should run it next? by Mark Lawson

Nicholas Hytner is stepping down as artistic director of the National Theatre. Who will take his place? It's a crowded field – with some surprise inclusionsThe National Theatre's artistic …

SOURCE: The Guardian at 06:39AM
Monday, April 8, 2013

The final curtain: how best to bid farewell to much-loved actors? by Mark Lawson

The stage world's response to the death of Richard Griffiths shows certain theatrical traditions have an enduring relevanceA friend who went to see the Alan Bennett double bill Untold Storie…

SOURCE: The Guardian at 10:07AM
Monday, April 1, 2013

The name game: do play titles matter? by Mark Lawson

Audiences today often don't know the name of a play until just before its run starts. But would you book a ticket for a show without a title?With a new play, audiences never quite know what …

SOURCE: The Guardian at 07:17AM

The name game: do play titles matter? by Mark Lawson

Audiences today often don't know the name of a play until just before its run starts. But would you book a ticket for a show without a title? Continue reading...

SOURCE: The Guardian at 07:17AM
Wednesday, March 20, 2013

Why Chekhov has never been busier by Mark Lawson

With only four great plays to Chekhov's name, what are British theatres to do? Write some new ones, of course ...In the days when record shops existed widely, music fans were prone – as Ni…

SOURCE: The Guardian at 09:26AM
Tuesday, March 12, 2013

Charm offensive: The Book of Mormon comes to London by Mark Lawson

Taboo-busting musical The Book of Mormon isn't anti-Mormon: it also has Jews, Starbucks, gay people and Africans in its sights. As the show debuts in London, Mark Lawson asks its American st…

SOURCE: The Guardian at 03:30PM
Friday, March 8, 2013

Theatre about theatre shows there's no business like show business by Mark Lawson

A Chorus Line – being revived in London – is one of several successful shows that put the focus on theatre itselfReaders and critics are traditionally sniffy about novels about novelists…

SOURCE: The Guardian at 04:30AM
Friday, March 1, 2013

It's hard not to groan when a star pulls out by Mark Lawson

No matter how good the understudy, the withdrawal of a leading name is almost inevitably bad news for a stage productionNormally the question star-seeking theatregoers ask is "Who's in it?" …

SOURCE: The Guardian at 12:39PM

It's hard not to groan when a star pulls out by Mark Lawson

No matter how good the understudy, the withdrawal of a leading name is almost inevitably bad news for a stage production Continue reading...

SOURCE: The Guardian at 12:39PM
Thursday, February 21, 2013

Age on stage: how actors and plays depict the passing of the years by Mark Lawson

Stage actors – with minimal scope for makeup or prosthetics between scenes – tend to find it easier to age down than upThere are various ways of measuring a play: the number of character…

SOURCE: The Guardian at 12:03PM
Monday, February 11, 2013

Authors in search of a character: when playwrights stage themselves by Mark Lawson

With Hymn and Cocktail Sticks, Alan Bennett joins a tradition – including Dario Fo and David Hare – of writers putting versions of themselves into the frayAn American TV viewer once wrot…

SOURCE: The Guardian at 11:09AM
Monday, January 28, 2013

Waiting in the wings: when off-stage characters take over by Mark Lawson

From Simon Gray to Alan Ayckbourn, many playwrights have kept their most interesting roles out of sight – but very much in mindRowan Atkinson dominates the posters for a West End productio…

SOURCE: The Guardian at 11:57AM

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