All stories by Maddy Costa on BroadwayStars

Wednesday, July 18, 2012

The Tiger Who Came to Tea – review by Maddy Costa

Lyric, Shaftesbury Avenue, LondonIf there were a checklist for what comprises great children's theatre, David Wood's adaptation of Judith Kerr's note-perfect picture book would tick a lot of…

SOURCE: The Guardian at 12:55PM
Monday, July 16, 2012

The Trojan War and Peace – review by Maddy Costa

Scoop, LondonAlmost everything about this dramatisation of the Trojan war is true to the spirit of ancient Greece: the uncomfortable seats, the imposing surroundings, the splicing of burlesq…

SOURCE: The Guardian at 01:00PM
Friday, July 13, 2012

Mack and Mabel – review by Maddy Costa

Southwark Playhouse, LondonDirector Thom Southerland has a long history with Mack and Mabel: he worked on it first in 2005, as an assistant on a stripped-back production in Newbury that tran…

SOURCE: The Guardian at 10:38AM
Wednesday, May 30, 2012

Singing in the rain: Regent's Park musicals hit the high notes by Maddy Costa

Once home to nothing more innovative than A Midsummer Night's Dream, Regent's Park theatre is not only producing some of London's best musicals – it's beating the West End at its own gameA…

SOURCE: The Guardian at 05:04AM
Monday, May 28, 2012

How we made ... Harvey Fierstein and Antony Sher on Torch Song Trilogy by Maddy Costa

The writer and star of the groundbreaking show on the drag queen no one could resistHarvey Fierstein, playwrightAs soon as I started writing, other writers stopped wanting me acting in their…

SOURCE: The Guardian at 02:07PM
Tuesday, May 22, 2012

Romeo and Juliet – review by Maddy Costa

Shakespeare's Globe, LondonGrupo Galpão's rough-and-tumble production of Romeo and Juliet has been at the Globe before, 12 years ago, and you can see why the Brazilians were invited back. C…

SOURCE: The Guardian at 10:09AM
Wednesday, May 16, 2012

Three Kingdoms: the shape of British theatre to come? by Maddy Costa

The play has split critics. But between rankled newspaper reviewers or enthusiastic bloggers, who is right?There are plays that divide critics, and then there is Three Kingdoms. Depending on…

SOURCE: The Guardian at 09:35AM
Monday, May 7, 2012

Amy Lamé: 'Morrissey had better not turn up' by Maddy Costa

Will the Smiths singer come to her Unhappy Birthday? Maddy Costa meets the woman who has turned her Smiths obsession into a play'Being a Morrissey fan is not the easiest thing in the world,"…

SOURCE: The Guardian at 02:30PM
Monday, April 16, 2012

RSC's King John throws women into battle by Maddy Costa

Shakespeare lived in a man's world – but the RSC is recasting his 'battle play' King John with women in the thick of the actionLike many 21st-century women, theatre director Maria Aberg do…

SOURCE: The Guardian at 01:29PM
Monday, March 19, 2012

How we made: Alan Ayckbourn and Christopher Godwin on Absurd Person Singular by Maddy Costa

'The rehearsals were hysterical. Sometimes they just fell apart because it was so funny'Alan Ayckbourn, directorMy play Absurd Person Singular, now 40 years old, was a step in the direction …

SOURCE: The Guardian at 02:12PM
Tuesday, March 6, 2012

Michael Frayn: the snowball effect by Maddy Costa

Michael Frayn has written journalism, novels, plays, a memoir – and he's still tapping farce's anarchic energy. He tells Maddy Costa why he loves a challengeMichael Frayn is momentarily pu…

SOURCE: The Guardian at 04:30PM
Tuesday, February 21, 2012

Uninvited Guests let the audience call the shots by Maddy Costa

Fancy playing a banker or a murderer? Maddy Costa meets a company that has found a novel way of making audiences feel good about bad newsIt's a truism that what sets theatre apart from cinem…

SOURCE: The Guardian at 04:46PM
Monday, January 23, 2012

Jaime Winstone and Russell Tovey: the start of something beautiful by Maddy Costa

Jaime Winstone and Russell Tovey are old friends, and about to co-star in a new play about a one-night stand. They talk to Maddy Costa Continue reading...

SOURCE: The Guardian at 04:30PM
Tuesday, January 17, 2012

The Taming of the Shrew: 'This is not a woman being crushed' by Maddy Costa

An exercise in misogyny – or a love story about a man liberating a woman? As the RSC stages The Taming of the Shrew, Maddy Costa asks actors and directors how they read the playA man acqui…

SOURCE: The Guardian at 04:30PM

The Taming of the Shrew: 'This is not a woman being crushed' by Maddy Costa

An exercise in misogyny or a love story about a man liberating a woman? As the RSC stages The Taming of the Shrew, Maddy Costa asks actors and directors how they read the play Continue read…

SOURCE: The Guardian at 04:30PM
Friday, November 11, 2011

Festen – review by Maddy Costa

Pit, LondonFor Romanian director Vlad Massaci, Thomas Vinterberg's 1998 film Festen is more than the tale of a family detonated by revelations of parental abuse: it's a metaphor for social a…

SOURCE: The Guardian at 10:20AM
Tuesday, November 8, 2011

The Changeling – review by Maddy Costa

Southwark Playhouse, LondonThe problem directors of Middleton and Rowley's play face is how to fuse its parallel plots: the seething, seedy tragedy of Beatrice-Joanna and the three men she e…

SOURCE: The Guardian at 01:45PM
Monday, November 7, 2011

Ontroerend Goed: Are you sitting uncomfortably? by Maddy Costa

They've blindfolded, betrayed and baffled audiences. Are the Belgian collective now taking immersive theatre a step too far?Alexander Devriendt was at a standup show with his girlfriend a co…

SOURCE: The Guardian at 04:44PM

A British Subject - review by Maddy Costa

Arts Theatre, LondonThose of a churlish disposition might describe A British Subject as a vanity project. The play details the dogged humanitarian efforts of actor Nichola McAuliffe and her …

SOURCE: The Guardian at 01:30PM
Friday, November 4, 2011

Camille by Maddy Costa

Hackney Empire, LondonA child is on stage, its rigid body rocking as it speed-chants a poem. A man and woman are arguing about love, and a bored housewife is regretting her move to…

SOURCE: The Guardian at 01:25PM
Tuesday, October 18, 2011

Mike Bartlett: Earthquakes everywhere by Maddy Costa

Climate change, religious unrest, war in the Arab states – playwright Mike Bartlett likes nothing better than a big theme. He tells Maddy Costa why excess is his watchwordEvery piece of th…

SOURCE: The Guardian at 05:00PM
Sunday, October 9, 2011

Edward Bond's Saved: 'We didn't set out to shock' by Maddy Costa

With its swearing and its baby-stoning, Saved shocked Britain in 1965. Will the play do so again? Maddy Costa talks to the original cast – and asks Edward Bond why he finally allowed a rev…

SOURCE: The Guardian at 04:31PM
Wednesday, September 28, 2011

Conor McPherson: drawing on supernatural resources by Maddy Costa

He rattled audiences with plays about ghosts and devils. Now Conor McPherson has found new inspiration – in transcendental German philosophyTo say Conor McPherson is fascinated by the supe…

SOURCE: The Guardian at 05:00PM
Tuesday, September 6, 2011

Franz Ferdinand's Tempest puppet show by Maddy Costa

Franz Ferdinand and a Bavarian puppeteer are shaking up The Tempest in The Isle is Full of Noises. Maddy Costa reportsAs rehearsals for The Tempest go, the scene in London's Sausage Studios …

SOURCE: The Guardian at 05:00PM
Friday, September 2, 2011

The God of Soho – review by Maddy Costa

Shakespeare's Globe, LondonIt's a mark of the chutzpah of playwright Chris Hannan, director Raz Shaw, and indeed everyone involved in The God of Soho, that the big song-and-dance number at t…

SOURCE: The Guardian at 01:00PM
Wednesday, July 27, 2011

The Beauty Queen of Leenane – review by Maddy Costa

Young Vic, LondonYou can scent the outcome of Martin McDonagh's 1996 debut play as surely as visitors to the home of Mag and Maureen Folan can smell pee in the kitchen sink. This tale of a c…

SOURCE: The Guardian at 01:30PM
Monday, July 25, 2011

On the Record – review by Maddy Costa

Arcola, LondonThe timing of this production from Ice & Fire, theatre's answer to Amnesty International, could hardly be more felicitous. While the phone-hacking scandal continues to dominate…

SOURCE: The Guardian at 01:25PM
Sunday, July 17, 2011

Edinburgh festival 2011: 'The day I set fire to my venue' by Maddy Costa

Edinburgh fringe veterans share their past experiences and highlight their picks for 2011Mark Ravenhill, playwrightIn 1987, I set fire to my venue. It rained all the time, so my clothes were…

SOURCE: The Guardian at 04:45PM
Monday, June 27, 2011

Damian Lewis: Top of the cops by Maddy Costa

He made his name playing troubled soldiers and driven detectives. Why has success left Damian Lewis so unsatisfied? He talks heroism and home life with Maddy CostaSubtlety and restraint ar…

SOURCE: The Guardian at 04:29PM
Tuesday, June 7, 2011

Open House: Something from nothing by Maddy Costa

Director Chris Goode is opening a play next week. But he doesn't know what it's about. Or who's writing it. He explains all to Maddy CostaTheatre, as its makers like to emphasise, is a colla…

SOURCE: The Guardian at 04:59PM
Thursday, June 2, 2011

The Four Stages of Cruelty – review by Maddy Costa

Arcola, LondonPublished in 1751 for distribution among London's lower orders, William Hogarth's illustrations of the Four Stages of Cruelty contained a blunt moral message: don't stick an ar…

SOURCE: The Guardian at 12:08PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards