All stories by Lyndsey Winship on BroadwayStars

Wednesday, August 24, 2022

Blues, Jews and Ukrainian ballet: the best theatre, dance and comedy of autumn 2022 by Arifa Akbar, Lyndsey Winship and Brian Logan

Samira Wiley makes her UK stage debut, there’s an urgent counter to antisemitism, plus a fourth King James, refugee dancers and comedic returns Continue reading...

SOURCE: The Guardian at 09:33AM

English National Ballet announces Aaron Watkin as new artistic director by Lyndsey Winship

The 52-year-old Canadian will succeed Tamara Rojo in August 2023 and arrives after 16 years as artistic director of Semperoper Ballett in Dresden “Diversity of people and repertoire are at…

SOURCE: The Guardian at 07:18AM
Tuesday, August 23, 2022

Ballet and bombs: how Ukraine’s dance stars are defying Putin from the Hague by Lyndsey Winship

Using borrowed sets and costumes, the United Ukrainian Ballet – led by ex-Bolshoi director Alexei Ratmansky – are rehearsing a Giselle they hope will do more than just thrill UK audience…

SOURCE: The Guardian at 05:07PM
Sunday, August 21, 2022

The Rest of Our Lives review – a blueprint for happiness by Lyndsey Winship

Summerhall, EdinburghDancer Jo Fong larks about with clown and circus director George Orange in a manic affront to middle age that swings from absurd to tender to life-affirming Bounding in…

SOURCE: The Guardian at 05:12PM

An Untitled Love review – a delicious slice of African American life by Lyndsey Winship

King’s theatre, EdinburghThe music of D’Angelo sets the mood for inimitable choreographer Kyle Abraham’s intimate house party production The music of 90s neo-soul star D’Angelo is sp…

SOURCE: The Guardian at 01:49PM

Liz Lea: Red review – the pain and power of living with endometriosis by Lyndsey Winship

Dance Base, EdinburghDancers push their bodies to the fine line between good pain and bad – which makes things complicated when the body stops behaving, as Lea’s smart show explores Ther…

SOURCE: The Guardian at 01:43AM
Tuesday, August 16, 2022

‘There’s a lot of laughter, a lot of joy’: Kyle Abraham on the family parties that inspired his new dance show by Lyndsey Winship

Best known for tackling subjects such as injustice and violence, the choreographer is channelling happier memories with An Untitled Love Growing up in Pittsburgh in the 1980s and 90s, Kyle A…

SOURCE: The Guardian at 06:54AM

Tomato review – fruity show is ripe for the Edinburgh fringe by Lyndsey Winship

Summerhall, EdinburghVeering between danger and comedy, Chou Kuan-Jou’s exploration of sexuality has some potent ideas and clever mood shifts Three semi-nude performers writhing around the…

SOURCE: The Guardian at 06:54AM
Monday, August 15, 2022

Scottish Ballet: Coppélia review – hi-tech makeover for dusty ballet by Lyndsey Winship

Festival theatre, EdinburghThe twee 19th-century tale is dazzlingly transposed to a Silicon Valley landscape, where Dr Coppélius is building an AI creation in corporeal form Narrative balle…

SOURCE: The Guardian at 10:12AM
Thursday, August 11, 2022

Aakash Odedra: ‘The world outside didn’t match my world within – dance was a saviour’ by Lyndsey Winship

The co-creator of Samsara recalls leaving Birmingham for India aged 15 in pursuit of his dreams – and how he met fellow dancer Hu Shenyuan, on a similar quest from China When Aakash Odedra…

SOURCE: The Guardian at 07:37AM
Wednesday, August 3, 2022

Alan Cumming: ‘You’d be shocked by the messages Miriam Margolyes and I leave each other!’ by Lyndsey Winship

As he brings his one-man show about ‘rockstar’ poet Robert Burns to the Edinburgh festival, the star talks about desire, debauchery and dancing in his 50s There can’t be many people ha…

SOURCE: The Guardian at 05:54AM
Friday, July 29, 2022

L-E-V: Dark in the House review – an intoxicating dance dystopia by Lyndsey Winship

Bold Tendencies, LondonA new programme designed for this brute concrete space brings Sharon Eyal’s unsettling vision into full focus The first time I saw the work of L-E-V, I was floored. …

SOURCE: The Guardian at 11:07AM
Tuesday, July 19, 2022

‘I put my trauma on display’ – Keala Settle on hating her signature song This Is Me by Lyndsey Winship

Her rendition of the bearded lady’s number from The Greatest Showman caused a sensation. But, as the Hawaiian-born star joins Sister Act, she reveals how the reaction may have contributed …

SOURCE: The Guardian at 11:48AM
Sunday, July 17, 2022

Youth movement: a new generation of dance talent comes of age by Lyndsey Winship

Recent performances by the National Youth Dance Company and the Royal Ballet School showcased dancers whose technique, physical commitment and emotional maturity belie their age The National…

SOURCE: The Guardian at 09:03AM
Friday, July 8, 2022

Boogie wonderland: dance is at the heart of Everything I Know About Love by Lyndsey Winship

The TV adaptation of Dolly Alderton’s memoir depicts the triumph of female friendship in its characters’ dazzling and defiant urge to make the world their dancefloor The TV adaptation of…

SOURCE: The Guardian at 05:54AM
Wednesday, July 6, 2022

Edinburgh festival 2022: 50 shows to see by Brian Logan, Mark Fisher and Lyndsey Winship

Phil Wang makes a heroic return, Ian McKellen stars in a balletic Hamlet and Sophie Duker is gleefully carefree. Here are our picks of the festival’s comedy, theatre and dance 20 great Ed…

SOURCE: The Guardian at 06:37AM
Sunday, July 3, 2022

Compañia María Pagés: An Ode to Time review – flamenco’s grande dame flies by Lyndsey Winship

Sadler’s Wells, LondonPagés breathes new life into flamenco’s roots as she performs with the full spectrum of emotion in a thoughtful, history-spanning work Dancers have an interesting …

SOURCE: The Guardian at 09:48AM
Sunday, June 26, 2022

A mighty groove: Sadler’s Wells sets up new dance home in east London by Lyndsey Winship

Due to open in Stratford next year, the sibling to the Islington institution will have a special emphasis on local talent, hip-hop and artists of colour The sun is beaming across London’s …

SOURCE: The Guardian at 02:48PM

Miin: Body to Body review – Korean feminism 101 by Lyndsey Winship

The Place, LondonChoreographer Cha Jinyeob’s intimate and at times opaque exploration of womanhood Seoul-based choreographer Cha Jinyeob has been a judge on Korea’s version of Strictly C…

SOURCE: The Guardian at 12:36PM
Friday, June 24, 2022

Birmingham Royal Ballet: On Your Marks! review – Carlos Acosta sketches a bright future by Lyndsey Winship

Birmingham HippodromeThe director manages to stretch ballet’s mould while retaining mass-market appeal with an exhilarating summer triple bill As Birmingham Royal Ballet director Carlos Ac…

SOURCE: The Guardian at 08:54AM
Wednesday, June 22, 2022

Compañia Manuel Liñán: ¡Viva! review – unbridled all-male flamenco by Lyndsey Winship

Sadler’s Wells, LondonThis company of six men show playfulness and humour, but also serious and passionate self-expression As a boy, Manuel Liñán used to love to try on dresses and dance…

SOURCE: The Guardian at 05:37PM
Wednesday, June 8, 2022

Edinburgh fringe 2022: 20 theatre, comedy and dance shows you shouldn’t miss by Brian Logan, Catherine Love, Mark Fisher, Anya Ryan, Rachael Healy, Kate Wyver, Claire Armitstead, Arifa Akbar and Lyndsey Winship

In the first of our festival previews, we round up some of the best offerings we’ve already reviewed – including Tim Key, Liz Kingsman, La Clique and Hungry This searing, sweaty disco is…

SOURCE: The Guardian at 03:48AM
Friday, June 3, 2022

Like Water for Chocolate review – Christopher Wheeldon’s delectable take on a magic-realist love story by Lyndsey Winship

Royal Opera House, LondonWheeldon choreographs Mexican novelist Laura Esquivel’s 1989 tale of food and forbidden passions into a fulfilling ballet full of buoyant movement and visually ar…

SOURCE: The Guardian at 07:06AM
Wednesday, June 1, 2022

AIM by Kyle Abraham review – a genre-defying picture of life and hope by Lyndsey Winship

Sadler’s Wells, LondonThe rightly revered US choreographer returns with an enigmatic piece that blends Mozart with Afrofuturism and feels experimental but authentic Very few choreographer…

SOURCE: The Guardian at 11:07AM
Sunday, May 29, 2022

Carmen review – Osipova’s temptress stretches stage fiction and reality by Lyndsey Winship

Queen Elizabeth Hall, LondonStar dancer Natalia Osipova oozes drama in contemporary version of Bizet exploring backstage jealousy and on-stage attraction Natalia Osipova has danced many pass…

SOURCE: The Guardian at 09:54AM
Thursday, May 26, 2022

Christopher Wheeldon: ‘Most boys at ballet school were closeted, terrified our parents would disown us’ by Lyndsey Winship

As his version of Like Water for Chocolate opens at the Royal Opera House, the choreographer talks about how the ballet world is changing – and why he took on the Michael Jackson musical O…

SOURCE: The Guardian at 09:24AM
Wednesday, May 25, 2022

Written in the Body review – subtle meditation on the sense of touch by Lyndsey Winship

Attenborough Centre for the Creative Arts, BrightonChoreographer Charlotte Spencer probes our experience of the world via our bodies, skin and hands It was a post-lockdown cliche to say we w…

SOURCE: The Guardian at 09:18AM
Tuesday, May 24, 2022

Circa: Sacre review – an original and awesome Stravinsky reboot by Lyndsey Winship

Theatre Royal, BrightonAustralian circus group Circa debuts a beautifully detailed interpretation of The Rite of Spring Since Nijinsky’s riot-inducing premiere of Le Sacre du Printemps (Th…

SOURCE: The Guardian at 08:06AM
Thursday, May 19, 2022

High hoops: how two brothers became Africa’s biggest circus duo by Lyndsey Winship

Bibi and Bichu Tesfamariam went from juggling at school in Ethiopia to dazzling audiences with their circus skills around the world. So what’s next? It all started with three oranges. One …

SOURCE: The Guardian at 11:12AM

Rambert review – whirlwinds of wow by Lyndsey Winship

Sadler’s Wells, LondonThe company’s touring triple bill is a showcase of individual brilliance that testifies to the sure creative hand of artistic director Benoit Swan Pouffer When arti…

SOURCE: The Guardian at 06:37AM
Wednesday, May 18, 2022

Grease review – room-filling energy, nostalgia and first-rate tunes by Lyndsey Winship

Dominion theatre, LondonThe unreconstructed sexism remains but so too do the big song and dance numbers in a production featuring Peter Andre If you don’t like the idea of joining an entir…

SOURCE: The Guardian at 08:03AM