All stories by Lyndsey Winship on BroadwayStars

Thursday, November 23, 2023

Rambert: Death Trap review – a double bill of despair from Ben Duke by Lyndsey Winship

Sadler’s Wells, LondonThe 2017 piece Goat, made in the aftermath of London terror attacks, loses its way but last year’s Cerberus is a powerful account of grief Rambert is a dance compan…

SOURCE: The Guardian at 10:36AM
Wednesday, November 15, 2023

Van Huynh Company: Re:birth review – a swirling portrayal of the exhaustion of exile by Lyndsey Winship

The UK-based Vietnamese dancer and choreographer stages a piece inspired by the horror and dislocation of war with experimental vocals from Elaine Mitchener Choreographer Dam Van Huynh was a…

SOURCE: The Guardian at 06:36AM
Tuesday, November 14, 2023

Let it all out! Tears for Fears inspire ‘utopian’ dance show by Lyndsey Winship

Emmanuel Gat explains why it’s easier to choreograph to Pierre Boulez than pop music and how his dancers perform ‘with a question mark not an exclamation mark’ ‘All around me are fam…

SOURCE: The Guardian at 02:12AM
Sunday, November 12, 2023

The Black Saint and the Sinner Lady review – dancers take the audience with them on a wild jazz ride by Lyndsey Winship

Shoreditch Town Hall, LondonThe slinky grooves of Charles Mingus animate the expressive dancers of Clod Ensemble, who sweep up the crowd in a joyful celebration of movement “It’s not abo…

SOURCE: The Guardian at 01:06PM
Monday, November 6, 2023

Rhiannon Faith: ‘A lot of people feel more like they’re being watched than seen’ by Lyndsey Winship

The dance-theatre creator explains how she builds community through performance and how her new work, Lay Down Your Burdens, explores shame, trauma and anxiety Rhiannon Faith has built her o…

SOURCE: The Guardian at 03:18AM
Sunday, November 5, 2023

Nutcracker review – a Christmas dream of love that goes with a swing by Lyndsey Winship

Tuff Nutt Jazz Club, Southbank Centre, LondonA hunky Action Man opens up a sequin-clad life for the protagonist of Drew McOnie’s jazzy, out-and-proud take on Tchaikovsky’s ballet The run…

SOURCE: The Guardian at 08:54PM
Friday, November 3, 2023

Zona Franca review – a fleet-footed favela dance party by Lyndsey Winship

Queen Elizabeth Hall, LondonWith incredible moves from Rio’s Cia Suave, Alice Ripoll choreographs a joyful celebration of young lives The party has started on stage before we’ve even sat…

SOURCE: The Guardian at 10:18AM
Tuesday, October 31, 2023

Maud Le Pladec: 27 Perspectives review – dizzying deconstruction of a Schubert symphony by Lyndsey Winship

Sadler’s Wells, LondonA loose, casual dance based on an artist’s interpretation of a Cézanne painting via a Pete Harden score is full of ideas that often feel out of sync You could wat…

SOURCE: The Guardian at 09:07AM
Monday, October 30, 2023

Northern Rascals: Shed review – everyday realities are danced out within four confining walls by Lyndsey Winship

The Place, LondonThe set is a claustrophobic flat, the clothes are baggy, the prop is a gaming console … this three-part show lets us peer into its characters’ lives There’s something…

SOURCE: The Guardian at 04:55AM
Monday, October 23, 2023

The Limit review – oppressed pair make words and steps count by Lyndsey Winship

Royal Opera House, LondonSam Steiner’s play, set in a world of rationed speech, lends itself to movement, and the dancers here also retain the dialogue, fusing the forms with quiet grace A…

SOURCE: The Guardian at 07:37PM
Friday, October 20, 2023

‘We just roll up our sleeves and do it’: Belfast’s dynamic DIY dance scene by Lyndsey Winship

Our regional dance series continues in Northern Ireland where, despite little funding, the capital has produced a European star in Oona Doherty – with more on the way ‘This is still a se…

SOURCE: The Guardian at 09:19AM
Thursday, October 19, 2023

Free Your Mind review – Danny Boyle’s Matrix reboot is a thrilling shock to the system by Lyndsey Winship

Aviva Studios, ManchesterThe director’s collaboration with hip-hop dance company Boy Blue, designer Es Devlin and writer Sabrina Mahfouz conveys the march of AI There are some shows that a…

SOURCE: The Guardian at 04:55AM
Sunday, October 15, 2023

Aditi Mangaldas: Forbidden review – a post-menopausal play for sexual pleasure by Lyndsey Winship

Sadler’s Wells, LondonLeading Indian kathak performer Mangaldas explores her desire and confronts the double standards around men’s and women’s sexuality Is it audacious for a 63-year-…

SOURCE: The Guardian at 10:43AM
Thursday, October 12, 2023

Pam Tanowitz and David Lang: Song of Songs review – turning on the lights by Lyndsey Winship

Barbican, LondonMeditation on the Bible’s great love poem can feel opaque but it is performed with great precision and set to a bewitching score There’s something unsolvable about Pam Ta…

SOURCE: The Guardian at 07:33AM
Sunday, October 8, 2023

Dance Umbrella review – yoga poses, a vibrator and an all-points breakdance battle by Lyndsey Winship

The Place/Somerset House, LondonHighlights of the opening weekend of the annual month-long dance festival included an arresting piece about gender expectations by Taiwan’s Su PinWen and an…

SOURCE: The Guardian at 01:25PM
Monday, October 2, 2023

Choreographer Pam Tanowitz: ‘I’m a neurotic Jew, waiting for something bad to happen’ by Lyndsey Winship

Despite her work being described as the greatest dance theatre of the century, Tanowitz can still be found ‘backstage, throwing up’ before shows. Will her new production, based on a Hebr…

SOURCE: The Guardian at 04:07AM
Sunday, October 1, 2023

Don Quixote review – sunshine, warmth and dazzling technique from the Royal Ballet by Lyndsey Winship

Royal Opera House, LondonWith its stellar leads and lively background action, this sprightly revival of Carlos Acosta’s revised staging is a celebration of the pleasure of classical dance …

SOURCE: The Guardian at 07:55AM
Thursday, September 28, 2023

Black Sabbath: The Ballet review – riveting riffs, endless kisses and flying limbs by Lyndsey Winship

Birmingham HippodromeThree choreographers use inspiringly orchestrated tracks from the city’s heavy metal legends to spring some surprises What on earth does a Black Sabbath ballet look li…

SOURCE: The Guardian at 09:04AM
Wednesday, September 27, 2023

‘I didn’t want to be Bubbly Bonnie Langford for ever’ – the star relives her career highs and lows by Lyndsey Winship

In showbiz since the age of six, and still high-kicking at 59, the screen and stage sensation looks back on her biggest moments – from Cats to Doctor Who to the ‘madness’ of The Masked…

SOURCE: The Guardian at 11:19AM
Friday, September 22, 2023

English National Ballet: Our Voices review – an apocalyptic maelstrom of movement by Lyndsey Winship

Sadler’s Wells, LondonDancers in flight exist in a different realm in an absorbing Les Noces, reimagined as a sequel to The Rite of Spring, in this triple bill from a company really pushin…

SOURCE: The Guardian at 09:33AM
Tuesday, September 19, 2023

‘Why don’t we know more of her? It’s upsetting’: dance genius Bronislava Nijinska by Lyndsey Winship

Created 100 years ago, Nijinska’s ballet Les Noces is a feminist masterpiece. Andrea Miller, who has choreographed a new version using Stravinsky’s music and art by Phyllida Barlow, hail…

SOURCE: The Guardian at 04:25PM
Tuesday, September 12, 2023

Johaar Mosaval obituary by Lyndsey Winship

The first dancer of colour to join the Sadler’s Wells Theatre Ballet whose ballet school in Cape Town was closed in the 1970s as he refused to operate under apartheid rulesThe South Africa…

SOURCE: The Guardian at 03:33PM
Sunday, September 10, 2023

Northern Ballet: Generations review – Tiler Peck premieres an intricate work of lyrical yearning by Lyndsey Winship

Stanley & Audrey Burton theatre, LeedsIntimate Pages, the newest piece by the US dance star turned choreographer, is the inventive highlight of an adventurous triple bill New York City B…

SOURCE: The Guardian at 10:49AM
Sunday, August 27, 2023

‘A cultural explosion’: the West Yorkshire chapel that is a wellspring of dance by Lyndsey Winship

Our series on regional dance scenes continues with a visit to Hebden Bridge, where a range of left-field choreographers have put on work Donna Summer’s I Feel Love kicks in and everybody�…

SOURCE: The Guardian at 05:25PM
Friday, August 25, 2023

Choreographer Alexei Ratmansky: ‘I don’t want my ballet to be staged in Russia ever again’ by Lyndsey Winship

When the Ukrainian invasion began, the ballet great left a show at the Bolshoi in protest. Here he reconsiders his past ties with Russia and the silence of the cultural elite in the country …

SOURCE: The Guardian at 01:07PM
Thursday, August 24, 2023

Alvin Ailey American Dance Theater review – extraordinary soul-stirring dance by Lyndsey Winship

Festival theatre, EdinburghThe American company brought Ailey’s legendary Revelations, still hugely powerful after 65 years, alongside modern pieces of precision and fire The thing about …

SOURCE: The Guardian at 08:55AM
Wednesday, August 23, 2023

I’m Muslamic – Don’t Panik review – a warm-hearted, gently political journey by Lyndsey Winship

Assembly @ Dance Base, EdinburghBobak Champion is a storyteller who dances from one character to another in these travels between Bristol and Tehran There is a fragrant scent when you walk i…

SOURCE: The Guardian at 03:43PM

Starry Shakespeare, super standups and a Black Sabbath ballet: the best theatre, dance and comedy of autumn 2023 by Arifa Akbar, Brian Logan and Lyndsey Winship

Patsy Ferran takes on Eliza in Pygmalion, Andrew Scott plays multiple characters from Uncle Vanya and Mlima’s Tale tells a powerful tale of the ivory trade. Here’s what’s in store on s…

SOURCE: The Guardian at 03:55AM
Monday, August 21, 2023

Duet with a doppelganger: Edinburgh fringe dances to a different tune by Lyndsey Winship

The festival’s Dance Base hosts eclectic performances involving a wondrous paper sculpture, an examination of duality and Bach reimagined There are more shows at the fringe than you could …

SOURCE: The Guardian at 06:04AM
Sunday, August 20, 2023

Mass Effect review – a wild dance towards naked truth by Lyndsey Winship

Summerhall, EdinburghThis life-affirming show from the Danish company Himherandit Productions moves from HIIT class to bacchanale We’re two minutes in and already those of us sitting down …

SOURCE: The Guardian at 01:43PM

Dances Like a Bomb review – age-old questions of bad elastic, death and hypnosis by gin by Lyndsey Winship

Zoo Southside, EdinburghMikel Murfi and Finola Cronin have laughs, despair and arresting moments of connection in a dance-theatre show about the realities of ageing The flub, that’s what …

SOURCE: The Guardian at 08:19AM