In Toronto, the head of the country’s largest opera company faces one of his greatest challenges: With less than a fifth of funding coming from the government, Alexander Neef must persiste…
SOURCE: The Globe and Mail at 06:00AMOne goes to an Opera Atelier production knowing what to expect, this Figaro, however, is different
SOURCE: The Globe and Mail at 04:27PMThe bel canto ‘comedies’ require a lot of elements to come together, and this surprisingly unambitious production doesn’t quite have them
SOURCE: The Globe and Mail at 03:22PMDirector of Toronto’s first performance of the opera sees the story as an expression of its librettist’s political ideals
SOURCE: The Globe and Mail at 03:17PM