All stories by Laura Peatman on BroadwayStars

Monday, January 12, 2015

Review: Ivy and Joan by Laura Peatman

The Jermyn Street Theatre is a hidden gem: just seconds from the big, brash lights of Piccadilly Circus, this neat little venue is tucked between the shops and restaurants of Jermyn Street, …

SOURCE: A Younger Theatre at 02:15PM
Wednesday, December 3, 2014

Review: Billy the Kid: A Panto Western, Rosemary Branch Theatre by Laura Peatman

The Charles Court Opera company has built a reputation over the last few years for creating one of the funniest pantomimes in London, and their eighth ‘boutique panto’ comes to the Rosem…

SOURCE: A Younger Theatre at 09:29AM
Saturday, November 29, 2014

Review: Run, New Diorama Theatre by Laura Peatman

Many of us in the arts will bemoan an unpaid internship with the prospect of a low-paid job at the end of it, if at all. But what’s it like at the other end of the scale, where the stakes …

SOURCE: A Younger Theatre at 07:40AM
Saturday, October 25, 2014

Review: Memphis the Musical, Shaftesbury Theatre by Laura Peatman

In a small flurry of transatlantic transfers – hot on the heels of Here Lies Love and The Scottsboro Boys – Tony-award winning Memphis the Musical is the latest show to test whether the …

SOURCE: A Younger Theatre at 06:17AM
Tuesday, October 7, 2014

Review: The Murderettes – Murder Mystery Comedy, Phoenix Artist Club by Laura Peatman

Of all the weird and wonderful guises under which improv comedy can be presented, a murder mystery sounds like a brilliant idea – we all love a game of Cluedo, and with the unpredictabilit…

SOURCE: A Younger Theatre at 02:22PM
Wednesday, September 17, 2014

Review: Macbeth, Barbican Centre by Laura Peatman

Controversial South African director Brett Bailey and his company clash cultures together at the Barbican this month as they present Verdi’s Macbeth, reimagined in the troubled region of E…

SOURCE: A Younger Theatre at 02:43PM
Tuesday, September 16, 2014

Sponsored feature: RashDash – “certainly no one-trick pony” by Laura Peatman

After the “delightfully dishevelled” and “remarkably raw” The Ugly Sisters in January, RashDash Productions is returning to the Soho Theatre with Oh, I Can’t Be Bothered, an experi…

SOURCE: A Younger Theatre at 11:02AM
Saturday, August 30, 2014

Review: Toast, Park Theatre by Laura Peatman

Since its opening in May 2013, the Park Theatre has garnered a reputation for high quality, affordable theatre, with new works, rediscovered theatrical gems and a host of big names and emerg…

SOURCE: A Younger Theatre at 04:51PM
Friday, August 1, 2014

Review: Romeo and Juliet, Lauderdale House by Laura Peatman

It just wouldn’t be summer without an alfresco Shakespearean performance. Settling down for a picnic, a tipple and the words of the Bard has become a staple of the theatrical calendar, and…

SOURCE: A Younger Theatre at 02:22PM
Monday, July 28, 2014

Review: A Bright Room Called Day, Southwark Playhouse by Laura Peatman

Say the name Tony Krushner, and most will think of his award-winning epic, Angels in America. Yet this earlier and lesser-known work demonstrates Krushner’s politically urgent writing appl…

SOURCE: A Younger Theatre at 10:01AM

Review: Gulf, Camden People’s Theatre by Laura Peatman

Gulf marks the début performance of new company Pivot Theatre, whose mission is to create theatre that is “urgent and thrilling”, that “subverts expectations and shifts perspectives�…

SOURCE: A Younger Theatre at 08:14AM
Thursday, July 17, 2014

Review: Jeeves and Wooster in Perfect Nonsense, Duke of York’s Theatre by Laura Peatman

It’s incredible that this is the first play adaptation of Jeeves and Wooster (discounting Lloyd Webber’s musical By Jeeves) ever to reach the West End. A night at the theatre to watch th…

SOURCE: A Younger Theatre at 10:15AM

Review: The Trials of Oscar Wilde, St. James Theatre by Laura Peatman

As this play and its publicity reminds us, “the truth is rarely pure and never simple” – one of the many literary quips that, it seems, came to haunt Oscar Wilde after his fall from gr…

SOURCE: A Younger Theatre at 10:03AM
Saturday, June 14, 2014

Review: Normal, Talawa Firsts by Laura Peatman

The first in Talawa Theatre Company’s annual season dedicated to new writers, actors and directors – Talawa Firsts – Normal packs a lot into its 90 minutes. From suicide to drugs, immi…

SOURCE: A Younger Theatre at 07:23AM
Wednesday, June 11, 2014

Review: Here Lies Henry, Camden People’s Theatre by Laura Peatman

Here Lies Henry boldly, and rather riskily, claims to: “challenge the conventional relationship between actor and audience and spins it completely on its head”. I wouldn’t go that far,…

SOURCE: A Younger Theatre at 05:56AM
Monday, June 9, 2014

Review: House of Bernarda Alba, Kings Head Theatre by Laura Peatman

Lorca’s final work is set against a Spanish heatwave, with Bernarda Alba’s domineering matriarchal regime and the pent-up sexual desire of her daughters reflected in the oppressively ho…

SOURCE: A Younger Theatre at 01:18PM
Sunday, May 18, 2014

Review: The Trial of the Jew Shylock, Rosemary Branch Theatre by Laura Peatman

The Merchant of Venice is not only one of Shakespeare’s most popular works, but also one of the most problematic and fiercely-debated by modern audiences. It may have been labelled a comed…

SOURCE: A Younger Theatre at 02:43PM

Review: The Man Who Shot Liberty Valance, Park Theatre by Laura Peatman

Last year, Jethro Compton’s critically-acclaimed Bunker Trilogy took us deep into the atmospheric trenches of World War I to experience some classic tales as never before. Now Compton tran…

SOURCE: A Younger Theatre at 02:32PM
Wednesday, May 7, 2014

Feature: Way Back – laughing in the face of death by Laura Peatman

Suicide attempts may not be the most obvious material for a comedy, but that’s exactly what daring play Way Back explores as it comes to the Brighton Fringe this month – just a few miles…

SOURCE: A Younger Theatre at 05:47AM
Thursday, May 1, 2014

Review: The Fanny Hill Project v2.0, Camden People’s Theatre by Laura Peatman

What does a present-day drama graduate searching for her first job have in common with an 18th century fictional prostitute? Nothing, you say? Well not according to TheatreState, who sets ou…

SOURCE: A Younger Theatre at 02:34PM
Thursday, April 24, 2014

Review: Romeo and Juliet, Pleasance Theatre by Laura Peatman

There’s that familiar problem again: how to perform a play that is so well-known that the audience could probably be the prompt? How to “surprise, move and provoke” – as Blue Crate T…

SOURCE: A Younger Theatre at 02:33PM
Monday, April 21, 2014

Review: Digital Ghosts/Children of the Revolution, Southwark Playhouse by Laura Peatman

A double bill of new works from Southwark Playhouse Young Company shows a group of young artists with their fingers firmly on the pulse of their generation, whose potential can certainly be …

SOURCE: A Younger Theatre at 02:05PM
Sunday, April 13, 2014

Review: The Rite of Spring/Petrushka, Sadler’s Wells by Laura Peatman

Commissioned by Sadler’s Wells as part of 2013’s ‘String of Rites’ series, celebrating the centenary of the premiere of Stravinsky’s original, Michael Keegan-Dolan’s The Rite…

SOURCE: A Younger Theatre at 11:54AM
Wednesday, April 9, 2014

Review: In This House (A Family Breakdown), The Space by Laura Peatman

There’s a moment in Act One of In This House when, on the witness stand, Vivian Charles succinctly depicts her first sexual encounter with lover Ted: “In the supply cupboard at the offic…

SOURCE: A Younger Theatre at 07:29AM
Sunday, April 6, 2014

Review: The Events, Southbank Centre by Laura Peatman

David Greig’s The Events garnered plenty of attention and acclaim when it premièred in Edinburgh in 2013, winning a Scotsman Fringe First Award. Exploring the aftermath of a mass shooting…

SOURCE: A Younger Theatre at 07:08PM
Saturday, April 5, 2014

Review: Through His Teeth, Linbury Studio Theatre by Laura Peatman

As Gounod’s Faust arrives on the Royal Opera House’s main stage, the Linbury Studio Theatre hosts two world premières inspired by the classic tale. The first of these is Through His Tee…

SOURCE: A Younger Theatre at 06:59PM
Monday, July 1, 2013

Review: Cheer Up, It Might Never Happen by Laura Peatman

Cheer Up, It Might Never Happen presents itself as a comedy about a woman tying up the loose ends of her life before her suicide: presumably this clash of subject and tone — and the show�…

SOURCE: A Younger Theatre at 05:41AM
Friday, May 31, 2013

Review: Race by Laura Peatman

This production of David Mamet’s Race at Hampstead Theatre marks its UK première, having first appeared on Broadway four years ago. It is unmistakeably American, from its treatment of the…

SOURCE: A Younger Theatre at 07:22AM
Sunday, May 12, 2013

Review: Hamlet’s Fool by Laura Peatman

Commissioned by The Ohio State University’s Arts Initiative in 2012, Hamlet’s Fool is both a stand-alone tragedy piece and a reflection on the possible past of Yorick, known to us only a…

SOURCE: A Younger Theatre at 07:33AM
Sunday, April 14, 2013

Review: Sunken Garden by Laura Peatman

Dispel all the stereotypes of stout sopranos warbling and stuffy, incomprehensible librettos: this is opera with its feet planted firmly in 2013. Dutch composer Michel van der Aa and novelis…

SOURCE: A Younger Theatre at 11:49AM
Saturday, March 2, 2013

Review: Your Place or Mine? by Laura Peatman

As Ovalhouse celebrates its fiftieth birthday this year, directors Rebecca Atkinson-Lord and Rachel Briscoe promise a season that is “stealthily meaningful and there will also be funny bit…

SOURCE: A Younger Theatre at 04:59AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards