Decidedly anti-sensationalistic, Alison Leiby’s shrewd and funny personal monologue plays downtown. Uptown, a staged reading focuses on a gruesome case.
SOURCE: The New York Times Subscription at 03:06PMMona Mansour’s rich trilogy, now at the Public Theater, follows a displaced Palestinian family.
SOURCE: The New York Times Subscription at 12:03AMNow starring in “Wish You Were Here,” the Iranian-born actress has made her mark in three works by playwrights of Middle Eastern descent.
SOURCE: The New York Times Subscription at 09:18AMIn a mishmash new musical based on his 1992 movie, he charms the audience as a has-been comic reconnecting with family.
SOURCE: The New York Times Subscription at 10:18PMCamille A. Brown’s revival of Ntozake Shange’s 1976 Broadway landmark brings exuberant life to a play that celebrates Black women’s solidarity in the face of pain.
SOURCE: The New York Times Subscription at 09:07PMA new musical-comedy retelling of “The Odyssey” from the York Theater Company tries to center a powerful woman but feels like a show about and for men.
SOURCE: The New York Times Subscription at 07:03PMIn Keith Huff’s new play, two friends head to the Jan. 6 insurrection, but this production substitutes unfunny cartoonishness for the characters’ humanity.
SOURCE: The New York Times Subscription at 03:06PMIn this international production, you can check into the Balkan Express Motel, if you dare, and fulfill an ancient generational curse.
SOURCE: The New York Times Subscription at 08:18PMThis early 1990s play, based on the life of Marshall McLuhan, is being revived by the company that created it.
SOURCE: The New York Times Subscription at 03:18PMHuang Ruo and Basil Twist’s new choral-theater piece at St. Ann’s Warehouse borrows from traditional Chinese tales.
SOURCE: The New York Times Subscription at 04:54PMJohn J. Caswell Jr.’s play is a political drama wrapped in the spooky pleasures of the horror genre.
SOURCE: The New York Times Subscription at 04:42PMGrief for a lost love is the unhealed wound at the core of this play by Agnes Borinsky, which takes a disquieting turn into the underworld.
SOURCE: The New York Times Subscription at 03:03PMLloyd Suh’s play is a riff on the arrival of the real Afong Moy, possibly the first woman from China in the United States, and a lens on contemporary racism.
SOURCE: The New York Times Subscription at 10:33PMWhile full of fine shows, a long-awaited binge was also full of stress about how loosely audiences followed rules about staying healthy in a pandemic.
SOURCE: The New York Times Subscription at 05:07AMFive Asian American actors, all over 60, deliver monologues that touch on grief and heritage, on adult children and cultural cancellation.
SOURCE: The New York Times Subscription at 10:33PMIn this D.H. Lawrence play, a production by the Mint Theater, men are trouble, “pure and simple.”
SOURCE: The New York Times Subscription at 05:42PMThe actor will be making his New York stage debut with Jamie Lloyd’s Olivier Award-winning production, coming in April to the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 05:33AMArin Arbus and John Douglas Thompson are collaborating on their fifth play, a Theater for a New Audience production that begins previews Saturday.
SOURCE: The New York Times Subscription at 10:18AMThe return of this brisk, smart provocation of a monologue is a cheering development, all the more so because it’s a belly-laugh funny show.
SOURCE: The New York Times Subscription at 08:33PMThis opera, by Mac and Matt Ray, is as much a celebration of theater itself as it is an example of the communion humans crave but have been deprived of.
SOURCE: The New York Times Subscription at 03:33PMTheaterlab stages a gimlet-eyed romance involving a girl and a young Nazi soldier in Occupied France by the playwright Rita Kalnejais.
SOURCE: The New York Times Subscription at 08:48PMWith one play closed, Nottage can focus on “MJ” on Broadway and “Intimate Apparel” at Lincoln Center Theater. And maybe even catch her breath.
SOURCE: The New York Times Subscription at 03:42PMThe experience of Jews who fled Germany in 1939 aboard the St. Louis luxury liner is the subject of a new production from the Arlekin Players Theater.
SOURCE: The New York Times Subscription at 03:18PMThe pandemic shutdown gave the actor time to reconnect with his clarinet, helping him fully realize his character, a lost-in-grief musician.
SOURCE: The New York Times Subscription at 04:48PMOur critic didn’t set out to see “Caroline, or Change” seven times, but amid so much uncertainty the show turned out to be just what she needed.
SOURCE: The New York Times Subscription at 03:18PMAt the Irish Repertory Theater, this musical confection is a luridly entertaining tale, set mostly in 1857, about a villainous banker and his wily clerk.
SOURCE: The New York Times Subscription at 01:06PMIdina Menzel and a hummable pop score can’t camouflage the fact that this musical is half-baked. Still, it can make for an enjoyable evening, our critic writes.
SOURCE: The New York Times Subscription at 02:48PMDigital innovation continued this year, but experiencing plays in isolation grew tiring. Then came an in-person season as exciting as a child’s first fireworks.
SOURCE: The New York Times Subscription at 10:48AMMark Shanahan remixes Arthur Conan Doyle and Charles Dickens into a clever, crowd-pleasing holiday comedy that happens also to be a murder mystery.
SOURCE: The New York Times Subscription at 06:18PMHe wrote great shows, but Stephen Sondheim was also a mentor, a teacher and an audience regular. And, oh, the thrill of getting one of his typewritten notes.
SOURCE: The New York Times Subscription at 05:33AMWhether it’s the emotion coursing through Enda Walsh’s plays or the energy pulsing through the streets of New York, the star of “Medicine” is picking it up.
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