All stories by Laura Collins-Hughes on BroadwayStars

Wednesday, November 20, 2024

Broadway Tickets: Where to Get Affordable and Last-Minute Tickets by Laura Collins-Hughes

Box-office sales, discount booths, same-day rush: Here’s everything you need to know about nabbing seats to plays and musicals in Manhattan.

SOURCE: The New York Times Subscription at 05:42AM
Tuesday, November 19, 2024

Broadway Shows to See This Fall: ‘Our Town,’ ‘Gypsy’ and More by Laura Collins-Hughes

A guide to every show on Broadway, including new musicals, Tony winning-dramas, quirky hits and veterans like “Hamilton” and “Chicago.”

SOURCE: The New York Times Subscription at 07:18AM
Sunday, November 17, 2024

Elf on Broadway Review: Grey Henson Is on the Nice List by Laura Collins-Hughes

The musical, starring Grey Henson, has gotten Buddy delightfully, entirely right. But he is trapped inside a creaky adaptation.

SOURCE: The New York Times Subscription at 08:24PM
Saturday, November 16, 2024

11 Broadway Shows to See Before They Close This Winter by Laura Collins-Hughes

Many Tony Award-winning musicals and starry plays (Robert Downey Jr., anyone?) are wrapping up their runs in January. Catch them while you can.

SOURCE: The New York Times Subscription at 10:36PM
Friday, November 15, 2024

Murder as Family Tradition in ‘Catarina and the Beauty of Killing Fascists’ by Laura Collins-Hughes

Tiago Rodrigues’s play is intentionally a work of provocation, but it is also stylized to create a helpful distance from events and ideas.

SOURCE: The New York Times Subscription at 05:36AM
Wednesday, November 13, 2024

‘Strategic Love Play’ Review: A Slightly Dark, Not-Quite-Romantic Comedy by Laura Collins-Hughes

In this first-date comedy, Michael Zegen and Heléne Yorke play people who might just be willing to settle for each other.

SOURCE: The New York Times Subscription at 06:31PM
Saturday, November 9, 2024

In ‘Give Me Carmelita Tropicana!,’ Alina Troyano Explores How Art Can Live Inside Others by Laura Collins-Hughes

In “Give Me Carmelita Tropicana!,” Alina Troyano and her former student Branden Jacobs-Jenkins explore the ways art made by one person can live inside others.

SOURCE: The New York Times Subscription at 05:42AM
Wednesday, October 30, 2024

Two Climate Change Plays Keep the Flames of Hope Alive by Laura Collins-Hughes and Elisabeth Vincentelli

“Hothouse,” at Irish Arts Center, fends off despair with loopiness; “In the Amazon Warehouse Parking Lot,” at Playwrights Horizons, is a fuzzy world lacking depth.

SOURCE: The New York Times Subscription at 12:31PM
Wednesday, October 23, 2024

Review: Delia Ephron’s ‘Left on Tenth’ Treads Lightly by Laura Collins-Hughes

Julianna Margulies and Peter Gallagher star in this quasi romantic comedy adapted from Ephron’s memoir, which went deeper into her illness and grief.

SOURCE: The New York Times Subscription at 09:02PM
Wednesday, October 16, 2024

In ‘Vladimir,’ a Russian Reporter’s Fight Is an Apt Election Season Tale by Laura Collins-Hughes

The writer Erika Sheffer takes a big swing in a Manhattan Theater Club production examining “the point at which a society finds itself on the brink.”

SOURCE: The New York Times Subscription at 12:54PM
Thursday, October 3, 2024

Time-Traveling, or Wishing to, in ‘Safety Not Guaranteed’ by Laura Collins-Hughes

Adapted from the offbeat 2012 film, this new musical about loneliness and the longing for do-overs is promising but still needs to find its shape.

SOURCE: The New York Times Subscription at 10:12PM
Monday, September 30, 2024

Disoriented in America: Two Political Plays Reflect a Changed Country by Laura Collins-Hughes

The Off Broadway plays “Fatherland” and “Blood of the Lamb” explore the grief, anger and fear of no longer recognizing the country you love.

SOURCE: The New York Times Subscription at 05:18AM
Saturday, September 28, 2024

Laura Donnelly, ‘Hills of California’ Star, Is Not Some Delicate Flower by Laura Collins-Hughes

But she did “burst into tears” reading Jez Butterworth’s rewrite of his new Broadway play, which left her with 10 days “to create an entirely new character.”

SOURCE: The New York Times Subscription at 07:54AM
Saturday, September 21, 2024

Kate Mulgrew Walks the Creative and Emotional Plank in ‘The Beacon’ by Laura Collins-Hughes

Holding tightly to the Dublin accent of her character, the actress talks about starring in Nancy Harris’s feminist thriller at Irish Rep.

SOURCE: The New York Times Subscription at 05:18AM
Saturday, September 7, 2024

Working on a Sri Lankan-Australian Epic, He Learned His Family’s Past by Laura Collins-Hughes

As the acclaimed “Counting and Cracking” makes its North American debut, the playwright describes the work as “my soul on a plate.”

SOURCE: The New York Times Subscription at 05:18AM
Friday, September 6, 2024

Kara Young Is Charming in Rom-Com ‘Table 17’ Following Her Tony Win by Laura Collins-Hughes

The Tony winner leads a top-notch cast in Zhailon Levingston’s alluringly designed production of Douglas Lyons’s hopeful new play.

SOURCE: The New York Times Subscription at 07:32PM

15 Shows to See on Stages Around the U.S. This Fall by Laura Collins-Hughes

Matthew Broderick stars in “Babbitt” in Washington, D.C., and five companies nationwide will stage Eboni Booth’s Pulitzer-winning play “Primary Trust.”

SOURCE: The New York Times Subscription at 05:42AM

28 Broadway and Off Broadway Shows to See This Fall by Laura Collins-Hughes

New York stages are welcoming Robert Downey Jr., Adam Driver, Audra McDonald and more this season.

SOURCE: The New York Times Subscription at 05:42AM
Saturday, August 3, 2024

Two New Musicals Poke at the Seamy Underbelly of the American Dream by Laura Collins-Hughes

Kristin Chenoweth stars in “The Queen of Versailles” in Boston, while a new “Gatsby” musical in Cambridge takes Myrtle seriously.

SOURCE: The New York Times Subscription at 05:02AM
Monday, July 29, 2024

‘Six Characters’ Review: Making the Case Against a White-Centric Theater by Laura Collins-Hughes

At Lincoln Center Theater, Phillip Howze’s daring new play offers a hefty critique but takes aim at more targets than it can accommodate.

SOURCE: The New York Times Subscription at 09:18PM
Wednesday, July 10, 2024

‘A Midsummer Night’s Dream’ Review: Sprinkling Magic Under a Night Sky by Laura Collins-Hughes

Fun is the main point of Carl Cofield’s stylish outdoor staging of Shakespeare’s comic fantasy for the Classical Theater of Harlem.

SOURCE: The New York Times Subscription at 01:02PM
Wednesday, June 19, 2024

‘Pre-Existing Condition’ Review: Recovering From a Traumatic Relationship by Laura Collins-Hughes

Marin Ireland’s play opens with Tatiana Maslany in a rotating cast of stars, and “What Became of Us” continues its own experiment with changing casts.

SOURCE: The New York Times Subscription at 01:02PM
Wednesday, June 12, 2024

Jessica Lange and Paula Vogel on Breaking, and Keeping, the Family Contract by Laura Collins-Hughes

In the Tony-nominated “Mother Play,” the writer conjures warm memories and thorny ones, not to judge her mother, but to understand — and to forgive.

SOURCE: The New York Times Subscription at 05:36AM
Wednesday, June 5, 2024

‘What Became of Us’ Review: Reflections on a Family’s Immigration Tale by Laura Collins-Hughes

Shayan Lotfi’s topical play about a family building a new life in a new country leaves the details vague, deliberately.

SOURCE: The New York Times Subscription at 03:48PM
Thursday, May 30, 2024

What if the Disabled Characters Were Just Going About Their Day? by Laura Collins-Hughes

Madison Ferris and Danny J. Gomez star in the meet-cute “All of Me” — proof that depictions of disability onstage don’t have to be “a buzz kill,” as Ferris puts it.

SOURCE: The New York Times Subscription at 11:36AM

Book Review: ‘The Playbook,’ by James Shapiro by Laura Collins-Hughes

In “The Playbook,” James Shapiro offers a resonant history of the Federal Theater Project, a Depression-era program that gave work to writers and actors until politics took center stage.

SOURCE: The New York Times Subscription at 05:18AM
Tuesday, May 21, 2024

‘The Lonely Few’ Review: Rocking Out and Falling in Love by Laura Collins-Hughes

Lauren Patten and Taylor Iman Jones star in an achingly romantic, softly sexy new musical by Rachel Bonds and Zoe Sarnak.

SOURCE: The New York Times Subscription at 05:24AM
Wednesday, May 15, 2024

Review: In ‘Invasive Species,’ the Acting Bug Bites, Dramatically by Laura Collins-Hughes

Maia Novi stars in her play about a Hollywood-struck actress from Argentina who stops at Yale’s drama school and an inpatient psych ward on her way.

SOURCE: The New York Times Subscription at 10:36PM
Tuesday, May 14, 2024

Betty Buckley Is Not Wedded to the Same Old Songs by Laura Collins-Hughes

The actress is back in concert mode at 76, and doing new material. She’s also looking forward to a bold new take on “Sunset Boulevard.”

SOURCE: The New York Times Subscription at 12:36PM
Saturday, May 4, 2024

‘The Keep Going Songs’ Review: Vexed by Grief and Worried About the Planet by Laura Collins-Hughes

Abigail and Shaun Bengson muse on death in their latest work, but its looseness makes it hard to get a handle on.

SOURCE: The New York Times Subscription at 05:32AM
Thursday, May 2, 2024

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime