All stories by Judith Mackrell on BroadwayStars

Thursday, October 6, 2011

Merce Cunningham Dance Company – review by Judith Mackrell

Barbican, LondonIt was hard to watch the Cunningham company after Merce's death in 2009, knowing his benignly smiling figure would be absent from the curtain call. It's twice as hard now tha…

SOURCE: The Guardian at 01:27PM
Tuesday, October 4, 2011

Jerome Bel – review by Judith Mackrell

Linbury Studio, LondonJérôme Bel is a choreographer dedicated to turning the concepts of dance and performance inside out. He's created works that are more like art installations than danc…

SOURCE: The Guardian at 07:21AM
Thursday, September 29, 2011

La La La Human Steps – review by Judith Mackrell

Sadler's Wells, LondonPurcell's Dido & Aeneas and Gluck's Orpheus & Eurydice must be the most choreographed operas in the repertory. Their buoyant, punchy baroque rhythms, and the simple arc…

SOURCE: The Guardian at 01:11PM

Lucinda Childs: top five dance clips by Judith Mackrell

Judith Mackrell chooses her favourite videos of legendary choreographer Lucinda Childs – from her collaborations with Philip Glass to a tribute to the great Merce CunninghamThis Einstein o…

SOURCE: The Guardian at 04:54AM
Wednesday, September 28, 2011

How Einstein helped dancer Lucinda Childs by Judith Mackrell

Dance legend Lucinda Childs was going nowhere – until an avant-garde opera about a famous physicist shot her to success. As the work returns, Judith Mackrell tracks her downNew York is in …

SOURCE: The Guardian at 04:31PM
Friday, September 23, 2011

The Royal Ballet goes to London fashion week – in pictures by Judith Mackrell

Dance critic Judith Mackrell goes on the catwalk with the Royal Ballet at their one-off London fashion week showJudith Mackrell

SOURCE: The Guardian at 08:07AM
Thursday, September 22, 2011

The Metamorphosis – review by Judith Mackrell

Linbury studio theatre, LondonFew works of literature describe movement in such hallucinatory detail as The Metamorphosis, with its portrayal of Gregor Samsa's absurd, harrowing transformati…

SOURCE: The Guardian at 01:02PM
Wednesday, September 21, 2011

Jewels – review by Judith Mackrell

Royal Opera House, LondonChoreographer Balanchine was famously inspired by the window display of Fifth Avenue jewellers Van Cleef and Arpels when he created his full-length ballet Jewels. An…

SOURCE: The Guardian at 02:30PM
Friday, September 16, 2011

DESH - review by Judith Mackrell

Curve, LeicesterDESH is Bengali for homeland, and in Akram Khan's latest solo the choreographer returns to the world of his Bangladeshi roots, in search of the stories and characters of…

SOURCE: The Guardian at 12:51PM
Thursday, September 15, 2011

Grupo Corpo – review by Judith Mackrell

Sadler's Wells, LondonThere's a strong collective spirit in the Brazilian company Grupo Corpo, which has been run for 36 years by members of one family, the Pederneiras clan. Yet the name it…

SOURCE: The Guardian at 12:55PM
Wednesday, August 31, 2011

A Conversation with Carmel – review by Judith Mackrell

St George's West, EdinburghIt's Carmel's 80th birthday – but as she finds herself being feted by a surprise party, her immediate reaction is panic and dismay. Only after a pause can she ad…

SOURCE: The Guardian at 01:30PM
Monday, August 29, 2011

Nrityagram Dance Ensemble – review by Judith Mackrell

King's theatre, EdinburghSouth Asian dance is thriving in Britain, yet most of the work grabbing the limelight tends to be some form of contemporary fusion: classical Indian dance mixed with…

SOURCE: The Guardian at 01:20PM
Sunday, August 28, 2011

Scottish Ballet – review by Judith Mackrell

Edinburgh PlayhouseIt's an obvious truth that abstract dance is never really abstract. When men and women are dancing on stage, there is always human behaviour involved. The way they listen …

SOURCE: The Guardian at 01:00PM
Friday, August 26, 2011

This week's new dance by Judith Mackrell

Shen Wei Dance Arts: Re-Triptych, EdinburghChinese choreographer Shen Wei is based in New York but he still derives inspiration from his Asian background, and in this three-part work he char…

SOURCE: The Guardian at 07:06PM
Friday, August 19, 2011

This week's new dance: Edinburgh special by Judith Mackrell

The Nrityagram Dance Ensemble: SriyahNrityagram, meaning dance village, is India's first residential school of classical dance, and its performing ensemble is fast emerging as one of the gre…

SOURCE: The Guardian at 07:10PM
Thursday, August 18, 2011

State of Flux: Forgetting Natasha by Judith Mackrell

Zoo Southside, EdinburghMixed media events can often feel like less than the sum of their parts. But in Forgetting Natasha, dance, poetry and film integrate with unusually economic force to …

SOURCE: The Guardian at 10:52AM
Monday, August 15, 2011

National Ballet of China – review by Judith Mackrell

Edinburgh Festival theatreThe world's ballet companies may seem increasingly interchangeable in repertory and style, but National Ballet of China's Peony Pavilion stands out as a captiv…

SOURCE: The Guardian at 01:15PM
Friday, August 12, 2011

This week's new dance: Edinburgh special by Judith Mackrell

Eun-Me Ahn Company: Princess BariEun-Me Ahn is one of the most vital forces on the South Korean dance scene, her choreography fusing traditional languages like the dance theatre form pansori…

SOURCE: The Guardian at 07:09PM
Wednesday, August 10, 2011

Mariinsky Ballet: Anna Karenina – review by Judith Mackrell

Royal Opera House, LondonTo reduce Anna Karenina to a two-act ballet is a tough call, and Alexei Ratmansky's version (seen in the UK for the first time this week) is an intellectual and visu…

SOURCE: The Guardian at 01:30PM
Friday, August 5, 2011

This week's new dance by Judith Mackrell

A Conversation With Carmel; Forgetting Natasha, EdinburghTwo of the Edinburgh fringe's most interesting pieces of dance-theatre have elderly women at their heart. In Barrowland Ballet's A Co…

SOURCE: The Guardian at 07:09PM

Mariinsky Ballet: Balanchine/Robbins triple bill – review by Judith Mackrell

Royal Opera House, LondonUliana Lopatkina opened the Mariinsky season as an exquisite but emotionally inaccessible Odette. Making her first entrance in Jerome Robbins's In the Night, she's a…

SOURCE: The Guardian at 11:12AM
Thursday, August 4, 2011

Mariinksy Ballet – review by Judith Mackrell

Royal Opera House, LondonThe Mariinsky's Don Quixote looks every one of its 100-plus years: its jokes ancient, its gestures creaky, its contours sagging. But the right dancers can still galv…

SOURCE: The Guardian at 04:30PM
Tuesday, August 2, 2011

Mariinsky Ballet: Homage to Fokine – review by Judith Mackrell

Royal Opera House, LondonTowards the end of its brief but stellar life, Diaghilev's Ballets Russes had become a European project, its repertory and designs dominated by western influences. I…

SOURCE: The Guardian at 01:37PM
Friday, July 29, 2011

This week's new dance by Judith Mackrell

Edinburgh FringeDance on the fringe is getting stronger, and even if it can't begin to rival the range of theatre and comedy on show, this year's programme has some rich pickings. Opening in…

SOURCE: The Guardian at 07:06PM
Tuesday, July 26, 2011

Mariinsky Ballet: Swan Lake – review by Judith Mackrell

Royal Opera HouseWhen does a living treasure turn into a museum piece? It's a question at the heart of ballet, and especially at the heart of the Mariinsky's Swan Lake. I've always loved thi…

SOURCE: The Guardian at 01:29PM
Friday, July 22, 2011

This week's new dance by Judith Mackrell

Mariinsky Ballet, LondonThis giant St Petersburg company returns to London for a three-week season that includes some UK premieres , welcome repeats and a packed roster of stars. It opens wi…

SOURCE: The Guardian at 07:08PM

Roland Petit – review by Judith Mackrell

Coliseum, LondonRoland Petit, who died just over a week ago, was fabled as the man who brought sex, style and bohemian-chic to the post-war ballet stage. But he should also be commemorated a…

SOURCE: The Guardian at 01:34PM
Friday, July 15, 2011

This week's new dance by Judith Mackrell

Boy Blue Entertainment: Touch, LondonAcclaimed street dance company Boy Blue Entertainment is used to impressing its public on a large scale, with its theatre shows Pied Piper and Over The E…

SOURCE: The Guardian at 07:07PM
Wednesday, July 13, 2011

Romeo and Juliet – review by Judith Mackrell

Coliseum, LondonSir Frederick Ashton's Romeo and Juliet may be danced to the same Prokofiev score as Sir Kenneth MacMillan's, but beyond that the two versions are completely different. While…

SOURCE: The Guardian at 01:50PM

Russian dance that's out of this world: Turin's Teatro a Corte by Judith Mackrell

From a show inspired by zero gravity to a troupe making work in the world's most polluted city, this Italian festival shows an urgent new side to Russian danceItaly may have struggled to est…

SOURCE: The Guardian at 07:36AM
Sunday, July 10, 2011

Ethan Stiefel: New Zealand state of mind by Judith Mackrell

Ethan Stiefel is a giant of US ballet. He tells Judith Mackrell why he's leaving the bustling Big Apple for a place with 4m people and 70m sheepThe capital of New Zealand was once thought of…

SOURCE: The Guardian at 04:46PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic