All stories by Judith Mackrell on BroadwayStars

Thursday, November 21, 2013

Dance news: Russian ballet ructions and women choreographers by Judith Mackrell

This week's dance news: more goings-on at St Petersburg's Vaganova academy; and female choreographers on the move• The fortunes of St Petersburg's Vaganova Academy are still under passiona…

SOURCE: The Guardian at 08:24AM
Wednesday, November 20, 2013

Phoenix Dance Theatre – review by Judith Mackrell

Royal Opera House, LondonThis wide-ranging show took flight with stellar live music and charged intimacy from the dancersWith so many reinventions during its 32 years, Phoenix must desp…

SOURCE: The Guardian at 12:37PM
Tuesday, November 19, 2013

Stuttgart Ballet: Made in Germany – review by Judith Mackrell

Sadler's Wells, LondonJohn Cranko's company has long been in the vanguard of new work, but 13 extracts makes for a scrappy experience, saved by some wonderfully articulate and strong dancers…

SOURCE: The Guardian at 06:44AM
Monday, November 18, 2013

Just ad dance – how adverts got jiggy with it by Judith Mackrell

A new Baileys liqueur ad based on the ballet The Nutcraker is the latest in the advertising industry's love affair with danceReading on mobile? Click to viewDance is apparently the new darli…

SOURCE: The Guardian at 09:00AM
Saturday, November 16, 2013

This week's new dance by Judith Mackrell

Stuttgart Ballet | Phoenix Dance TheatreStuttgart Ballet, LondonStuttgart has always been one of the great centres of classical dance. But during the 20th century, artistic directors John …

SOURCE: The Guardian at 01:00AM
Wednesday, November 13, 2013

Wim Vandekeybus: Booty Looting – review by Judith Mackrell

Queen Elizabeth Hall, LondonThe dancing seems an afterthought in this cacophonous and violent piece on art's recycling of ideas and the legend of MedeaIn the late 1980s, Wim Vandekeybus was …

SOURCE: The Guardian at 07:41AM
Tuesday, November 12, 2013

Christmas on ice? Roll out the Olympic champions by Judith Mackrell

Amid the fluffy Nutcrackers and kingdoms of sweets this Christmas, there will be ice-dance shows of every calibre. Which is why it's worth reminding ourselves of some true expertsReading on …

SOURCE: The Guardian at 11:32AM
Monday, November 11, 2013

Choreographer Mark Morris: 'I can be very scary' by Judith Mackrell

He may be nearing 60 but Mark Morris has no time for looking back. The great choreographer is too busy swearing, feuding – and creating dazzling dance. Judith Mackrell sees him in actionWi…

SOURCE: The Guardian at 02:00PM
Saturday, November 9, 2013

This week's new dance by Judith Mackrell

Liang/Maliphant/Wheeldon | Royal Ballet Mixed BillLiang/Maliphant/Wheeldon, LondonClassical ballerina Yuan Yuan Tan and Taiwanese dancer Fang-Yi Sheu unite to stage this programme of stylish…

SOURCE: The Guardian at 01:00AM
Friday, November 8, 2013

Winner's circle: The 2014 National Dance awards shortlist is announced by Judith Mackrell

The nominations are in for the 2014 National Dance awards, and it's an eclectic bunch. Have the critics got it right, or have some worthy candidates been left off the list?Votes have just be…

SOURCE: The Guardian at 07:34AM
Thursday, November 7, 2013

Richard Alston Dance Company/Britten Sinfonia – review by Judith Mackrell

Barbican, LondonAlston's Phaedra has emotional subtlety and vivid imagery, with Britten inspiring the choreographer to new expressivenessWhen Richard Alston began choreographing in 1968, his…

SOURCE: The Guardian at 11:31AM
Wednesday, November 6, 2013

Earthfall: Chelsea Hotel – review by Judith Mackrell

Riverside Studios, LondonThis portrait of the cult New York hotel is far more than an homage to one buildingThe Chelsea Hotel has accumulated more history than almost any other building in N…

SOURCE: The Guardian at 08:08AM

Sadler's Wells' new venue: a step in the right direction by Judith Mackrell

A new venue for London is great news for contemporary dance, as long as the Sadler's Wells brand doesn't take overSince Alistair Spalding became artistic director of London's Sadler's Wells …

SOURCE: The Guardian at 06:20AM
Sunday, November 3, 2013

National Dance Company Wales – review by Judith Mackrell

Linbury Studio theatre, LondonDiaghilev's Les Noces still has the power to disturb, in a programme inspired by future worlds and the Welsh countrysideIn the late 1980s, when Angelin Preljoca…

SOURCE: The Guardian at 07:26AM
Saturday, November 2, 2013

This week's new dance by Judith Mackrell

Barbican Britten: Phaedra | Sidi Larbi Cherkaoui: MilongaBarbican Britten: Phaedra, LondonRichard Alston has close creative affinities with Benjamin Britten, whose music has inspired two of …

SOURCE: The Guardian at 02:00AM
Thursday, October 31, 2013

Hofesh Shechter: Sun – review by Judith Mackrell

Sadler's Wells, LondonCourtly dancing in a pastoral setting turns to darkness and violence in Shechter's disturbing new pieceAt first sight, Hofesh Shechter's Sun appears to have been concei…

SOURCE: The Guardian at 08:30AM
Wednesday, October 30, 2013

Room to move: why New York's Chelsea Hotel is being immortalised in dance by Judith Mackrell

The Chelsea Hotel has been woven into New York's bohemian fabric for more than a century, and now a new dance piece hymns the legend. Here its makers explain whyPatti Smith described it as "…

SOURCE: The Guardian at 03:00AM
Tuesday, October 29, 2013

Fired Bolshoi dancer Nikolai Tsiskaridze gets controversial new job by Judith Mackrell

Star's appointment to head up the prestigious Vaganova dance academy raises stark questions about the future of Russian balletNikolai Tsiskaridze may have announced his retirement from the s…

SOURCE: The Guardian at 07:27AM
Saturday, October 26, 2013

This week's new dance by Judith Mackrell

Hofesh Schechter Company | National Dance Company Wales: Autumn Tour 2013Hofesh Schechter Company, LondonHofesh Shechter is one of the world's busiest choreographers, staging new and old wor…

SOURCE: The Guardian at 01:00AM
Thursday, October 24, 2013

Is it time for ballet companies to become more democratic? by Judith Mackrell

Dancers are expected to know their place, from corps de ballet to principals, but strikes are looming in San Francisco and complaints about poor career progression are growing louderDoes the…

SOURCE: The Guardian at 10:25AM

Boy Blue: The Five and the Prophecy of Prana – review by Judith Mackrell

Barbican, LondonHip-hop and dance have not always mixed well, but injecting manga and martial arts proves a masterstroke by Boy BlueHip-hop has been around at least 40 years, one of the most…

SOURCE: The Guardian at 06:56AM
Wednesday, October 23, 2013

Rambert: Mixed Bill – review by Judith Mackrell

Sadler's Wells, LondonWorks by Baldwin, Page and Marshall examine the DNA of human behaviour, desire and display but there's a mid-point sagIf you're looking for connections in Rambert's lat…

SOURCE: The Guardian at 08:41AM
Tuesday, October 22, 2013

Robyn Orlin – review by Judith Mackrell

Stratford Circus, LondonRaucous energy, deft comedy and visual invention contribute to this entertaining but flawed piece about the nature of beautyRobyn Orlin says that she offers her disti…

SOURCE: The Guardian at 07:37AM
Sunday, October 20, 2013

Ashley Page: it takes two to techno by Judith Mackrell

Is Ashley Page still feeling bitter about his frosty departure from Scottish Ballet's top job? Not since he found Aphex TwinWhen Ashley Page exited his post as artistic director of Scottish …

SOURCE: The Guardian at 03:00PM
Saturday, October 19, 2013

This week's new dance by Judith Mackrell

Blue Boy Entertainment: The Five And The Prophesy Of Prana | RambertBlue Boy Entertainment: The Five And The Prophesy Of Prana, LondonBoy Blue is a hip-hop company with ideas and ambition, a…

SOURCE: The Guardian at 01:00AM
Friday, October 18, 2013

English National Ballet: Le Corsaire – review by Judith Mackrell

Milton Keynes theatreTamara Rojo's first major acquisition for ENB is an obscure Petipa ballet that is edited down to a brisk, stylish entertainmentIn contrast to opera and theatre, the cupb…

SOURCE: The Guardian at 07:36AM
Thursday, October 17, 2013

Mark Bruce Company: Dracula – review by Judith Mackrell

Wilton's Music Hall, LondonBruce and his extraordinarily gifted dancers navigate Bram Stoker's hellish narrative with near-hallucinatory dexterityMark Bruce may be one of many choreographers…

SOURCE: The Guardian at 12:29PM

Dance Umbrella: what do you think? by Judith Mackrell

Open thread: October is Dance Umbrella month, but the contemporary dance festival seems to have lost its way – tell us what you thinkThis year, London's Dance Umbrella is 35 years old, and…

SOURCE: The Guardian at 09:53AM
Wednesday, October 16, 2013

Is it fair to review first night ballets? by Judith Mackrell

The dancers may be still getting used to the choreography, let alone stage effects, yet dance is routinely judged on first performancesMy colleague Lyn Gardner has just posted a blog asking …

SOURCE: The Guardian at 05:56AM
Saturday, October 12, 2013

This week's new dance by Judith Mackrell

Mark Bruce Company: Dracula | English National Ballet: Le CorasireMark Bruce Company: Dracula, LondonBruce has always found inspiration in the dark dreams and shadows of myth and the unconsc…

SOURCE: The Guardian at 01:00AM
Thursday, October 10, 2013

Random Dance: Atomos – review by Judith Mackrell

Sadler's Wells, LondonMcGregor's scientific research never weighs down the sheer inventiveness of his extraordinary abstract choreographyWayne McGregor uses his company, Random, like a dance…

SOURCE: The Guardian at 08:03AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic