All stories by John Geoffrion on BroadwayStars

Sunday, May 27, 2018

We Happy Few’s Pericles is a wild ride by John Geoffrion

One block west of the main drag through Eastern Market, in the cozy Capitol Hill Arts Workshop, the aptly named troupe We Happy Few has an amusing, engaging winner of a show with their take …

SOURCE: DC Theatre Scene at 10:12AM
Wednesday, May 16, 2018

Review: Olney’s Invisible Hand packs a mighty punch by John Geoffrion

An American banker abducted by jihadists in Pakistan must earn his $10 million ransom by making a killing on the market. And as he introduces concepts of high finance to his kidnappers ̵…

SOURCE: DC Theatre Scene at 03:04PM
Monday, April 23, 2018

Review: Constellation’s Caucasian Chalk Circle hits its mark by John Geoffrion

Powerhouse director Allison Stockman and her powerhouse resident designer A.J. Guban have created yet another minor miracle of transformation at the Source. As the 14th/U neighborhood around…

SOURCE: DC Theatre Scene at 11:48AM
Tuesday, April 10, 2018

Review: Landless’ symphonic metal version of Mystery of Edwin Drood by John Geoffrion

When I last encountered Landless — full disclosure, I performed with the group in a 2006 production — they seemed to delight in being charmingly slapdash and a bit ramshackle in …

SOURCE: DC Theatre Scene at 11:49AM
Thursday, April 5, 2018

Review: Cabaret Noir by Happenstance by John Geoffrion

Take a tip from me. If your jones for hard-nosed detectives, shady nighttime dealings on foggy piers, dive bars serving bathtub gin, torch songs, sassy dames and the like can’t be satiated…

SOURCE: DC Theatre Scene at 01:29PM
Wednesday, March 21, 2018

The Winter’s Tale at Chesapeake Shakespeare (review) by John Geoffrion

The earliest recorded reference to The Winter’s Tale is a 1611 performance at the Globe. Letting my romanticism momentarily override my scholasticism, I find so many elements of the play …

SOURCE: DC Theatre Scene at 01:34PM
Tuesday, February 20, 2018

Hobson’s Choice at Quotidian Theatre (review) by John Geoffrion

It may seem an odd choice at first for Quotidian to revive a century-old comedy of manners in an era of #metoo. Happily, though he’s no George Bernard Shaw (that’s OK, I’m no Ben Brant…

SOURCE: DC Theatre Scene at 07:15AM
Thursday, December 14, 2017

Fiddler on the Roof at Compass Rose Theater (review) by John Geoffrion

I feel a bit like Tevye looking to the heavens for assistance. I just saw a very earnest but uneven production of Fiddler on the Roof over in Annapolis, and I could use a little guidance fro…

SOURCE: DC Theatre Scene at 11:33AM
Tuesday, December 5, 2017

Great Shakes: Lauren Gunderson’s The Book of Will at Round House (review) by John Geoffrion

Imagine a world without Macbeth, The Tempest, Twelfth Night, Taming of the Shrew or Julius Caesar. Before the publishing of Shakespeare’s anthologized plays in Folio format in 1623, these …

SOURCE: DC Theatre Scene at 03:36PM
Tuesday, November 21, 2017

Review: A masterful Misterman at Solas Nua by John Geoffrion

I emerged Saturday night from the Dance Loft on 14th certain of several things. Firstly, that one of the most dangerous things in the world is a young, isolated, ideology-obsessed male. Seco…

SOURCE: DC Theatre Scene at 03:48PM
Friday, November 3, 2017

Sara Barker Defends Her Life This Afternoon Over Sushi by John Geoffrion

My sit-down with DC actor Sara Barker was delayed slightly as I had to field a call from my financial planner about some issue with retirement accounts. As I finally sat down to our late aft…

SOURCE: DC Theatre Scene at 09:24AM
Thursday, October 19, 2017

Creating the intimate Antony and Cleopatra for Folger Theatre by John Geoffrion

Prior to seeing Folger’s production of Shakespeare’s Antony and Cleopatra, I spoke with director Robert Richmond and set designer Tony Cisek about the dramatic transformation of the thea…

SOURCE: DC Theatre Scene at 01:42PM
Tuesday, October 17, 2017

Antony and Cleopatra’s romance is the central focus at Folger (review) by John Geoffrion

Folger Theatre is transformed dramatically for their production of Antony and Cleopatra, and that dramatic transformation also applies to the play itself. Thus is one of Shakespeare’s dens…

SOURCE: DC Theatre Scene at 12:06PM
Tuesday, October 10, 2017

Olney’s Our Town is everyone’s town (review) by John Geoffrion

It took Olney Theatre, surprisingly, 80 seasons to get around to Thornton Wilder’s iconic Our Town, and with acclaimed director Aaron Posner at the helm, they tackle the challenge of what …

SOURCE: DC Theatre Scene at 12:06PM
Monday, December 10, 2012

Four Gentlemen of Verona (or, “Hey, Didn’t We Just See This?”) by John Geoffrion

[Ed Note: This post originally ran on Tales of a Squishy Morph]    We have two Equity theatre companies in the Boston area in devoted primarily to Shakespeare. Commonwealth Shakespea…

SOURCE: 2AMT at 10:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime