All stories by Jesse Green on BroadwayStars

Friday, June 1, 2018

5 Shows to See in New York: ‘Othello,’ ‘Carmen Jones’ and More by Jesse Green

A classic tragedy, a curious musical and three new of-the-moment plays open Off Broadway this month

SOURCE: The New York Times Subscription at 06:48AM
Wednesday, May 30, 2018

Review: ‘Jagged Little Pill’ Breaks the Jukebox Musical Mold by Jesse Green

An intermittently thrilling new musical built around 22 Alanis Morissette songs seems to have 22 different themes, all worthy.

SOURCE: The New York Times Subscription at 03:04PM
Monday, May 28, 2018

Review: Alpha Male Romantic Problems in ‘Devil of Choice’ by Jesse Green

An English professor may have chosen the wrong role model for his love life in “Faust.” Just ask his wife. And his mistress.

SOURCE: The New York Times Subscription at 10:18PM
Wednesday, May 23, 2018

Review: Will Death Never Come in ‘Peace for Mary Frances’? by Jesse Green

Upstairs, the matriarch is ready to die. Downstairs, her adult children might kill each other first.

SOURCE: The New York Times Subscription at 07:48PM
Sunday, May 20, 2018

Review: A Raucous Wake for ‘Our Lady of 121st Street’ by Jesse Green

Twelve angry men and women await the return of a missing corpse in a revival of Stephen Adly Guirgis’s dark comedy.

SOURCE: The New York Times Subscription at 10:18PM
Monday, May 14, 2018

Review: Downtown Renewal Means Trouble in ‘Paradise Blue’ by Jesse Green

In Dominique Morisseau’s new play, Detroit’s mayor wants to clear “urban blight,” but some black jazzmen say, “We the blight he talkin’ about.”

SOURCE: The New York Times Subscription at 10:18PM
Thursday, May 10, 2018

Review: A Multiple-Exposure ‘Me and My Girl’ at Encores! by Jesse Green

A 2018 look at the 1986 Broadway version of a 1937 musical leaves some things blurry and others all too clear.

SOURCE: The New York Times Subscription at 03:18PM
Wednesday, May 9, 2018

Loving and Hating the Broadway Season: Our Critics Could Have Argued All Night by Ben Brantley, Jesse Green and Scott Heller

Disagreeing on classic musicals, agreeing on “The Band’s Visit,” and worried about a season when revivals outshone new plays.

SOURCE: The New York Times Subscription at 06:18AM
Monday, May 7, 2018

Review: When the ‘Light Shining’ on Revolution Falters by Jesse Green

Caryl Churchill’s play about a moment of hope after the English Civil War gets a very dark revival at New York Theater Workshop.

SOURCE: The New York Times Subscription at 10:18PM
Sunday, May 6, 2018

Review: A Secret History of Gay Life Uncovered in ‘217 Boxes’ by Jesse Green

Ain Gordon’s new play tells a powerful story of gay life in America from the unusual point of view of a psychiatrist most famous for wearing a mask.

SOURCE: The New York Times Subscription at 03:48PM
Thursday, May 3, 2018

Review: Marin Ireland, on Fire in ‘Summer and Smoke’ by Jesse Green

Even a riveting central performance isn’t enough to release the potential of Tennessee Williams’s follow-up to “A Streetcar Named Desire.”

SOURCE: The New York Times Subscription at 07:48PM
Wednesday, April 25, 2018

Review: In Shaw’s ‘Saint Joan,’ a Sane and Sensible Martyr by Jesse Green

Condola Rashad stars in a thoughtful if mostly becalmed Manhattan Theater Club revival of the 1923 play on Broadway.

SOURCE: The New York Times Subscription at 10:18PM
Monday, April 23, 2018

Review: Hot Stuff Turns Cold in ‘Summer: The Donna Summer Musical’ by Jesse Green

The late Queen of Disco and pioneer of electronic dance music gets the Broadway jukebox treatment.

SOURCE: The New York Times Subscription at 10:36PM
Sunday, April 22, 2018

Review: Rhyme Gone Wild in ‘The Metromaniacs’ by Jesse Green

A French verse craze inspired a 1738 farce and now a comedy in couplets by David Ives.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, April 19, 2018

Review: Whose ‘Fair Lady’? This Time, Eliza’s in Charge by Jesse Green

Lauren Ambrose stars as a newly empowered flower girl in a gorgeous revival that transforms the classic musical into an ur-text for our #MeToo moment.

SOURCE: The New York Times Subscription at 10:06PM
Wednesday, April 11, 2018

Review: Sound, or Silence? A Passionate Debate in ‘Children of a Lesser God’ by Jesse Green

The first Broadway revival of Mark Medoff’s 1980 play shows that it was ahead of its time about deafness, but not about gender.

SOURCE: The New York Times Subscription at 09:45PM
Tuesday, April 10, 2018

Review: On the Road With Mom in ‘Miss You Like Hell’ by Jesse Green

A new musical at the Public Theater reinvents the family road trip narrative as a mother-daughter tale of immigration policy gone astray.

SOURCE: The New York Times Subscription at 09:45PM
Tuesday, April 3, 2018

Review: In ‘Bobbie Clearly,’ It’s Crime, Punishment and Then What? by Jesse Green

Years after committing a senseless murder, a young man returns to his Nebraska hometown. That’s when the real trial begins.

SOURCE: The New York Times Subscription at 09:45PM
Saturday, March 31, 2018

Review: The Chaos Beneath the Chorale in ‘The Lucky Ones’ by Jesse Green

A new electro-folk singspiel by the authors of “100 Days” finds horror under the skin of a seemingly idyllic childhood.

SOURCE: The New York Times Subscription at 09:45PM
Thursday, March 29, 2018

Review: Glenda Jackson Gets Her Queen Lear Moment in ‘Three Tall Women’ by Jesse Green

After 23 years in politics, the English star of “Elizabeth R” returns to the American stage in a torrential revival of Edward Albee’s play.

SOURCE: The New York Times Subscription at 09:45PM

5 Shows to See in New York: ‘Children of a Lesser God,’ ‘Mlima’s Tale’ and More by Jesse Green

Beyond the blockbuster musicals (and Harry Potter) this month, there are a handful of potential gems like “Saint Joan,” “Miss You Like Hell” and “Iceman Cometh.”

SOURCE: The New York Times Subscription at 03:08PM
Sunday, March 25, 2018

Review: A Moving ‘Winter’s Tale,’ With Women in Charge by Jesse Green

Arin Arbus’s new production at Theater for a New Audience makes a powerful case for one of Shakespeare’s strangest works.

SOURCE: The New York Times Subscription at 09:45PM
Thursday, March 22, 2018

Review: ‘Frozen’ Hits Broadway With a Little Magic and Some Icy Patches by Jesse Green

The neurotic stage musical adaptation of the animated blockbuster raises questions about how Disney transforms its biggest hits.

SOURCE: The New York Times Subscription at 09:45PM
Wednesday, March 21, 2018

The Agony and Ecstasy of Writing Negative Reviews by Jesse Green

The Parrotheads were after me. Parrotheads are fans of the singer-songwriter Jimmy Buffett and I am the co-chief theater critic for The New York Times. Normally our flight paths would not…

SOURCE: The New York Times Subscription at 08:32PM
Thursday, March 15, 2018

Review: ‘Escape to Margaritaville,’ Where Work Is a Dirty Word by Jesse Green

The Jimmy Buffett jukebox musical is so laid back it collapses.

SOURCE: The New York Times Subscription at 09:45PM
Monday, March 12, 2018

Review: Skewering White Pieties About Diversity in ‘Admissions’ by Jesse Green

In Joshua Harmon’s new comedy, all it takes to turn a liberal into a martyr is a deferment from Yale.

SOURCE: The New York Times Subscription at 09:45PM
Thursday, March 8, 2018

Review: In ‘Good for Otto,’ a Case of Psychiatrist, Shrink Thyself by Jesse Green

David Rabe’s dramedy is set in the emotional war zone of a mental health center, where the patients are colorful and the therapists are troubled.

SOURCE: The New York Times Subscription at 09:45PM
Monday, March 5, 2018

Review: In ‘queens,’ 11 Immigrant Women and What They Left Behind by Jesse Green

The characters in Martyna Majok’s new play come from Poland, Afghanistan, Honduras and elsewhere. Illegal or not, they’re New Yorkers now.

SOURCE: The New York Times Subscription at 09:45PM
Thursday, March 1, 2018

Review: ‘Dear Evan Hansen’ Has a New Evan, and a New Balance by Jesse Green

As Taylor Trensch takes over the title role in the Tony-winning musical, the show’s meaning and impact change too.

SOURCE: The New York Times Subscription at 09:45PM
Tuesday, February 27, 2018

Review: ‘The Amateurs’ Takes On God, Noah’s Ark and the Plague. For Laughs. by Jesse Green

In Jordan Harrison’s wily comedy, a medieval theater troupe tries to outrun the Black Death — and the critics.

SOURCE: The New York Times Subscription at 09:45PM
Monday, February 26, 2018

Review: ‘An Ordinary Muslim’ Gets Caught Between Cultures and Genres by Jesse Green

Hammaad Chaudry’s first play is an ambitious look at the traumas of dislocation among the assimilated children of Pakistani immigrants in London.

SOURCE: The New York Times Subscription at 09:45PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic