All stories by Jesse Green on BroadwayStars

Wednesday, March 1, 2017

Theater Review: A Close-Up Sweeney Todd Gets Extra-Demonic by Jesse Green

We do not question, despite their umpteen revivals, whether the theater “needs” another production of Othello or The Cherry Orchard or Waiting for Godot. Nor should we with Sweeney Todd,…

SOURCE: Vulture at 10:11PM
Monday, February 27, 2017

Theater Review: The David Mamet Flameout Is Complete; Will Eno Catches Himself by Jesse Green

Again with the whining! It would take a review longer than this space permits to explore how David Mamet, the great bard of the grifty underclass in early plays like American Buffalo and Gle…

SOURCE: Vulture at 10:25PM
Thursday, February 23, 2017

Theater Review: Jake Gyllenhaal in Sunday in the Park With George by Jesse Green

A 98-year-old woman named Marie sits in a wheelchair surveying the Georges Seurat painting “A Sunday Afternoon on the Island of La Grande Jatte” at the Art Institute of Chicago in 1984. …

SOURCE: Vulture at 09:00PM
Tuesday, February 21, 2017

Theater Review: Branden Jacobs-Jenkins Brings a 600-Year-Old Play Up to the Moment With Everybody by Jesse Green

Branden Jacobs-Jenkins — a MacArthur genius, a Pulitzer finalist, and a recipient of Yale’s Windham–Campbell Literature Prize — gets my award for most-restless playwright. Five of hi…

SOURCE: Vulture at 09:00PM
Thursday, February 16, 2017

Theater Reviews: Evening at the Talk House and Escaped Alone by Jesse Green

For at least 30 years, Wallace Shawn has been warning theatergoers about totalitarianism: how near it is, how easily we might acquiesce in it. I have to admit I’ve sometimes found his alar…

SOURCE: Vulture at 09:47PM
Thursday, February 9, 2017

Theater Review: This Sunset Boulevard Is Facedown in the Pool by Jesse Green

It’s easy to see why Stephen Sondheim and the team of Kander and Ebb each took a stab at musicalizing Sunset Boulevard. The still-startling 1950 movie, directed and co-written by Billy Wil…

SOURCE: Vulture at 09:47PM

Theater Review: Encores! Shows Why Big River Isn’t Coming Back Anytime Soon by Jesse Green

It might be possible to enjoy the musical Big River by squinting. It is, after all, based on Mark Twain’s The Adventures of Huckleberry Finn, whose main events — Huck’s escape from his…

SOURCE: Vulture at 02:50PM
Thursday, January 19, 2017

Theater Review: Jitney, or How August Wilson Learned to Drive by Jesse Green

August Wilson was still a young artist, if no longer a young man, when he started work on Jitney at age 34. Was the play, about some car-service drivers scratching out a living, meant as a o…

SOURCE: Vulture at 09:17PM
Wednesday, January 18, 2017

Theater Review: Harriet Walter Owns This All-Female Tempest by Jesse Green

On October 20, 1981, six members of an organization called the Black Liberation Army robbed a Brink’s armored truck at the Nanuet Mall, killing a Brink’s guard and then two policemen who…

SOURCE: Vulture at 08:48PM
Sunday, January 15, 2017

Theater Review: BAM’s Bangup Revival of The Beauty Queen of Leenane by Jesse Green

In a dank and grimy cottage in a small town in remote Connemara live the embittered fortyish spinster Maureen Folan and her spiteful mother, Mag, whose name rhymes with “hag” for good re…

SOURCE: Vulture at 07:27PM
Thursday, January 5, 2017

32 New Broadway and Off Broadway Shows Worth Seeing in 2017 by Jesse Green

Barring last-minute announcements — unlikely because every available theater is booked — 24 productions are scheduled to open on Broadway between now and the Tony Awards cutoff at the en…

SOURCE: Vulture at 04:42PM
Friday, December 16, 2016

Theater Review: The Wolves Has Bark and Bite by Jesse Green

Nine high-school girls on a soccer team somewhere in suburbia yack and confide and bluster and gossip, all at once, about everything from the Khmer Rouge to the relative merits of pads versu…

SOURCE: Vulture at 04:15PM
Monday, December 12, 2016

Theater Review: A Pair of Reinvented Othellos by Jesse Green

As befits its all-or-nothing love story, Othello is Shakespeare’s most intense play, in part because it eschews his usual ADHD dramaturgy. The tragedy of the Moorish general who becomes a …

SOURCE: Vulture at 09:32PM
Sunday, December 11, 2016

Theater Review: In Transit, a Musical Without Musicians by Jesse Green

Maybe an a cappella stage musical could make sense: The sound of unaccompanied voices in tight harmony can be compelling, and the genre has proved successful in the Pitch Perfect movies. A b…

SOURCE: Vulture at 08:30PM
Thursday, December 8, 2016

Theater Review: The Shaggy Excellence of The Band’s Visit by Jesse Green

It hasn’t been a great year for new musicals; only one — Dear Evan Hansen — made my list of the top ten theatrical productions of 2016. Several others were great in part: the design of…

SOURCE: Vulture at 10:00PM

Why Was Hairspray Live! Tamer on TV? by Jesse Green

The nearly perfect 2002 stage musical Hairspray is so hardy you don’t notice how carefully it’s crafted. The score, by Marc Shaiman and Scott Wittman, is of course part of that, bringing…

SOURCE: Vulture at 12:20PM
Wednesday, December 7, 2016

Theater Review: Taking Minor Pleasure in Tiny Beautiful Things by Jesse Green

In 2010, two years before she became famous as the author of Wild, Cheryl Strayed took over writing the “Dear Sugar” advice column from a friend. She had none of the skills that traditio…

SOURCE: Vulture at 10:00PM
Sunday, December 4, 2016

Theater Review: Dear Evan Hansen Moves Uptown, and Gains Something Indefinable by Jesse Green

The big problem in writing great musicals is not the difficulty of writing great songs. The big problem is that the songs, great or not, are cannibals, picking the stories clean and leaving …

SOURCE: Vulture at 09:00PM
Thursday, December 1, 2016

Theater Review: A Bronx Tale Gets Up and Starts to Sing by Jesse Green

There’s a good reason Broadway musicals traditionally leave the gangsters backstage. Except when handled with the greatest skill — as in, say, Guys and Dolls — stories that include mob…

SOURCE: Vulture at 10:00PM
Wednesday, November 30, 2016

Theater Review: The Downs and Ups of Ride the Cyclone by Jesse Green

It’s not impossible to find the right tone for a musical comedy about a gruesome subject: Look at Little Shop of Horrors, which both satirizes and honors the implications of its bloodthirs…

SOURCE: Vulture at 09:00PM
Monday, November 28, 2016

Theater Review: Homos, or Everyone in America by Jesse Green

“You are no Larry Kramer,” the Academic shouts at his boyfriend, the Writer, a hothead on a tear about homophobic violence.  “This isn’t Boys in the Band,” the Writer later sn…

SOURCE: Vulture at 04:43PM
Monday, November 21, 2016

Theater Review: Nicky Silver Tries to Move On, With This Day Forward by Jesse Green

When asked in a recent interview what inspired him to write This Day Forward, the playwright Nicky Silver immediately answered, “other writers’ successes.” If only any line of the play…

SOURCE: Vulture at 10:00PM

Should the Theater Really Be a Safe Space? by Jesse Green

I met Andy at a party in 1995. Soon afterward, he phoned the host, a mutual friend, to get my number so he could invite me to a play. As it happened, the mutual friend, hearing the descripti…

SOURCE: Vulture at 02:18PM
Sunday, November 20, 2016

Theater Review: Can Sweet Charity Still Work? by Jesse Green

Probably the strangest and least revivable Broadway genre is the midcentury hooker musical comedy. Shows like Irma La Douce (first produced in 1956), New Girl in Town (1957), and House of Fl…

SOURCE: Vulture at 05:00PM
Thursday, November 17, 2016

Theater Review: Dead Poets Society Comes to the Stage by Jesse Green

Though he has no prior professional theater credits, Jason Sudeikis holds the stage with confidence and verve as the inspiring prep school teacher John Keating in the adaptation of Dead Poet…

SOURCE: Vulture at 07:15PM
Tuesday, November 15, 2016

Theater Reviews: The Death of the Last Black Man in the Whole Entire World and Party People by Jesse Green

Sometimes, with a good-enough playwright, it’s good to have no idea what’s going on. That was the case for me with Suzan-Lori Parks’s The Death of the Last Black Man in the Whole Entir…

SOURCE: Vulture at 10:00PM
Monday, November 14, 2016

Theater Review: Silly Tolstoy? Yes, at Natasha, Pierre & the Great Comet of 1812 by Jesse Green

How can it be that a show based on the most serious novel of all time is both the most gorgeous new musical in town and, for much of its length, the silliest? That may be a self-answering qu…

SOURCE: Vulture at 08:00PM
Wednesday, November 9, 2016

Theater Review: A Real-Time Decision Desk for the Gabriel Family, in Women of a Certain Age by Jesse Green

After the opening-night audience at Women of a Certain Age gave the cast a well-deserved standing ovation and started to file out of the Public Theater’s LuEsther Hall, ushers could be hea…

SOURCE: Vulture at 02:47PM
Monday, November 7, 2016

Theater Review: The Brutal Divisions of “Master Harold”…and the boys by Jesse Green

Hally is a whiny, pretentious, self-involved, 17-year-old nerd. Sam and Willie are dignified workingmen in their mid-40s. Nevertheless, Hally is “Master Harold” and Sam and Willie are th…

SOURCE: Vulture at 10:00PM
Thursday, November 3, 2016

Theater Review: Ruined’s Lynn Nottage Heads to the Factory Floor With Sweat by Jesse Green

Lynn Nottage’s gripping but disappointing new play Sweat, which opens tonight at the Public, arrives in New York from its world premiere at the Oregon Shakespeare Festival trailing hosanna…

SOURCE: Vulture at 10:00PM
Wednesday, November 2, 2016

Theater Review: Anna Deveare Smith Collects and Performs Notes From the Field by Jesse Green

“I always talk in stories; they really illustrate points,” says Michael Tubbs, a councilman running for mayor of Stockton, California. Actually, it’s Anna Deavere Smith who speaks thes…

SOURCE: Vulture at 10:16PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic