Friday, November 24, 2017
The two soprano soloists were marvelous. Hélène Brunet combines supple lyricism with technical elegance. Clara Rottsolk’s voice is at once silvery and earthy, delicate and powerful. In t…
SOURCE: www.theaterscene.net at 09:48PMMonday, November 6, 2017
Christen Lien is an exciting artist, playing innovative music for viola, combining formal and informal, classical and electronic elements. She brings an eclectic intelligence, alternately di…
SOURCE: www.theaterscene.net at 07:00PMSunday, October 8, 2017
Because the first three pieces of the program had established an intellectual across-time dialogue between Bach and Glass and an examination of Glass’ Bach ‘ancestry,’ the unabashedly …
SOURCE: www.theaterscene.net at 10:52PMThursday, August 10, 2017
Interestingly, some of the most raucously explicit material of protest came not from the Peace and Social Justice Concert 24 but from the Wil(helms/liams)burg Concert 26, a collaboration of …
SOURCE: www.theaterscene.net at 05:36PMn light-hearted Rationalize (concert 27), composer Cody Brookshire combined found and manipulated sounds created by the audience with live music on bass clarinet and marimba. Brookshire crea…
SOURCE: www.theaterscene.net at 04:34PMWednesday, August 9, 2017
In spite of the Festival’s lengthy booklet and daily concert updates, the rich creative vitality of the electroacoustic musical community remains only tangentially documented: composers an…
SOURCE: www.theaterscene.net at 11:58PMMonday, August 7, 2017
In the seven concerts of the second half of the 2017 New York City Electroacoustic Music Festival held this month at National Sawdust in Brooklyn, New York, the full diversity and eclectic v…
SOURCE: www.theaterscene.net at 11:01PMSaturday, July 8, 2017
After fifteen years of formal study, Shyu incorporates five distinct music traditions in her newest work: “epic storytelling (Pansori), East Coast shaman music (DongHaeAhnByeolShinGut), an…
SOURCE: www.theaterscene.net at 10:52PMSunday, June 25, 2017
C4’s last concert of the season was a typical C4 concert. The concert had one intermission; in both halves of the concert, there were one or two pieces that were new to C4 and one or two t…
SOURCE: www.theaterscene.net at 11:53PMFriday, June 9, 2017
The artistic team responsible for this "Butterfly" made radical decisions and changes. Puccini’s original three acts of linear story – love and “wedding,” waiting, betrayal and death…
SOURCE: www.theaterscene.net at 12:46AMSunday, May 28, 2017
From the beginning, one core component of Rosenbaum’s mission has been the cultivation of a contemporary American repertoire and the regular commission of new works. Rosenbaum is, in fact,…
SOURCE: www.theaterscene.net at 01:36PMSaturday, May 20, 2017
But the concert didn’t have the satisfaction of a big blockbuster – such as Haydn’s Creation, with which the season began – or of two or three masterworks. Music of the Anglican trad…
SOURCE: www.theaterscene.net at 12:12AMSaturday, May 6, 2017
"Elliott loves bebop" is a much more satisfying piece than either "Sonerna" or "No slash" on their own. It would be no matter what. But the experience of having listened to the two quartets …
SOURCE: www.theaterscene.net at 11:59PMMonday, April 17, 2017
Thanking his packed audience at Le Poisson Rouge for coming to hear him play, Alam Khan described his music on this evening as a tribute to his father, Ali Akbar Khan, whose ninety-fifth bir…
SOURCE: www.theaterscene.net at 11:58PM"Vespers of 1610" is a big and oddly sprawling work. It makes no liturgical sense, and, in terms of texts, has little programmatic unity beyond a consistent Marian devotion. But it is a cohe…
SOURCE: www.theaterscene.net at 06:33PMSunday, April 9, 2017
Over the course of Salif Keita’s recent appearance at The Town Hall there was a story whose shape reflected both Keita’s identity and his music. At 7:00 p.m., there was a question-and-an…
SOURCE: www.theaterscene.net at 11:25PMFriday, March 24, 2017
Beginning in the 1980s, Glass and Suso collaborated on several projects. Genet’s difficult, demanding, essentially un-actable and relentlessly fracturing play, "The Screens," elicited from…
SOURCE: www.theaterscene.net at 03:53PMSaturday, March 11, 2017
Neither a “Western composer” nor a “Japanese composer,” Mochizuki hasn’t sought to manufacture some sort of mix-and-match blend. She doesn’t borrow or build add-ons. Instead, see…
SOURCE: www.theaterscene.net at 11:45AMThursday, February 16, 2017
This is serious work. Without defiance of traditional or conservative contemporary classical music simply for mere defiance’s haughty sake, Furrer is developing his own particular vocabula…
SOURCE: www.theaterscene.net at 10:45PMSaturday, February 4, 2017
The second work of the evening was the world premiere of Ivan Moody’s Vespers Sequence. In careful, clear program notes, Moody described his goals in his compositions in general and in thi…
SOURCE: www.theaterscene.net at 04:47PMTuesday, December 27, 2016
It was a Tallis-perfect performance. Palestrina has long been one of the most sure-fire dazzling jewels in the Tallis Scholars' treasury. In writing sacred music, Palestrina made his particu…
SOURCE: www.theaterscene.net at 11:54AMFriday, December 16, 2016
For those who could not understand the lyrics of Traore's songs – he sang in Mali's French – each song was an experience of four interconnected musical sounds: the calabash thump and cli…
SOURCE: www.theaterscene.net at 11:59AMThursday, December 15, 2016
The consistency – the from-the-very-beginning wholeness – of Bach's genius was clear in this chronological arrangement. The kinds of writing techniques and subjects – the sequences and…
SOURCE: www.theaterscene.net at 02:14PMSaturday, December 3, 2016
Joined by percussionist John Ferrari and conductor Jeffrey Means, the five members of the Da Capo Chamber Players – Curtis Macomber/violin, Chris Gross/cello, Patricia Spencer/flute, Meigh…
SOURCE: www.theaterscene.net at 05:47PMTuesday, November 15, 2016
Performed the evening before the American election, the theme and purpose of the concert – remembrance of John F. Kennedy and Martin Luther King, Jr., two “outstanding stewards of humani…
SOURCE: www.theaterscene.net at 04:28PMMonday, November 14, 2016
From the very first opening bars of the "Chaos" overture, Hyde set the tone for the evening: conducting with gentlemanly authoritativeness, Hyde led the Orchestra of St. Luke's – who were …
SOURCE: www.theaterscene.net at 10:49PMThursday, November 3, 2016
In the first concert of the 2016-2017 Composer Portraits season at Columbia University School of the Arts' Miller Theatre, current music of American composer John Zorn (b. 1953), including f…
SOURCE: www.theaterscene.net at 03:46PMMonday, September 19, 2016
The performance of Verdi's "La Traviata" featuring Bonnie Frauenthal as Violetta and Jose Heredia as Alfredo Germont was wonderful in many ways. Frauenthal sang and acted her complex role co…
SOURCE: www.theaterscene.net at 06:13PMThursday, July 7, 2016
Over the last several years, PRISM and two colleague chamber groups, Sō Percussion on the one hand and PARTCH on the other, have been engaged in the “Color Theory” project, and present…
SOURCE: www.theaterscene.net at 02:49PMTuesday, June 28, 2016
C4 has always been driven by certain core values and goals; the particular repertoire “cornerstones” being emphasized this season, as indicated in the concert's program notes, were impo…
SOURCE: www.theaterscene.net at 12:44PMMonday, June 6, 2016
In the program notes and in informal remarks to the audience, Ochsner encouraged the audience to listen to all the works as music inspired by nature; this theme proved to be a useful organiz…
SOURCE: www.theaterscene.net at 01:23PM 
