All stories by Jason Rohrer on BroadwayStars

Sunday, February 8, 2015

Re-Imagine Re-Imagine by Jason Rohrer

These Re-Imagine LA Theatre guys are some of the bravest people in town. I mean it. Stupid is not what they are; foolhardy, yes. Which is a kind of brave. I mean, they did it. In the face of…

SOURCE: Bitter Lemons at 06:47AM
Saturday, February 7, 2015

Los Angeles Theater Review: THE PITCHFORK DISNEY (Coeurage Theatre Company) by Jason Rohrer

A RIDE YOU WON’T FIND IN ANAHEIM Any neighborhood with the elevated name of Silver Lake should have freshwater dolphins and interesting old hotels and a disfigured serial killer who st…

SOURCE: Stage and Cinema at 02:17AM
Tuesday, February 3, 2015

Los Angeles Theater Review: THE MISSING PAGES OF LEWIS CARROLL (The Theatre @ Boston Court) by Jason Rohrer

UP THE RABBIT HOLE There’s been a good deal of speculation over the last hundred-and-something years regarding the sexuality of Charles Dodgson, an Oxford professor of mathematics more…

SOURCE: Stage and Cinema at 11:53AM
Friday, January 30, 2015

The Utility and the Uselessness by Jason Rohrer

My imperfect grasp of David Hume’s philosophy excites me on the concept of utility, which determines the value of an idea by asking how useful it is to society. Applying this crite…

SOURCE: Bitter Lemons at 03:14AM
Monday, January 26, 2015

Los Angeles Theater Review: ANNA CHRISTIE (Odyssey Theatre Ensemble) by Jason Rohrer

SAILING THROUGH FOG The title of Eugene O’Neill’s 1921 drama Anna Christie is the nom de guerre chosen by a hard-knock 18-year-old who decides that if she’s going to get pa…

SOURCE: Stage and Cinema at 03:37PM
Friday, January 23, 2015

The Kitchen off Ocean Corral by Jason Rohrer

For years we ran our kitchen on the beach, where the desert road dies at the coast highway. Characters would hitchhike west out of plays and movies set at lonesome cafes in Arizona or Deat…

SOURCE: Bitter Lemons at 01:51AM
Wednesday, January 14, 2015

JASON ROHRER’S BEST OF L. A. THEATER, 2014 by Jason Rohrer

A YEAR OF ECSTATIC MOMENTS Last year, as ever, I missed what I am told was some of the best theater that went up in Southern California. I don’t know what’s Best or Most. I saw s…

SOURCE: Stage and Cinema at 02:29PM
Tuesday, December 30, 2014

You Came to the Show by Jason Rohrer

You bought the ticket, or you had had your friend who was in the show leave tickets for you at the booth. The girl in the booth was perhaps too old and certainly too responsible to be called…

SOURCE: Bitter Lemons at 07:33PM
Tuesday, December 16, 2014

National Tour Review: BLITHE SPIRIT (Ahmanson) by Jason Rohrer

BIRD THOU SURE AIN’T NOW Hail to thee, blithe Spirit! Bird thou never wert, That from Heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art. - P.B. Shelle…

SOURCE: Stage and Cinema at 08:43PM
Friday, November 28, 2014

The Unlikely Rebels by Jason Rohrer

One day last week, Colin Mitchell and I texted plans to meet at the Mark Taper Forum. We hadn’t seen each other in months. Twenty minutes after the text, with all of Los Angeles to att…

SOURCE: Bitter Lemons at 09:51PM
Wednesday, November 26, 2014

Los Angeles Theater Review: WHAT THE BUTLER SAW (Mark Taper Forum)  by Jason Rohrer

WHAT DIDN’T HE Joe Orton was a loudly subversive English playwright who, before his murder in 1967, helped rip out the loud, inefficient plumbing of kitchen sink social drama and repla…

SOURCE: Stage and Cinema at 02:37PM
Saturday, November 8, 2014

Los Angeles/Tour Theater Review: SHOTSPEARE’S ROMEO AND JULIET (Skinny’s Lounge and Cavern Club in L.A. & Planet Hollywood in Vegas) by Jason Rohrer

THESE VIOLENT DELIGHTS Shotspeare is a comedy punch mulled from liquor, a few conservatory-trained actors and Ringling Brothers clowns, and the brutalization of one of the best plays ever w…

SOURCE: Stage and Cinema at 01:53PM
Thursday, November 6, 2014

Tour Theater Review: KING LEAR (Shakespeare’s Globe at the Broad Stage in Santa Monica) by Jason Rohrer

MORE SINNED AGAINST At one point in act four, the disillusioned and blinded Gloucester refuses help along the road: “I have no way and therefore want no eyes.” It’s a line that Bil…

SOURCE: Stage and Cinema at 01:39PM
Saturday, October 25, 2014

Los Angeles Theater Review: WHAT OF THE NIGHT? (The Vagrancy at Studio/Stage) by Jason Rohrer

WHAT INDEED The title of María Irene Fornés’ 1989 quartet of one-acts recalls a two-verse Old Testament passage in Isaiah. The wandering Jews cry out from the midst of war, famine, e…

SOURCE: Stage and Cinema at 01:37PM
Sunday, October 12, 2014

Regional Theater Review: VENUS IN FUR (South Coast Repertory in Costa Mesa) by Jason Rohrer

GODDESS OF LOVE THAT YOU AREN’T David Ives’ two-character adaptation of Leopold von Sacher-Masoch’s 1870 novel Venus in Furs wowed New York in 2010, largely for its star tu…

SOURCE: Stage and Cinema at 03:31PM
Monday, September 29, 2014

Blackbird Pie by Jason Rohrer

She realized in the middle of the final preview – near the top of the second act, when she spent five minutes upstage near the windows – that it wasn’t the flu. She stood quietly w…

SOURCE: Bitter Lemons at 05:16PM
Saturday, September 27, 2014

Los Angeles Theater Review: CHOIR BOY (Geffen) by Jason Rohrer

SWEET SONGS UNSUPPORTED Tarell Alvin McCraney’s 2012 Choir Boy is a tantalizing, underdeveloped play-with-music not entirely improved by Trip Cullman’s direction, now at the Geff…

SOURCE: Stage and Cinema at 01:46PM
Saturday, September 20, 2014

Los Angeles Theater Review: THE GOAT OR, WHO IS SYLVIA? (L.A. Gay & Lesbian Center’s Renberg Theatre) by Jason Rohrer

YOU’LL GET THIS GOAT Martin is an architect at the top of his profession; he and his wife Stevie and their son Billy live at, or on, the crest of civilization: rich, successful, smart,…

SOURCE: Stage and Cinema at 02:49PM
Friday, September 19, 2014

Los Angeles Theater Review: HAPPY DAYS (Theatre @ Boston Court in Pasadena) by Jason Rohrer

HEAVENLY DAY Samuel Beckett’s 1960 two-hander Happy Days presents a life in hell: Winnie, a middle-aged lady half-buried in an apocalyptic wasteland, is awakened and put to sleep by a …

SOURCE: Stage and Cinema at 06:14PM

Los Angeles Theater Review: WESTERN SOCIETY (Gob Squad at REDCAT) by Jason Rohrer

ALL YESTERDAY’S PARTIES A projection reads “1,000,000 Years B.C.,” and the countdown (count up?) begins; that’s a lot of numbers to scroll on a stage bare of performers, and …

SOURCE: Stage and Cinema at 02:35PM
Tuesday, September 9, 2014

Los Angeles Theater Review: THE LIFE AND SORT OF DEATH OF ERIC ARGYLE (Son of Semele Ensemble) by Jason Rohrer

A SORT OF JUDGMENT The Life and Sort of Death of Eric Argyle, Ross Dungan’s 2013 play about fate-after-death, is pleasantly eloquent and several times touching in a comforting way, but…

SOURCE: Stage and Cinema at 06:42PM
Monday, September 8, 2014

Los Angeles Theater Review: BURIED CHILD (Whitefire Theatre in Sherman Oaks) by Jason Rohrer

UNBURIED RED-HEADED STEPCHILD In the mid-1990s, Sam Shepard rewrote his Pulitzer Prize-winning 1978 play, Buried Child, for a new Steppenwolf production that director Gary Sinise dragged fro…

SOURCE: Stage and Cinema at 07:49PM

Regional Theater Review: THE TEMPEST (South Coast Repertory in Costa Mesa) by Jason Rohrer

MAGICIANS OF THEATRICALITY Aaron Posner is on fire right now. His adaptations, My Name Is Asher Lev and Stupid Fucking Bird, are being produced all over the country, and his version of Shak…

SOURCE: Stage and Cinema at 07:00PM
Saturday, September 6, 2014

Los Angeles Theater Review: THE WESTERN UNSCRIPTED (Impro Theatre at the Falcon in Burbank) by Jason Rohrer

FORD INTO PECKINPAH VIA THE CHICKEN HYMN I’m a big fan of John Ford and Howard Hawks; My Darling Clementine and Red River are apex achievements in Hollywood studio storytelling. But Fo…

SOURCE: Stage and Cinema at 01:40PM
Thursday, September 4, 2014

Los Angeles Theater Review: PERSIANS (SITI Company at The Getty Villa) by Jason Rohrer

FIRST PERSIAN PLURAL To see the oldest extant Greek tragedy performed sort-of as it was 2500 years ago, but excluding masks and including Anne Bogart’s affection for fabric and yoga …

SOURCE: Stage and Cinema at 02:55AM
Thursday, August 28, 2014

The Fat Boy Confessions by Jason Rohrer

A couple of weeks ago the theater artist David Jette called me “an infamously belligerent dick.” That’s good, accurate reportage, well-phrased, best of all fair. David and I shared…

SOURCE: Bitter Lemons at 09:10AM
Sunday, August 24, 2014

Los Angeles Theater Review: THE FACE IN THE REEDS (Ruskin Group Theatre in Santa Monica) by Jason Rohrer

THE RUBRICS OF FAITH A play as well presented and satisfyingly written as most of Robin Uriel Russin’s new The Face in the Reeds deserves special mention. The Family Holiday Dramedy wi…

SOURCE: Stage and Cinema at 11:02PM
Wednesday, August 20, 2014

Taking a Shit at Philippe’s by Jason Rohrer

The homeless constitute one of two demographics to whom a toilet cleaned by an indifferent minimum-wage worker looks pretty good. The other is rich people with maids. I am neither, and I d…

SOURCE: Bitter Lemons at 09:19AM
Friday, August 8, 2014

Los Angeles Theater Review: I WANNA HOLD YOUR HAND (Theatre of NOTE) by Jason Rohrer

STRAWBERRY FIELDS I’m not sure what, but it says something about our young writers and aging audiences that the most durable millennial genre is the coming-of-middle-age medical trauma…

SOURCE: Stage and Cinema at 01:38PM
Monday, August 4, 2014

Los Angeles Theater Review: THE ECHO ONE ACTS 2014 (The Echo Theater Company in Atwater Village) by Jason Rohrer

ONE ACT IS COMPANY, SIX IS A CROWD Here’s the thing: an evening of one-act plays always reminds me of those Night of Scenes showcases back in school.  It’s a good chance for wri…

SOURCE: Stage and Cinema at 11:57AM

Los Angeles Theater Review: BROADWAY BOUND (Odyssey Theatre) by Jason Rohrer

BROADWAY VIA THE CATSKILLS AND THE ACTORS STUDIO I like plays featuring middle-aged guys who did everything right and still can’t figure anything out.  So Ron Sossi and Larry Field…

SOURCE: Stage and Cinema at 02:55AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic