All stories by Jake Orr on BroadwayStars

Monday, May 7, 2012

Review: Make Better Please by Jake Orr

Uninvited Guests is inviting audiences to scour newspapers for all that is bad in the world before pushing it into a performance space and, like the evolution of man from his primitive ape d…

SOURCE: A Younger Theatre at 06:19AM
Saturday, April 21, 2012

Theatre Thought: Melanie Wilson’s Autobiographer Reconsidered by Jake Orr

I’ve been thinking about Melanie Wilson’s Autobiographer which I reviewed here during the week. It would perhaps be fair to say that I didn’t give it a glowing review, and …

SOURCE: A Younger Theatre at 02:00PM
Friday, April 20, 2012

Review: Autobiographer by Jake Orr

Melanie Wilson’s Autobiographer is a poem about life, loss and the slipping away of memory as Flora, the central character split between four performers, struggles with dementia. In it…

SOURCE: A Younger Theatre at 09:22AM

Theatre Thought: The rise of the ‘Digital Theatre’ by Jake Orr

I’ve been thinking a lot about the digital in theatre, and how this affects us as an audience, and as industry professionals and theatre makers. At the moment, it’s all about the…

SOURCE: A Younger Theatre at 08:23AM
Monday, April 16, 2012

Review: Gross und Klein (Big and Small) by Jake Orr

As I was sitting watching Gross und Klein (Big and Small) at the Barbican Theatre I couldn’t help getting lost in the humour and tangential nature of Botho Strauss’s play, albeit…

SOURCE: A Younger Theatre at 09:15AM
Friday, April 13, 2012

Review: The Dark Room by Jake Orr

In David Byrne’s The Dark Room we witness the rise of Ruth (Madeleine MacMahon) as she asserts her power in the new school she has joined. From bottom of the classroom pile, she plots,…

SOURCE: A Younger Theatre at 07:00AM
Wednesday, April 11, 2012

Review: Your Last Breath by Jake Orr

In January 2011 I sat in the Pleasance Theatre watching Curious Directive’s Return To Silence. It wasn’t a perfect performance but the potential from this emerging company was cl…

SOURCE: A Younger Theatre at 08:16AM
Saturday, April 7, 2012

Review: Broken News by Jake Orr

With a running time of less than an hour, Squint’s Broken News at the New Wimbledon Studio Theatre packs in an energetic production with a compact story fit for the micro-narrative soc…

SOURCE: A Younger Theatre at 01:07PM
Wednesday, April 4, 2012

Review: Mercury Fur by Jake Orr

In this production of Mercury Fur by Philip Ridley, playing in the intimate Old Red Lion Theatre, audiences are crammed in tight and asked to be forgiving of the warm atmosphere. But it̵…

SOURCE: A Younger Theatre at 08:30AM
Monday, April 2, 2012

Review: Oklahoma! by Jake Orr

You will not find a harsher critic than me when it comes to Rogers and Hammerstein’s Oklahoma! Period. It’s a musical very close to my heart as it was the first musical I performed at Un…

SOURCE: A Younger Theatre at 07:34AM
Wednesday, March 28, 2012

Review: Vera Vera Vera by Jake Orr

Hayley Squires’s debut play Vera Vera Vera, part of the Royal Court’s Young Writers Festival, is about the grief and hope that arises when a young solider, Bobby, is shot whilst fighting…

SOURCE: A Younger Theatre at 04:15AM
Sunday, March 25, 2012

Competition: Win Tickets to Mogadishu by Jake Orr

Our friends at Lyric Hammersmith have given us a pair of tickets to the hit show Mogadishu which is returning to the Lyric this week. To get your hands on the tickets skip below to find out …

SOURCE: A Younger Theatre at 07:15AM
Thursday, March 22, 2012

Review: The Master and Margarita by Jake Orr

Mikhall Bulgakov’s The Master and Margarita, an epic novel which tells of the Devil visiting Moscow and interacting with its inhabitants, is considered to be one of the best novels of …

SOURCE: A Younger Theatre at 11:34AM
Wednesday, March 14, 2012

Review: Shivered by Jake Orr

Philip Ridley’s tour de force of a play, Shivered, is the story of a family torn apart by the beheading of their soldier son after he is taken hostage abroad. In true Ridley fashion, i…

SOURCE: A Younger Theatre at 10:57AM
Tuesday, March 13, 2012

Review: Can We Talk About This? by Jake Orr

Political correctness. Freedom of speech. Extremists. Belief. Islam. Muslim. Multicultural. Racism. Britishness. These are all words that have become more prominent  in recent years, and no…

SOURCE: A Younger Theatre at 10:25AM
Sunday, March 11, 2012

Review: Avon Calling by Jake Orr

The launch of the annual Sprint Festival at Camden People’s Theatre took place not in a theatre as expected, but in the living room for an intimate audience of ten people. Birmingham-b…

SOURCE: A Younger Theatre at 09:11AM
Wednesday, March 7, 2012

Review: We Hope That You’re Happy (Why Would We Lie?) by Jake Orr

“I didn’t know whether to masturbate or to vomit,” a bemused Chris Bailey declares during Made In China’s We Hope That You’re Happy (Why Would We Lie?) at Batte…

SOURCE: A Younger Theatre at 06:30PM
Saturday, March 3, 2012

Review: Julius Caesar by Jake Orr

The production of Julius Caesar staged at the Jack Studio Theatre (at the Brockley Jack) was a visual spectacle. The grungy feel of Rachel Cartlidge’s costumes placed this production outsi…

SOURCE: A Younger Theatre at 07:23AM

Theatre Thought: Theatre making and theatre writing – A question of trust by Jake Orr

Sitting in the rehearsal room whilst Dirty Market works towards its work-in-progress piece is a rollercoaster ride. My presence in the process is a complicated one. The company has been kind…

SOURCE: A Younger Theatre at 06:57AM
Tuesday, February 28, 2012

Review: Horrible Histories by Jake Orr

From the moment I entered the Garrick theatre the excited squeals of children were audible. They had seemingly come expecting the charming wit of Terry Deary and the joyous mirth of the tele…

SOURCE: A Younger Theatre at 06:30AM

Review: What I Heard About The World by Jake Orr

We tend to forget, living in our cosy homes in the UK, that there is a wider world beyond our waters. The world is an expanse of land and sea inhabited by seven billion humans, living their …

SOURCE: A Younger Theatre at 06:19AM
Wednesday, February 15, 2012

Theatre thought: Where is the UK’s theatre blogging community? by Jake Orr

In Matt Trueman’s Noises Off this week on the Guardian Blogs he highlighted the spat caused by the recently launched online publication The Globe Mail in Australia over its first ar…

SOURCE: A Younger Theatre at 08:10AM
Sunday, February 12, 2012

Review: Frustration (Frustra-Azioni) by Jake Orr

Dario D’Ambrosi, an Italian performance artist, has had little exposure to UK audiences before now. His work slips between the cracks of theatre, art and performance, and is perhaps an…

SOURCE: A Younger Theatre at 11:36AM
Wednesday, February 8, 2012

Review: The Devil and Mister Punch by Jake Orr

As the puppet Punch celebrates his three-hundred-and-fiftieth birthday, Improbable brings its take on “that’s the way to do it” in The Devil and Mister Punch in the Barbic…

SOURCE: A Younger Theatre at 05:31PM
Tuesday, February 7, 2012

Review: The Paper Cinema’s Odyssey by Jake Orr

Homer’s Odyssey is the epic Greek poem of King Odysseus’s 20-year journey to return to his homeland and wife Penelope. He meets goddesses, kills a Cyclops, survives PoesidenR…

SOURCE: A Younger Theatre at 08:09AM
Sunday, February 5, 2012

Review: The Pitchfork Disney by Jake Orr

Philip Ridley’s The Pitchfork Disney in its revival at Arcola Theatre leaves you with more questions than it provides answers. Ridley’s text is wondrously descriptive, evoking a …

SOURCE: A Younger Theatre at 12:32PM

Theatre thought: Theatre critics – beyond the words by Jake Orr

In June 2011, Lyn Gardner and I co-hosted a discussion through Improbable’s ‘Devoted and Disgruntled Satellites’ with the question: “What are we going to do about the…

SOURCE: A Younger Theatre at 12:09PM
Wednesday, February 1, 2012

Review: The House of Bernarda Alba by Jake Orr

Federico Garcia Lorca‘s The House of Bernarda Alba is a formidable play that holds wickedness and envy between every line and subtext is all the dialogue and action. Bernarda Alba is a…

SOURCE: A Younger Theatre at 09:28AM
Saturday, January 28, 2012

Review: The Bee by Jake Orr

In Hideki Noda and Colin Teevan’s The Bee, a collaboration between Tokyo Metropolitan Theatre and Soho Theatre in association with NODA MAP, two men push the limits in a dangerous game…

SOURCE: A Younger Theatre at 09:02AM
Sunday, January 22, 2012

Review: Skeen! by Jake Orr

Tristan Fynn-Aiduenu’s play Skeen! has its audience in fits of hysterics within the first few lines. Appearing in Oval House’s 33% London, a festival dedicated to the 33% of lond…

SOURCE: A Younger Theatre at 11:59AM
Wednesday, January 18, 2012

Review: Love Song by Jake Orr

Growing old and dying are two things that haunt us all. I fear that as I get older, the person I once was will begin to disappear. I worry about the fragments of my life that I will leave sc…

SOURCE: A Younger Theatre at 06:09PM