All stories by JOHN SIMON on BroadwayStars

Sunday, April 22, 2012

LAUGHING PRIMA DONNA by John Simon

Yesterday I casually picked up a book that fell off a bookshelf. It turned out to be How I Lost 10 Pounds in 53 Years, and is the wonderful memoir of Kaye Ballard, which I acquired in 2006 w…

SOURCE: John Simon at 10:16PM
Tuesday, April 3, 2012

THE AUDIENCE by John Simon

There should be a difference between a good performance and a great one. Sensibly, one applauds at the end of the former and rises to one’s feet for the latter. About which is which, one k…

SOURCE: John Simon at 08:06PM
Wednesday, March 14, 2012

MISSING LINKY by John Simon

I read the other day, evoking many memories, that the great publisher Barney Rosset had died aged 89, and reflected on what adventures and enterprises those years had yielded. With his admir…

SOURCE: John Simon at 10:22PM
Wednesday, February 29, 2012

HOWARD KISSEL by John Simon

The premature death at 69—though it would have been premature at any age—of Howard Kissel is a severe loss to everyone involved in the theater, interested in theater, and relative or fri…

SOURCE: John Simon at 01:13PM
Friday, February 17, 2012

THE NOSTRUM OF NOSTALGIA by John Simon

Americans are too prone to nostalgia, a phenomenon comparable to gushing about babies, movie stars, and pets. That it was considered unhealthy is evident from its name, based on two Greek wo…

SOURCE: John Simon at 05:21PM
Monday, January 16, 2012

MEMORY'S TRICKS by John Simon

Memory plays strange tricks on us. There are not only (A) the losses of things we want to remember, but also (B) the things it annoyingly won’t let us forget. And further (C), things we pu…

SOURCE: John Simon at 07:28PM
Tuesday, December 27, 2011

CENSORSHIP AND CASTRATION by John Simon

I just finished a highly important and enjoyable book, two virtues that do not all that often appear in tandem. It is The Language Wars by Henry Hitchings (Farrar, Straus and Giroux). Subtit…

SOURCE: John Simon at 10:28AM
Sunday, December 11, 2011

THE CRITIC, PUBLIC AND PRIVATE by John Simon

There is a great deal about critics that Americans do not understand. First of all, the difference between what a critic writes for public consumption and what he is in private life. The two…

SOURCE: John Simon at 08:49PM
Friday, November 11, 2011

IN DEFENSE OF RHYME AND METER by John Simon

Lovers of poetry may wonder what happened to meter and rhyme. If one looks at modern poetry, one finds little meter and even less rhyme. Which raises the troubling question “What is poetry…

SOURCE: John Simon at 10:03AM
Saturday, October 8, 2011

TOO GOOD TO BE TRUE by John Simon

I sometimes wonder about the phrase “too good to be true.” Latterly because in a review of Bruce Jay Friedman’s memoir, “Lucky Bruce,” the reviewer cites a Long Island lunch group …

SOURCE: John Simon at 08:24PM
Sunday, October 2, 2011

ANIMADVERSIONS OF A “LOOKIST” CRITIC by John Simon

In The New York Times Book Review of September 25, Maureen Dowd reviewed Roger Ebert’s autobiographical “Life Itself.” The highly favorable notice contained the following: “Ebert tri…

SOURCE: John Simon at 05:53AM
Sunday, September 18, 2011

MANNERS TO THE FORE by John Simon

All schemes for improving humankind appear to be hopeless. The masses are definitely not kind and, I fear, barely human. Where even quite ordinary individuals manage to rise above ordinary c…

SOURCE: John Simon at 10:54AM
Tuesday, September 6, 2011

INVALUABLE OBITS by John Simon

Obituaries should be read by everyone. We already know that life can be stranger than fiction—although contemporary fiction goes a long way toward strangeness—but what we should also kno…

SOURCE: John Simon at 09:40PM
Wednesday, August 24, 2011

THE GOAT, or WHO IS PORGY? by John Simon

One of the major monstrosities is rewriting a classic. That is what Suzan-Lori Parks (playwright), Diane Paulus (director) and Audra McDonald (star) are perpetrating with their forthcoming B…

SOURCE: John Simon at 04:18PM
Wednesday, August 10, 2011

REQUIEM FOR THE LONGHAND MISSIVE by John Simon

This is an obituary for the art of letter writing. Of course, there are people who do not believe that e-mail and its electronic relatives have killed epistolary beauties, but they seem to m…

SOURCE: John Simon at 08:51AM
Thursday, July 28, 2011

TITULAR MISCHIEF by John Simon

The other day I read about the Williamstown Theater Festival presenting Ibsen’s A Doll’s House, which title is used again and again even though it is wrong. I have waged a campaign, to n…

SOURCE: John Simon at 01:10PM
Friday, July 22, 2011

ON RELIGION by John Simon

Although I am an atheist, I do not dismiss religion; in fact. I envy a bit those who have it. But I don’t understand it; perhaps someone can provide me with a credible explanation.I can se…

SOURCE: John Simon at 07:42PM
Thursday, July 14, 2011

THE LONG AND SHORT OF IT by John Simon

I have now caught the Diana Paulus production of the musical Hair for the third time, having seen it in Central Park and again on Broadway before now. This is the National Company, which has…

SOURCE: John Simon at 11:40PM
Thursday, July 7, 2011

Eye on Theatre: Callas, A Bit Callous By JOHN SIMON - Yonkers Tribune by JOHN SIMON

An earlier work by the playwright-librettist Terrence McNally, “The Lisbon Traviata,“ revolved around a famous recording by Maria Callas. Later came “Master Class,” with Callas herse…

SOURCE: Yonkers Tribune at 11:17PM
Saturday, July 2, 2011

JANACEK’S 'VIXEN' by John Simon

Is there any doubt left that Leos Janacek (1854-1928), though born into the middle of the 19th century, was arguably the first truly modern composer, and a great one to boot. He composed sup…

SOURCE: John Simon at 12:13AM
Monday, March 21, 2011

FOOD, GLORIOUS FOOD by John Simon

Amazing how many stories of interest center on food. Some of my and my wife Pat’s liveliest adventures involve eating. Take our holiday weekend in Beach Haven on the Jersey shore, where we…

SOURCE: John Simon at 11:04AM
Monday, March 14, 2011

UNSTOPPABLE STOPPARD by John Simon

In the Arts and Leisure section of the March 13 New York Times, I find an article about Tom Stoppard and his active involvement in the forthcoming New York revival of his Arcadia. That is a …

SOURCE: John Simon at 12:55AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic