All stories by Irene Hsiao on BroadwayStars

Friday, July 3, 2020

This is us by Irene Hsiao

Chicago’s 21c Museum Hotel reopens with “This We Believe.” A stone's throw from the kitsch and luxe of the Magnificent Mile, in a north-facing window on O…

Linked From www.chicagoreader.com at 11:50AM
Thursday, July 2, 2020

Moving to the music at home with SummerDance by Irene Hsiao

Social distancing can't stop the beat for this beloved Chicago festival. Summer in the city usually means sultry nights of outdoor picnics, plays and concerts ga…

Linked From www.chicagoreader.com at 01:30PM
Monday, May 18, 2020

Hubbard Street evolves with a 'new paradigm' by Irene Hsiao

Space, perspective, and introversion feature thematically in new online dance pieces. On March 12, the dancers of Hubbard Street Dance Chicago were onstage prepa…

Linked From www.chicagoreader.com at 06:30PM
Tuesday, May 5, 2020

Chicago Dance History Project archives the current moment by Irene Hsiao

Dancing Under Quarantine honors resilience and creativity. Founded five years ago and recipient of a 2019 Ruth Page Award, the Chicago Dance History Project has …

Linked From www.chicagoreader.com at 06:45PM
Thursday, April 23, 2020

When the lively arts go virtual by Irene Hsiao

Two Reader critics talk about digital dance and theater—and other COVID-19 challenges. On April 8, several organizations came together for a "Chicago Performin…

Linked From www.chicagoreader.com at 04:15PM
Thursday, April 2, 2020

Dancing alone together by Irene Hsiao

Dancers figure out how to create in isolation. Dances are made in time and space, a minute or an hour in a dancer’s life never to be seen again. Dances do not …

Linked From www.chicagoreader.com at 08:25PM
Monday, March 30, 2020

Lou Conte Dance Studio closes after 46 years by Irene Hsiao

Hubbard Street's management blames COVID-19, but Conte and others raise questions. A studio, in its essence, is nothing more than an empty room.…

Linked From www.chicagoreader.com at 09:35AM
Tuesday, March 17, 2020

The Two Character Play gets the context it deserves. by Irene Hsiao

Tennessee Williams's oft-revised story delivers to arresting effect with Theatre L'Acadie. "Having the necessary arrogance to assume that a failed production of …

Linked From www.chicagoreader.com at 07:00PM
Tuesday, March 3, 2020

Martin McDonagh's The Pillowman is Gorey-meets-Kafka by Irene Hsiao

Gift Theatre brings a dark fable to life. Once upon a time, in a room that looked like a fifth-grade classroom after a firebombing followed by an era of mildew, …

Linked From www.chicagoreader.com at 07:15PM
Thursday, February 27, 2020

March forward, spring ahead by Irene Hsiao

Ten performance picks to blow you away this month Theater (Kerry Reid) What the Constitution Means to Me Heidi Schreck's Tony-nominated play, in which the playwr…

Linked From www.chicagoreader.com at 03:50PM
Tuesday, February 25, 2020

Trinity Irish Dance Company plays at the intersection of American Traffic by Irene Hsiao

A new work at the Auditorium combines Irish and African American dance traditions. In the 19th century, amid social unrest, crime, and infectious disease in the …

Linked From www.chicagoreader.com at 04:10PM
Tuesday, February 18, 2020

The Times Are Racing has urgency, but lacks vision by Irene Hsiao

Electric performances heat up a Joffrey program that could use more coherence. Antarctica has hit a record high temperature. Sixty thousand known cases of the ne…

Linked From www.chicagoreader.com at 12:30PM
Wednesday, January 29, 2020

Leaping into live performance for February by Irene Hsiao

Our critics suggest ten ways to fill out that slightly longer calendar this month. Theater (Kerry Reid) Sophisticated Ladies…

Linked From www.chicagoreader.com at 05:30PM
Tuesday, January 28, 2020

Bridging the spiritual and political divide in I Hunger for You by Irene Hsiao

Kimberly Bartosik/daela make their Chicago debut. In 2017, when choreographer and former Merce Cunningham dancer Kimberly Bartosik began working on I Hunger for …

Linked From www.chicagoreader.com at 05:00PM
Monday, January 27, 2020

Caught Up: A Review of The Mousetrap at Court Theatre by Irene Hsiao

The characters in Sean Graney's production of Agatha Christie's delicious whodunit slowly come undone like so much hard candy.

Linked From www.newcitystage.com at 02:00PM
Wednesday, January 22, 2020

Light in Winter celebrates Unity Temple in music and movement by Irene Hsiao

Frank Lloyd Wright's recently restored “good-time place” provides a divine backdrop for Winifred Haun and Dancers. No entrance greets the eye at the intersec…

Linked From www.chicagoreader.com at 05:30PM
Monday, January 20, 2020

The Art of Loss: A Review of Thirst at Strawdog Theatre Company by Irene Hsiao

Playwright C.A. Johnson's world of civil war, bombs, looting, gangs and starvation is hardly fictional. It is practically here.

Linked From www.newcitystage.com at 02:00PM
Friday, December 20, 2019

Girls in a dance troupe glimpse the pain of the adult world in Dance Nation by Irene Hsiao

Clare Barron's drama delivers flagrantly graceless dancing, but heartstopping truths. The curtain never rises on Clare Barron's ferocious, Pulitzer-finalist play…

Linked From www.chicagoreader.com at 08:00PM

This list goes to 11: our critics share their best bets for chilly nights by Irene Hsiao

Break the hibernation habit with some hot choices onstage. THEATER PICKS (KERRY REID) Whisper House…

Linked From www.chicagoreader.com at 05:30PM
Tuesday, December 17, 2019

No one is alone by Irene Hsiao

The best moments in dance this year focused on the power of community. In the mad scene in Akram Khan's Giselle for the English National Ballet at the Harris The…

Linked From www.chicagoreader.com at 07:15PM

Sara Schumann uses her dance and law background to keep Madison Ballet on pointe by Irene Hsiao

The longtime Chicago dancer and labor lawyer turns Nutcracker revenues into new initiatives. For most, the holidays mean food, family, festivities, and fits of r…

Linked From www.chicagoreader.com at 05:00PM
Monday, December 16, 2019

Light Headed: A Review of The Light in the Piazza at Lyric Opera of Chicago by Irene Hsiao

By the end of this melodious but ultimately vapid production you too might feel as if you've been kicked in the head.

Linked From www.newcitystage.com at 11:00AM
Tuesday, November 19, 2019

Bangarra Dance Theatre brings its distinctive language to Chicago by Irene Hsiao

Based in Australia, the company fuses contemporary dance with Aboriginal and Torres Strait Islander traditions. Bangarra Dance Theatre of Australia makes its Chi…

Linked From www.chicagoreader.com at 05:53PM
Monday, November 18, 2019

Riven and Vivid: A Review of Oedipus Rex at Court Theatre by Irene Hsiao

A contemporary and timeless vision from the premiere source for classical Greek theater.

Linked From www.newcitystage.com at 02:00PM
Tuesday, November 12, 2019

The music entices, but the story is corny in Sombras Tango Cabaret by Irene Hsiao

Tango 21 Dance Theater's cabaret show lacks narrative sophistication. Originating on the streets of Argentina, filtered through European high society, blending A…

Linked From www.chicagoreader.com at 06:05PM

Rink Life takes us on a circular journey through collaboration by Irene Hsiao

Lucky Plush's new ensemble piece uses the roller rink as a metaphor for community. Ah, the roller rink—a community center where everyone keeps moving in circle…

Linked From www.chicagoreader.com at 04:45PM
Monday, November 11, 2019

An Enduring Holiday Tradition: A Review of The Steadfast Tin Soldier at Lookingglass Theatre Company by Irene Hsiao

Directed by Mary Zimmerman, this ardent and wide-eyed holiday show returns, albeit with at least one noteworthy blind spot.

Linked From www.newcitystage.com at 09:00AM
Wednesday, November 6, 2019

This, That, and the Third breaks down code-switching by Irene Hsiao

Rena Butler explores otherness and adaptation to new spaces in her contribution to Hubbard Street's Forge Forward program. This week, Hubbard Street Dance Chicag…

Linked From www.chicagoreader.com at 07:00AM
Monday, November 4, 2019

Crime After Crime: A Review of Dead Man Walking at Lyric Opera of Chicago by Irene Hsiao

The characters in Jake Heggie's 2000 opera acquire charisma through the unhappiness of their situations and the obsessions that drive them.

Linked From www.newcitystage.com at 09:45AM
Wednesday, October 30, 2019

Alexandra Bachzetsis takes stock of exchange in Chasing a Ghost by Irene Hsiao

The choreographer's duets about changing partners takes over the Art Institute's Trading Room. On the northeasternmost edge of the Art Institute of Chicago, wher…

Linked From www.chicagoreader.com at 07:00AM
Monday, October 28, 2019

Sign of the Times: A Review of You Are Happy at Red Theater Chicago by Irene Hsiao

Both spoken and signed, this production plays its source material twice, spotlighting the disturbing ventriloquism of romantic relationships.

Linked From www.newcitystage.com at 02:30PM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue