Hua Hsu writes on the two-act play “The Haunting of Lin-Manuel Miranda,” by the activist and author Ishmael Reed, which criticizes the creator of the hit musical “Hamilton.”
SOURCE: The New Yorker Subscription at 10:30AMOn the Vampire Weekend co-founder’s début solo album, “Half-Light,” he mingles elements of his American upbringing with the textures of his Iranian background.
SOURCE: The New Yorker Subscription at 05:00AM